Here is a post from another thread by Fred (cornerman) about Bushka using "short full splice blanks" and attaching them to a maple handle. This technique is what I am looking for.
and another
and one by pdcue
Cornerman said:When Balabushka was using maple into ebony shorties, these were full spliced ~17" forearms. They were called "shortys," but they were still full-splice. Full splice is the V-finger splicing technique forming the classic V-shaped points. So, many of Balbushka's maple/ebony cues had a full-spliced forearm connected to a handle, connected to a butt sleeve. His maple/roswood cues would often be a full-length full-spliced cue.
and another
Cornerman said:The reason why the buzz ring was under the wrap was because Balabushka did not want to lessen the integrity of the full splice. So, he put the A-joint at almost the full length of the short blank. The cue in question was a short full-splice, blank, most likely ebony into maple.
and one by pdcue
pdcue said:Burt started making spliced blanks because the quality of the Titlest,
and by extension, the Hoppe, was degrading.
One of his earliest customers was George Balabushka.
Burt made two kinds of blanks for George
Rosewood, basically a clone of a Hoppe blank with Rosewood in the butt, and Ebony, which was aprox 18 inches in length. Due to the weight and cost of Ebony, a shorter butt was used with a maple handle section beneath the wrap. He did, however, develop the
full length, Hoppe-clone version first.
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