His first shot after the breakshot you can see the slip stroke. His hand slides about four inches backwards just before he pulls the trigger.
Pleeeeeeese give it up - Willie was not a slip stroke player.
Dale
His first shot after the breakshot you can see the slip stroke. His hand slides about four inches backwards just before he pulls the trigger.
I remember a thread once debating whether he had a slip stroke. At the beginning of that rack you can see it, 6:30 of the video. Irrefutable evidence he used a slip stroke.
How many times did you see him play in person?
I thought so.
Dale
His first shot after the breakshot you can see the slip stroke. His hand slides about four inches backwards just before he pulls the trigger.
I remember a thread once debating whether he had a slip stroke. At the beginning of that rack you can see it, 6:30 of the video. Irrefutable evidence he used a slip stroke.
A video where one can get multiple views (multiple shots) of Mosconi's slip stroke, is in this video:
http://youtube.com/watch?v=qRKw56oAA-E
On every shot where Mosconi's grip hand is visible, watch closely -- you'll see it. Except on slow, "touch" shots, Mosconi almost always implements a slip stroke, where, on the final delivery stroke, the grip hand slides back a few inches, and then delivers the cue through, straight as an arrow. Mosconi's is actually the straightest slip stroke I've ever seen (and yes, I saw him play in person). In the overhead camera view of other slip-strokers, like Cowboy Jimmy Moore, you can see the "wobble" in the cue during the slip-and-regrip phase. Not so with Willie's slip stroke!
As Rich93 says, it's a modest slip stroke (when compared to long slip-strokers, like Cisero Murphy or Cowboy Jimmy Moore), but it's definitely noticeable. Videos are indeed worth a thousand words.
-Sean
Do you have the link with the Caras match?
Thanks.
Exactly. What's interesting is he used a cue with a wrap, not as easy to use the slip stroke as without a wrap.
The people who claim they saw him play and he didn't have a slip stroke weren't paying attention.
Funny, I thought well pressed linen was fairly slick, more so then a wrapless cue.
A video is worth a thousand words.
Tony:
That's correct. And not to get too far off track, but it deserves mention, is a trick that old-timers used to do -- beyond roller-pressing the Irish Linen -- was to press a flat piece of Ash wood against the Linen as the cue is spun on a lathe. This "burnishes" the Linen such that it is very slippery, more so than just roller-pressed. The reason is precisely to accommodate slip-strokers. On some videos of Cowboy Jimmy Moore, you can actually hear his slip-and-regrip phase -- it makes a "zzzzzip!" sound, just like a lower-pitched version of when a guitarist slides his/her fretting hand on the guitar strings to reposition for the next chord.
Wrapless cues are actually somewhat difficult to do a free-and-easy slip stroke on, because the skin of the hand actually tends to "bond" or stick onto the glossy surface of the cue. You actually have to fully let go of the cue and "catch" it during the slip-and-regrip, which introduces an undesirable wobble and loss of accuracy. A material that doesn't stick to the skin -- like cloth -- is much better for a slip stroke.
-Sean
A video is worth a thousand words.
I looked at the video again, and could not see a slip stroke either.
Dale, Lou:
I can only reply quickly, since I'm at work at a customer site and can't view any YouTube videos due to this company's firewall policy. (The reason why I say this, is because I'd like to show you, at certain time-marks in the video, what I'm about to explain to you.)
Both of you correct me if I'm wrong, but if Willie "adjusts his grip" on the delivery stroke itself (or "squeezes it in" as Lou refers to it), isn't that the very definition of a slip stroke? In the video link I shared above, in the occasional shots where Willie's grip hand is visible, several of them show a "grip adjustment" on the delivery stroke itself. It's mild (only an inch or two), but it is there.
In fact, the forward-of-perpendicular thing is the common setup for a slip-stroke, since it requires "room ahead of time" for the grip hand to slip backwards. I used to use a slip-stroke, Lou, before I converted to a snooker style. I even wrote-up a "Slip-stroke HowTo" here on AZB itself.
Are you guys taking the slip-stroke as a negative thing, or something? If so, I don't know why; several of the greats in our sport's history used it -- Jimmy Moore, Cisero Murphy, Cornbread Red, Johnny Ervolino, etc. Slip strokes come in all shapes and sizes -- in fact, the first three names I mentioned had long unmistakable slip strokes; Ervolino had a short, compact slip stroke that you had to watch carefully to see, but it was definitely there. And all three had their setup forward of perpendicular.
So if Mosconi had the same thing -- setup forward of perpendicular, and "last second grip adjustment" on the delivery stroke -- what's the big deal with recognizing it for what it is, a slip stroke?
Later on, if I get some time where I can sequester myself in a quiet place (away from prying eyes that will tattle "our consultant is watching pool videos" ), I can go through the video and time-mark the instances I'd like to point out to you?
Let me know what you think. And, as always, I mean this respectfully for civil debate. So don't get your hackles up because we're talking about the revered deity, Mr. Willie Mosconi!
-Sean
You actually had me on the "civil debate" thing for half a second until the "revered deity" and ";-)". Regardless, here is what I am saying and about as far as I'm willing to go on this and then you guys can continue the "civil debate' on your own.
[...]
Lou:
I was actually playfully needling you a bit with that comment and the winkie. You seem to appreciate this, based on the fact I've seen you use this same technique on others.
And, if you'll recall, I don't have a good batting record when it comes to any threads about Willie Mosconi, remember? Based on this, if you look at my comment again, you'll see that I'm sort of self-deprecating here. So relax!
As to you saying "you didn't see" a slip stroke in those three videos (including the quick snippet that JohnnyP posted), I don't know what to say. Many see a slip stroke there. You and Dale say "that's not a slip stroke." Yet, if we show you footage of Johnny Ervolino -- who had the same compact, short, modest slip stroke (not a really long, exaggerated one like Jimmy Moore or Cisero Murphy), would you say, "that's not a slip stroke" as well? I'm under the impression that slip strokes come in all shapes and sizes. Some are modest, some are pronounced, others are "slip-to-the-buttcap" extreme.
And here's another thing -- not all slip-strokers use a slip stroke on every shot. While Jimmy Moore did, Johnny Ervolino didn't. Just because one is seen as "having a slip stroke" doesn't mean they use it on every shot. It's a tool like everything else. Many of us see Willie using a very modest (and quick) slip stroke on many of the camera angles that show his grip hand. It's not a bad thing, in fact it's beautiful!
-Sean