Folks:
This very-interesting video was posted in the Main forum:
Building Ronnie O'Sullivan's Parris Cue:
http://youtube.com/watch?v=v-9LRNnflLs
I was amazed at how much planing and sanding was done *by hand* (i.e. with the cue clamped still, on a bench, vs spinning it in a lathe). John Parris explains that most of the shaping -- most of the material is removed -- by hand.
I realize that snooker cues are "directional" (i.e. they have a "top" and "bottom" surface, and are held the same way / same orientation every time -- usually with the ash "chevrons" on top). This is as opposed to pool cues, which are supposed to be radially consistent -- one is supposed to be able to orient the pool cue any way with the same results.
Questions, though:
1. How does John Parris' method (which I'm assuming is standard for the making of snooker cues, or perhaps John is a breed apart?) compare to the making of a pool cue?
2. Do we have any U.S. cue makers that utilize many of the same "every step by hand" techniques that John Parris uses? Or is it because the construction of pool and snooker cues are very different, precisely because of the cue's orientation aspect?
-Sean
P.S.: The purpose of this post is purely for interest -- I find this topic fascinating! Just to prevent any misunderstandings, it is not intended for any cuemakers to "read into things" and somehow take this as "pool cue makers are inferior to snooker cue makers because pool cue makers take shortcuts with machines," or any silly notion like that. (I know these forums like a book in this regard -- reading into things that are not there / not intended.)
This very-interesting video was posted in the Main forum:
Building Ronnie O'Sullivan's Parris Cue:
http://youtube.com/watch?v=v-9LRNnflLs
I was amazed at how much planing and sanding was done *by hand* (i.e. with the cue clamped still, on a bench, vs spinning it in a lathe). John Parris explains that most of the shaping -- most of the material is removed -- by hand.
I realize that snooker cues are "directional" (i.e. they have a "top" and "bottom" surface, and are held the same way / same orientation every time -- usually with the ash "chevrons" on top). This is as opposed to pool cues, which are supposed to be radially consistent -- one is supposed to be able to orient the pool cue any way with the same results.
Questions, though:
1. How does John Parris' method (which I'm assuming is standard for the making of snooker cues, or perhaps John is a breed apart?) compare to the making of a pool cue?
2. Do we have any U.S. cue makers that utilize many of the same "every step by hand" techniques that John Parris uses? Or is it because the construction of pool and snooker cues are very different, precisely because of the cue's orientation aspect?
-Sean
P.S.: The purpose of this post is purely for interest -- I find this topic fascinating! Just to prevent any misunderstandings, it is not intended for any cuemakers to "read into things" and somehow take this as "pool cue makers are inferior to snooker cue makers because pool cue makers take shortcuts with machines," or any silly notion like that. (I know these forums like a book in this regard -- reading into things that are not there / not intended.)