prewarhero said:tell me more about this stroke lesson from wilson?
Please!
First off, he tried to get me to shoot with a smooth transition from backstroke into the final stroke. That wasn't really part of the "lesson" but a tip he gave me at a certain point. That alone helped my consistency.
But the meat of his suggestions for me were these: He asked me to show him how I set up and so on, so I did. I went through my normal pre-shot routine and got down on the ball. Right there he stopped me, and took a cue and hung it from my elbow towards the floor. My forearm was about 2 1/2 inchs forward of true perpendicular, so he had me move my hold on the butt backwards 2 1/2 inches. He told me that the way I was doing it was more accurate, but that when I shot with more power it would cause me to miss more shots, as I'd be forcing the cue to do something extra. He also had me stroke a shot, and the tip of my cue after striking the cue ball came to rest about 2 inches in front of the cue ball. Thus, moving my hold on the butt back those 2 1/2 inches, and keeping my bridge constant as before, would result in the tip of the cue finishing about 5 inches forward of the cue ball. This would allow a more efficient transfer of power to the cue ball.
Next, he had me slow down my back stroke, and try to smoothly transition from back stroke into the stroke. To do this, he said to line everything up properly while standing, slowly move into the stance, making sure the tip of the cue was pointing right where it was to contact the cue ball, take three practice strokes, with the slow back stroke on each one, then to pause and double check everything: alignment, aim, position of the tip on the cue ball, eye motion from the tip of the cue ball to the point of aim on the object ball, back and forth, back and forth, focus on the object ball, slowly draw the cue back and then smoothly transition into the stroke, from that to stroke through the cue ball and to let the tip go the full 5 inches and contact the cloth, with the stroking hand coming up and contacting the chest, which he called the finish. He said to shoot the shot only when I was totally convinced everything was right.
Then he had me set up some rather easy cut shots, he said they should be easy and that I shouldn't focus too much on making the ball, but on my stroke, and to shoot those shots over and over having in mind the stroke techniques he taught me. That's it.
He didn't change my stance, or my hold on the cue, or my head position, just worked on the stroke.
The idea is to groove all that so it becomes second nature, and it has already.
Different people have different problems, of course. What he might show another person could differ.
I highly recommend him.
Flex