[REPOST] Louis Ulrich's Routine Shots to Practice

CreeDo

Fargo Rating 597
Silver Member
Pro player Louis Ulrich (I'm not him) posted these back in 2007.
They're excellent examples of super common 9 ball shots that should be practiced until they're automatic.

Unfortunately the wei table diagrams broke so the pictures of the shots aren't visible.
Someone was hoping to get a look at them. So I checked out the code for the diagrams
and redid them all as images. Hopefully these diagrams will stick around.

I'm reposting his original text below, plus the diagrams.

==========================

Over the past few weeks I have had many players asking what it is that I have been doing on the practice table to produce so many high finishes in tournaments. Although my basic answer is practice, I haven't been able to actually show anyone my full practice routine simply because it would probably take more than a week to go through the whole thing. One thing that I can share that won't take too long to discuss is the importance of Routine Shots.

Routine shots, for me anyway, are the shots that come up at least every other game, if not every game. These routine shots can be found in almost every instructional book, and are taught by all the instructors. Knowing and being able to execute routine shots is in my opinion the key to getting out when you are supposed to. You'll hear this line said all the time in the pool room. "If I'd just get out when I'm supposed to..." Well, I feel the biggest reason that players don't get out when they are supposed to is they are out of practice with the routine shots. Many players (myself included) have spent time practicing a shot until they get it, then they just assume it will be there whenever they need it, and forget to practice it.

In this thread, I'm going to put several of the routine shots that I practice on the cue table with a brief explanation of the shot execution. If anyone would like to add shots that they feel are valuable, please do so. Also if anyone needs more guidance in how to properly execute the shot, feel free to ask.

The first shot that I'm sharing is a simple stop shot, straight in, and up the rail. It may seem silly that this shot would need to be practiced but I see them rattle all the time!

UonsFUP.jpg


I shoot this ball with a tip and a half to two tips below center, depending on distance. My goal in practice is to be able to shoot the cue ball as slowly as possible to get it to stop.

I also want to mention that you can turn this shot into an entire practice session if you want to. Start with stopping the cue ball dead, then draw the ball back two feet, then back to the end rail, so on and so forth. You could also practice stunning the cue ball forward a few inches, or rolling the cue ball forward a foot or so. Varying object ball distance to the pocket and cue ball distance to the object ball will create different levels of difficulty.

----

This next shot shows a simple cut up the rail with reverse english. The cue balls A and B show examples of different angles that you should set up to practice. I practice different degrees of english and speed to get the cue ball in different position points on the table. As with any other shot, setting up varying degrees of difficulty is important.

Note: Anything that you pracitce on the left side of the table should be given equal attention on the right side of the table.

OjYn17P.jpg


sidenote from CreeDo: I think the original author meant to draw the above diagram
with a little more angle... the shot is nearly straight in, in the diagram.
Don't sweat it, if you can't replicate this shot on the table from the original cue ball position.
I think he wanted to show an angle a little closer to "A" and just drew the diagram a little off.
 
Last edited:
This is pretty much the same shot as the last one except this time you will be taking the inside route for postition.

A5Rbr5c.jpg


---

This shot, executed with low/right english comes up all the time. Notice how the result will get you position on every ball on the table.

JBgMUWU.jpg
 
Last edited:
Again we have the same shot with a little different scenario. Interfering balls keep us from drawing the cue ball for position. In this instance, center/left will take us 3 rails back to the center, giving us position for all balls on the table.

BJZ8Jwd.jpg


---

This simple stun shot should be made without thinking about it. The angle is perfect so you simply need about a center ball hit with enough speed to carry the cue ball 3 rails for shape on the 9.

u7RAImr.jpg
 
Last edited:
This shot is a little tricky because it's almost straight in. By using top/right english and a firm, smooth stroke, getting position on the 9 is relatively simple.

8aHcALh.jpg


---

This is a simple follow shot down to the bottom rail and back up to the center for position. No real difficulty here but you'd be amazed at how often it's missed.

LQT0WfP.jpg
 
Last edited:
Just a break to dicuss the shots that are up already. Although most of these shots are simple, they are exactly the shots people shake their heads about in disbelief when they miss them. If you are serious about improving your game, make these shots simple for you and put them into your practice routine.

A note about practice. The purpose of practicing is to is develope your mind and muscle memory for the shot. When you set up a shot to practice it, spend a good amount of time on each angle, as well as the speed and english. For example, if you are practicing a straight in shot and you are drawing your cue ball back 4 feet, then keep doing the same shot over and over until you are very in tuned with what kind of stroke it will take to get the cue ball to come back about 4 feet. After you are comfortable with that stroke, then practice executing a 6 foot draw stroke, and do that shot until you are comfortable with it. I recommend that you do not go back and forth between the 4 ft shot and the 6 ft shot until you are sure that you know the difference between the strokes.

I'll be back with more shots later. In the meantime please add in any shots you want to share and any questions.

---

This is one of my least favorite positions to find myself in. To get position as shown, you need to shoot this shot with top/left. But there's more to it then that. It's very easy to let the cue ball get away from you if you don't hit the pocket exactly where you are aiming. Also, if you hit the ball too hard or don't get enough follow, you could end up on the other rail by mistake.

Last time I had a chance to practice this shot, I shot it until I made it 100 times on the left side of the table, then 100 times on the right. Not exactly fun but it helps to get the consistent result I'm looking for.

PnfwIP9.jpg


---

This one doesn't come up as often as the others but it's a good one to be familiar with. In this position, the shot is top/left. You need to get some speed on the ball because the cue ball reverses off the second rail and it loses some momentum. It's a fun shot when you get it.

zRbdoJA.jpg
 
Last edited:
This scenario shows where a player got too straight on the 7 to get to the 9 without coming with a power draw. You can take the frustration out of this situation by mastering the bank on the nine. Unfortunately when you get in this situation your cue ball will be very close to the rail and this is where the shot should be practiced from.

This comes up enough to make it worth knowing well.

H5S9TdO.jpg


---

Both of these shots or something similar come up almost every game. The shot on the one ball is just low/left (reverse english) and the shot on the 2 ball is top/right (inside english). The diagram shows position for the center of the table but you can use the same shots to get from one side of the table to the other. These should be no brainers when they come up.

1xRZv5U.jpg


---

housecue said:
I want to thank you so much for sharing some of your routines. I'm gonna practice them alot.

Can I ask you what aiming technique do you use? For me, I simply practice the shot enough that my mind would memorize the ghostball relationships to the OB to make the shot. Although I am doing pretty good with this method, I seem to struggle a bit with long distance angle shots, I have trouble picturing the ghostball that far. I wonder if you have any tips in shooting these shots?

I actually don't use an aiming system. I play off of feel and memory. I do think that aiming systems are good but to become good at the system you must practice it enough to commit it to memory. If you like using systems for aiming, you should look into others besides the ghost ball system. The Billiard Aim Trainer website demonstrates a "3 cuts" system that is mathmatically more correct than the ghost ball. Stan Shuffet also teaches a variation of this system. Just food for thought.

As for your long shots, I am a firm believer in graduating from short range shots to long range shots. What I mean is if you can make a shot from one foot away with ease but miss the exact same shot from 4 feet away, then you need try your shot at 2 feet until it becomes easy, then 3 feet and so on.

One thing you need to keep in mind when shooting longer shots (such as when the cue ball is farther than 5 feet from the object ball) is that there is a lot more that can go wrong. If you miss hit the cue ball just a little bit, that equates to a lot when there is distance involved.

The fact that you have identified shots that give you trouble is half the battle. Now you can work on those shots so you can turn them from weaknesses into strengths. Best of luck
 
Last edited:
I'm only seeing the two shots in the first post. These are very interesting! Any more?

KMRUNOUT
 
Quick note: I left most of these images as-is. Three of them had weird paths for one of the balls.
Not sure if he drew the path improperly or if there's some glitch in how I'm getting the original diagram code.

I attempted to fix the paths of the following images:

Image #7: "This shot is a little tricky..."

The line was just unrealistic, hitting way up the 2nd rail then closer to the side on the third.
I just smoothed it out so it looked more natural.

Image #8: "This is a simple follow shot down..."
The original showed a weird glitchy line that passed through the 7 and didn't touch the bottom rail.
I drew my best guess of what it's supposed to look like.

Image #12: (final image) The right-hand diagram on the 2-ball showed the path you might get with heavy
reverse english (high-left)... the drawing had it reverse off the 2nd rail and stay close to the short rail.
I think he intended to show running english (high inside / high-right) and have it widen off the 2nd rail.
 
Thanks for posting these! I will try practicing these shots before a tournament that Im playing in on sunday
 
Thanks for posting these I read the other thread about them and could not find a working Wei table. Nice work.
 
Good stuff!

You're absolutely right about varying the practice on the straight-in shots; I practice those religiously, varying the length of the shot, using stop, draw, and follow to make the shots with. The point about shooting it as soft as possible to get the desired result is also a very good point - you mention the rattling; most of the time people rattle that shot because they hit it too hard.

The other one that I like a lot is the thin cut on the one-ball into the side with high, inside english that you've diagrammed; practicing that shot will help you realize when the side pocket is not in play because of scratch possibilities, and knowing when to shoot that shot will help get you out of trouble - it can be a tough shot to make but a life-saver in a game situation!

Have you read any of Bob Henning's books? He diagrams a lot of shots like you've done, with 3 variations of each shot, to give players a full repertoire to practice with to improve their game - they're like the 15 most common 9-ball shots or something like that - definitely worth checking out if you haven't.

-Brian
 
Is image 2 possible? Looks too straight to me.

I agree, I didn't adjust the diagram but I thought the same thing.
Much more plausible from the other labelled positions.
But where he's drawn it you'd have to hit warp speed with maximum pocket cheat.
Think I might edit the post with a sidenote.
 
Can anyone here get in touch with Louis Ulrich he has not posted on AZ for more than a year. I would like to include his practice shots in a document I will be giving away for free on my website as a PDF. I tried to PM him but his box is full. Prior to sharing I was trying to get his permission to include his thoughts/words.

Why I wanted to get in touch with him was I sell the True Rack (www.thetruerack,com) a portable quality rack that folds up and fits in a case. I have came up with a practice aid I call a True Target which are is die cut very thin 4 mil plastic doughnuts the size of a ghost ball 2 1/4" OD wide then there is a size that will drop over a ball 2 1/4" ID and also a there is solid circles 1 3/4". A set is 6 of each. Anyway I want to create some practice shots and routines where I think the targets would aid in improving precision and give this document away on my website and I would also share it here on AZ. I am going to be adding target templates which people can download for free and make there own True targets at no cost or purchase a target set from me, they are pretty cheap 10 dollars.

So if and when Louis sees this and would contact me so I know sharing his thoughts is OK I will post up the document. I will be augmenting it by adding shots to it. If I do not hear back from Louis and Creedo I will totally create my own True Target practice sequence using my thoughts and then I will share the document which will be downloadable at no cost.

So Creedo and Louis PM an E-mail address and I will send you a copy of the PDF and some pictures of True Targets. I will send you both a set of Targets if you give me a land mail address I would like to see what you think of using the practicing with True Targets.


Straight strokes / Stay warm
 
Can anyone here get in touch with Louis Ulrich he has not posted on AZ for more than a year. I would like to include his practice shots in a document I will be giving away for free on my website as a PDF. I tried to PM him but his box is full. Prior to sharing I was trying to get his permission to include his thoughts/words.

Why I wanted to get in touch with him was I sell the True Rack (www.thetruerack,com) a portable quality rack that folds up and fits in a case. I have came up with a practice aid I call a True Target which are is die cut very thin 4 mil plastic doughnuts the size of a ghost ball 2 1/4" OD wide then there is a size that will drop over a ball 2 1/4" ID and also a there is solid circles 1 3/4". A set is 6 of each. Anyway I want to create some practice shots and routines where I think the targets would aid in improving precision and give this document away on my website and I would also share it here on AZ. I am going to be adding target templates which people can download for free and make there own True targets at no cost or purchase a target set from me, they are pretty cheap 10 dollars.

So if and when Louis sees this and would contact me so I know sharing his thoughts is OK I will post up the document. I will be augmenting it by adding shots to it. If I do not hear back from Louis and Creedo I will totally create my own True Target practice sequence using my thoughts and then I will share the document which will be downloadable at no cost.

So Creedo and Louis PM an E-mail address and I will send you a copy of the PDF and some pictures of True Targets. I will send you both a set of Targets if you give me a land mail address I would like to see what you think of using the practicing with True Targets.


Straight strokes / Stay warm

The True Target idea sounds interesting. Looking forward to hearing more about them.

JoeyA
 
Back
Top