I'm not very familiar with Chudy (rc3) other than his one sided veneer style. Are his builds as desirable as the other names you listed? Also do they stand up to the tolerances build wise?
never had one on my equipment or took any measurments, but Richard makes as fine a completed product as anyone from what i've seen.....i like original styles.
I've always done woodworking as far back as i can remember with my dad and grandfather (master carpenter and turner...and teacher) always helped him restore lots of antique stuff. I am particularly fond of anything from the 20's through the mid 60's design wise....most of my cues, duck calls and other wood work shows that...... "new antiques" are my style basically.....every call actually i've made has been way fancier than any cue i've made in my shop, except for one i did for a friend about 5 years ago for a grand.
My rings are throwback to martin, spain, gina.....but in my own way...I love how Chudy just took a component out of the veneered point and made something totally original, and i've actually never even seen a "tribute"/knock off of his work....you see that and immideate you know its one of his......
when i got into making duck calls, from growing up and always making stuff, and hunting and guiding in gueydan when i was in my teens....then working in a cue shop for 6 years........when i was asked if i could make one, my second thought after saying yes of course, was man every call i see is like the cuemaker version of a sneaky pete basically, and I dont consider that custom.....so I only make what i consider to be true "custom calls".....though recently I've started doing entry level ones still in my style from forearms of old house cues that tips or bottoms of points were not good enough for conversion......never dawned on me i could do a cheaper model and still stick to my "style"
one thing that i love seeing more of in cues the past ten years is all the great vignaux work (butterfly splice) and now they got a few guys making 360 cues and blanks lol......that should be the story of the past 10 years, the resurgence of vignaux styles and the re-introduction of lost technique to produce a "modern classic"
and sometimes you can just introduce something from one area into another and it works great and becomes a trademark.....like my rings and the calls....and i'm always being asked to do something i havent yet but is usually neat like the bowl which is the only one ive ever done, and that ivory pick/token was my first scrimshaw work....
Most people that I know through pool know I make cues but dont know all the other stuff I do. Strangely enough I sell and make more money from the calls than anything else.....Second is probably the trivets, I get a pretty penny for those.
And omg the calls are so much easier to finish.....i love wood work of any kind, and not that i have an issue with paint, and finishes....but I just never ever enjoyed painting or finishing my wood work, so big bonus......
at the end of the day it all just buys me more stuff to do stuff with and play more pool and do more pool stuff instead of screwing off my cash with all the down time i have when I'm not on a project in the gulf of mexico.....
next year I plan on being at at least one major expo with a booth......food, cues and other wood work.....
and hell once your geared up to do one thing.....you got 3/4 the equipment to do something totally unrealated.....because why not make that too....plus I will use any excuse to buy a tool.....or make one if i have too lol.
I had told a friend from Oklahoma the other day, he asked why I didn't do more inlay work on the cues becuase I do more of it on other stuff.......and he laughed at my responce becuase he knows I think Harvey Martin is the nuts and the simpler something can be sometimes the more pretty it can be an usually is.....
"I've only done inlays in one cue that I sold which was designed and commissioned ($1000) that was not round. Inlays are fine but detracting in my style, plus I feel many times its just done to tack on extra dollars on some half assed hitting player queen.....it startes with rounds, then diamonds, then chip diamonds, next thing you know you wake up down the road and your Thomas Wayne inlaying freakng dragons in a cue on the 4th axis......"
not a knock to T.W. by any means, but thats not what I like to do with cues.....
he says "thats still just right keeb'. you can be the harvey martin of cues in this century, and be the T.W. of the duck calls maybe"
I like that idea lol.....I will be doing a "legends set" of calls of each one of the great cue makers in past as my "show pieces" for festivals and hunting expos......may even do a few "sister pairs" or would it be a "cousin" pair....cue and matching call......i could always leave the reeds out and a player could just say "here fishy fishy fishy" in the pool hall lol.
Maybe someone else will throw up those SBE cue pics soon.......
regards,
Keeb'