JoeyA said:
Have any of you ever heard a top player say. "I hold the tip on the cue ball when I shoot this shot" (referring to a particular shot)?
1. If so, what do you think it means?
2. If so, what do you think the attempt to do so, achieves?
3. Can you give an example?
Thanks,
JoeyA
I recently had someone who shoot very strong show me what he meant by this, so here goes my attempt at what he would say:
1. He means a smooth stroke that accelerates through the point of contact, as opposed to constant or decreasing speed.
2. He thinks you get more rotation for a given amount of speed and tip offset.
3. An example would be any case in which you need more spin than you might typically get for a given amount of English. E.g., power draw with English, need to widen the rebound off the rail to miss a ball, ...
My thoughts on this:
a) It works. I get more spin when I envision and try to keep the tip on the ball.
b) I believe the learned conclusion of the physics experts at RSB was that it should not work -- tip contact time is virtually instantaneous. To my mind, it seems it could work in principle, since tips are made of leather, which does compress (I've seen enough mushroomed tips to convince myself of that).
c) But insofar as tips compress, the effects are probably slight. I think that "keeping the tip on the ball" is mostly important as a mnemonic -- it makes you focus on a smooth, evenly accelerating stroke. This probably lowers the odds of a miscue and also might make for a more level hit.
It's well know that the CB first hops and slides and then rolls after being struck with the cue. It's always seemed to me that when the CB is hopping and sliding it will lose spin more rapidly than when it's rolling. If so, then the mnemonic of "keeping the tip on the ball" may actually help people maintain a smooth level stroke, thereby slowing the rate at which side spin is lost, which is observationally nearly identical to putting more spin on the CB in the first place. QED.
But I could well be wrong. Flame on.
Cory