Mike Bender is an ICCS award winning cuemaker with a rich history going back to David Kersenbrock. His cues are extremely well made and designed. Many of his used cues are a relative bargain right now. Mike has made very few cues over the last 5 years. I'm looking forward to receiving a small group of cues in the next month or so. Certainly among the USA's very best.
I don't want to diminish this post, so forgive me if that's how it comes across. Everthing I say below was directly from Mike Bender to me.
Mike Bender's history of cuemaking started before he ever met David, and Mike already had his cue design established. It's more correct to say that Kersenbrock had very little if any influence on what a Mike Bender cue is. David's greatest influence on Bender was the use of the table saw setup for the shafts (and live tooling in general). But in all, Kersenbrock spent all of only 5 days with Mike at what was known as the Omega/dpk cue company. The bulk of the 5 days was building that table saw system. The use of "dpk" was wholly marketing.
Kersenbrock "came back" to the company in 1990 to do inlay work.
"In Aug 1990, David Kersenbrock returned to Omega/dpk doing inlay work until 1993. Prior to David’s
return, Mike used a pin router for inlays then moved on to a pantograph. Kersenbrock introduced Mike to
making pantograph templates with an optical device, a method Mike continues to use."
So, there's the influence to use an optical device method to make pantograph templates.
Mike's wife Tracy Dunham is the responsible party as to why a Bender cue looks so amazing and nothing to do with Kersenbrock's inlay work in those two years. Mike Bender left Omega/dpk in 1992. It's an amazing piece of cue lore that somehow has become something more than what it was.
Freddie <~~~ marketing works