Equal Angle Opposites.It could be because I don't know what EAO means
Semi redundant over nomage but that is what Jimmy Reid called it in the video.
You can graduate to the nanometer but you can't hit any better than equal angle geometry.
Equal Angle Opposites.It could be because I don't know what EAO means
That immediately triggered All Cows Eat Grass which then confused me because that's almost apples and oranges but the only 2 related tricks I can recall. Opened a chord book to make sure.
I'm more into Bass Clef._e
_c
_a
_f
Those are the spaces in treble clef. The lines are from the bottom, egbdf.
In bass clef the spaces bottom up are aceg.
Both clefs together correspond roughly to any shot you can aim.
Do like me some contact points.It is a matter of contact point visualization. For myself, judging the distance from center for the aiming point works better up to about 45 degrees. Beyond that, I see the "equal-opposite" picture better and use that.
For someone who prefers learning to play by feel rather than analysis, I would recommend equal-opposite.
I played trumpet in school. Always sucked. Snoozed through 3rd trumpet finally switched to snare drum and quit band because of the parade requirement. lolI'm more into Bass Clef.
Bone player from way back.![]()
If by “fractional aim point” you mean one of the “major” fractions (1/4, 1/2, 3/4), only a minority of shots work exactly with those - most shots are tweeners that need to be estimated from those “landmarks”.Fractional aiming doesn't work for me. I tried deciding on a fractional aim point before my PSR, then aiming at that fraction, but I found I was more accurate aiming by feel.
For me, there are only 3 – the full ball hit, the half ball hit and the max cut edge to edge hit. For shots that are anywhere close to straight in, I start with a full ball hit and then adjust my aim the appropriate amount until I feel I’m locked in. For a more significant cut, I start my aiming process with a half ball hit, and then make aiming adjustments either way more or less than a half ball hit, depending on whether I feel the angle is more or less than a half ball hit.How do the players here that use fractional aiming recognize what fraction the hit is? The basic ones, full, 3/4, 1/2, 1/4,1/8 I can usually see, but its the 3/8 , 5/8 , etc .. those are the ones that give me real trouble.
Exactly.I no comprende sorry .
She was also a proponent of fractional aiming. Never made sense to me. It's like a lack of marksmanship developed over years of snooker. lolCall me simplistic if you like.
Allison Fisher said it best and that's the way I aim too.
Find the spot on the object ball furthest away from the pocket. That's where you hit it.
KISS, keep it simple stupid.
Sometimes we make the game harder on ourselves by complicating it by over thinking.
Trombone.Rhythm or trom?
pj
chgo
Any Youtubes?Trombone.
Olds 'Recorder.'
We get together down on Main St in one of several bars and ply our wares.
Sax, bass, drummer, and our high strung trumpet player.
Been told we don't suck.![]()
Fascinating._e
_c
_a
_f
Those are the spaces in treble clef. The lines are from the bottom, egbdf.
In bass clef the spaces bottom up are aceg.
Both clefs together correspond roughly to any shot you can aim.
Marching band in winter sucked ass!!I played trumpet in school. Always sucked. Snoozed through 3rd trumpet finally switched to snare drum and quit band because of the parade requirement. lol
BS. My take on the relevance of graduated segment aiming. Like Jazz; any scale or lick you can land cool.Fascinating.
I hope not. I'd burn em if I found em.Any Youtubes?
I don't understand your question. Do you have trouble figuring out which hit to go for, or do you have trouble seeing how to hit the correct fraction of the ball?
Thx , Bob, It is that I have trouble figuring out which hit to go for. By the way, your advice on this forum is very much appreciated.I don't understand your question. Do you have trouble figuring out which hit to go for, or do you have trouble seeing how to hit the correct fraction of the ball?