Some oldtime makers like George Balabuska and Harvey Martin believed in straight grain maple in the forearm. Bert Schrager said he wood drive Mr. Martin to the lumberyard. He searched through the maple. He carried a pocket knife that he would use to dig into the wood with to find what he wanted.Is using figured woods a disadvantage to the cue's "hit"?
Nice video Mr. C.In experimenting with different wood "tone" I noticed some things about stabilized wood that I would not consider to be positive from that standpoint.
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The sounds of wood
Playing around with some of the wood I build cues out of and noticing the differences in tonerumble.com
That all just depends on what hit and feel you are looking for. If you like the flat hit of Ebony and don't want to core your cue with Ebony then stay away from Burls. But if you like the hit of Maple and the look of Burls, then core with maple and the hit will be very similar to maple. There are so many variables when it comes to how wood plays it would take many pages just to skim the surface in posts.Is using figured woods a disadvantage to the cue's "hit"?