I can tell that most of you have never even owned prob more than half the cues that you list. I have owned so many cues since I started collecting high end cues in 1978 that I could never even guess the count (1,000+) and still have an amazing collection worth somewhere in the lower 6 figure range, I have went to and met most of the better cue makers around the country and know their craftsmanship and dedication that it takes to make a great cue.
1) David Kersenbrock (Chicago) is by far the man that changed cue making forever with several of his innovations. The play-ability is unmatched. Owning a cue made by the very eccentric David Paul Kersenbrock is an honor to all that are fortunate enough to find one for sale. Some of the older better known cue makers from the 1950's -60's made great cues for their time in history, Kersenbrock changed all of that and added technology in to cue making that makes all of those older cues seem like house cues compared to the way that cues play today.( I own 2 -1986 & 1999)
2) Jerry and Laurie Franklin at Southwest cues (Las Vegas) learned the art of making cues from Mr. Kersenbrock and a lot of early Southwest cues were made by him. Southwest's 7 year waiting list to get a cue speaks for itself. After Jerry sadly passed away in 1996 Laurie has kept the standards of their cues unchanged. (I currently have 5 from 1990 - 1996)
3) Ricard Black (Texas) - He got in to cue making on a fluke. His dedication for perfection is second to nobody. He makes very functional pieces of art that play phenomenal. For a former Investment broker he has made his work an art form. (I own 1)
4) Chris Nitti (Orlando) - He spent many years developing his skills and in the last 10 or so years has became one of the best cue makers anywhere. He does all of his work by hand (even uses and old hand operated pantograph and razor blade to cut his razor sharp inlays). The playability of the newer Nitti cues rivals Southwest in balance and hit.(I own one of the most complex cues he has ever made from my design and 1 1/2 years of work - In the 3rd Edition Billiard Encyclopedia)
5) Joss West - Stroud has been one of the top cue makers since the 1970's and like good wine he has only became better throughout the years. His cues are great playing cues from the cheapest to the elaborate the hit never changes. (I have 2)
6) Tad - (California) I had to add a sixth because Tad is another innovator that has developed methods that are now standard use by the majority of newer cue makers throughout the country (and most don't even know it). Owning at least one Tad cue is a must for any true collector. They also are great playing cues for any pocket table game. (I have 2).
I love cues and admire the work it takes to truly become a master at the art. There are pics of some of my cues on here from some years back. But I should actually get out and take pics of most of my collection. I have cues made by 90% of all of the cue makers mentioned in this thread and have owned so many more throughout the years that I can't begin to remember them all.
God Bless and shoot with what feels good in your hand. Because there are so many great cue makers climbing the ladder that it is not hard tom find a truly great cue for a couple thousand dollars made by any of 50+ dedicated people in the business. Over the years I have been blessed with being able to spend a little time in over 50 cue makers shops around the nation and all of them are great people that are willing to share a little bit of their knowledge and some tales (some tall) with you.