Now this is a layout one could tackle in a number of different ways depending on how full of a hit one has on the 12, the 11, and whether the combo 13-onto-14 into the right middle is reasonably dead (or even better, just off-straight so the 13 moves a couple of rotations - see below). Just a matter of shooting what's easiest and most comfortable, maximizing one's margin for error, and leave balls that form a stop shot end pattern, of which I'm seeing several.
For example, thinking backwards from the break ball (the 2, not exactly a secret, I'm sure) the 8 is a lead ball to the 11, which in turn forms a perfect end pattern with the 7, which would otherwise be too close to the side rail to be a perfect key ball to the break ball - easy to fall on an angle where one doesn't need to punch the cue ball to get it off the rail - however, if there's greater margin of error starting with the 11, rolling forward and shooting the 13-14 combo, I might as well do that.
I'm a pretty accurate position player myself, and I realize it may not seem like much of a problem to some, but whichever way I'd go here, I'd not want to postpone getting to that "group" of four balls to the right (1, 13, 14, 12) - although they're not blocking each others' ways to pockets, I'd surely not want to be left with the 13 and 14 there later when I'm running out of options in case I do happen to get out line (even if they do form a combo, absolutely no way I'd leave both!).
Complicated thought process, I realize, but I'm a firm believer in the idea that a great position player isn't someone who endlessly plays pinpoint position ("do or die"), but someone who tries to play pinpoint position whilst leaving him-/herself options (insurance scenarios, wherever possible multiple ones).
Unless the camera angle is deceiving, I might go 11, 13-14 combo, 12, 8, 13, 7, 1 - that is, provided I'm reading the angle on the combination correctly, the 13 should stay roughly parallel to the 1, preferably below. Regardless, nothing's set in stone before the 14's gone (the whole and perhaps only valuable point in this lengthy and rambling explanation).
Greetings from Switzerland, David.
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