I was watching Allen Hopkins' stroke and was wondering if it is more accurate than a longer ones?
http://www.youtube.com/watch?v=hMJdV0kbUe8

http://www.youtube.com/watch?v=hMJdV0kbUe8
I have a theory about Hopkins' stroke. The story goes that he has such a short backswing because of too-close walls around his home table when he was a kid.
Well, surely not all of the walls were that close to the table; he must have had plenty of opportunity to develop a longer backswing. And when he began playing outside his home, he wasn't immutably constrained to continue using the same stroke he used to avoid the one (or two?) close walls in his basement.
No, I think he used (and uses) that stroke because he discovered the beauty inherent in it. He undoubtedly tried much longer backswings. But I'm suggesting that he rationally chose the short backswing because he was able to do better with it than with a longer swing. Why would that be? Because, exactly as LAMas hypothesizes in post #1, the short backswing eliminates a lot of space in which the stroke can go off line going either backward or forward. He found that it optimized the accuracy of his stroke.
I'm surprised we don't see more strokes like Hopkins'.
I was watching Allen Hopkins' stroke and was wondering if it is more accurate than a longer ones?
http://www.youtube.com/watch?v=hMJdV0kbUe8
Hmm out of hundreds of great players that have more orthodox technique you pick one that has a goofy style (that works for him) and want to emulate it, not sure I get the concept.
The experts agree ...
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Hoppe had this very short 5” stroke, then boom, out came this huge long follow through.
:wink::thumbup:
Please, LAMas, when you use this material, say who wrote it.
The experts agree the greatest 9 ball player of all time was Wimpy, the greatest tournament winner from the Johnston City, Illinois days in the mid 60’s. Luther Lassiter had the shortest stroke you could imagine. It is shorter than Allen Hopkins short jab; in fact, the two strokes are about the same. These two strokes, extremely short produced two of the greatest players of all time. That is my stroke today, a non stroke. Mike Sigel, one of the top 5 greatest players of all time, same stroke. In fact, you can play, with no stroke, just plant, line up, pull back and hit. Most get a rhythm going and it helps them feel the shot doing strokes. You want a short soft stroke for the short easy shot. I very hard fast long stroke for the big force follow that has to go 3 rails and down table and a medium stroke in between. It is a rehearsal of shot to be.
Willie Hoppe was the greatest cueist of all time. He played 3-cushion billiards on a 10’ table. He hit balls bigger and heavier than your smaller cue ball and the cloth he played on back then was twice as slow as the modern billiard cloths are today, Simonis #1 vs. 300. Given all of that, you would have thought Hoppe would some big lumbering long looping stroke like Earl or Busty. Hoppe had the shortest stroke of all of them, it was 5” long. Could that have been the reason, he was the greatest?
The majority of pool players I see are hitting their shots twice as hard as they need to; their strokes are twice as long as they should be.
Their follow through should be twice as long as they now are. They have it all backwards. The balls are round; they will roll and get to the pocket, if you give them a chance to.
Hoppe had this very short 5” stroke, then boom, out came this huge long follow through.
:wink::thumbup:
For most folks, a short bridge ...
Mike Sigel *non Stroke* ???
Sorry, here you must have seen another player- Sigel for sure has everything- but not a short stroke.
In my opinion a *normal* stroke like many other players.
I have a theory about Hopkins' stroke. The story goes that he has such a short backswing because of too-close walls around his home table when he was a kid.
Well, surely not all of the walls were that close to the table; he must have had plenty of opportunity to develop a longer backswing. And when he began playing outside his home, he wasn't immutably constrained to continue using the same stroke he used to avoid the one (or two?) close walls in his basement.
No, I think he used (and uses) that stroke because he discovered the beauty inherent in it. He undoubtedly tried much longer backswings. But I'm suggesting that he rationally chose the short backswing because he was able to do better with it than with a longer swing. Why would that be? Because, exactly as LAMas hypothesizes in post #1, the short backswing eliminates a lot of space in which the stroke can go off line going either backward or forward. He found that it optimized the accuracy of his stroke.
I'm surprised we don't see more strokes like Hopkins'.