Is a Straight Stroke All That Important?

Just to prove a point- you say Lou's stroke is extremely straight. Yet, Lou himself says that with a straight stroke, he has no speed control.
He didn't say that (at least not in this thread).

...either you are wrong, or Lou is intentionally lying to make his point about not needing a straight stroke
Or you're wrong about all of this.

and how having a straight stroke can be bad for your game.
Lou didn't say that in this thread either.

pj
chgo
 
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I understood it perfectly, it rabbles on about foundation which illustrates the point that you have failed to read the part in my original post where I say an instructor should give a student the basics.

More importantly it illustrates the fact that despite quoting my post and then latching on to a part of it that suited your agenda, you either skimmed it or did not read it fully, or of course simply did not understand it.

Have the courage to read it properly and try to answer what is in it, not try to twist it to suit your own agenda. I don't think the concepts are beyond you.

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He didn't say that (at least not in this thread).

Oh, he didn't? "As to the speed control issue I know from personal experimentation that it is possible to have a straight stroke that, for a number of reasons, does not provide the player with optimal speed control, and it's not just a matter of practice and memorization -- it is much more, IMO, a matter of mechanics."

Or you're wrong about all of this.


Lou didn't say that in this thread either.

pj
chgo

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Strange when you say that I am the one that can't read. Yet, you failed to read or comprehend when I said you had a LOT wrong with your post, but I was only going to address one part because I didn't feel like writing a book on here.

I did not fail to read or comprehend it, it illustrates the fact that you only wish to respond to the part of my post that suits your agenda.

As far as courage, that is nothing more than a poor red-herring on your part.

No, it's not. I have posted my views, rather than respond to them courteously, you chose to try to be patronising, when chastised for that you have repeatedly failed to give replies with any substance, that, is lack of the courage of your convictions.

Not to mention just plain ignorance on your part. If you really want the answer to your questions, go search my post record, they are there in spades.

In spades you say? From the man who does not wish to write a book? Why respond to a thread at all if you do not want to try to give answers?

As far as helping you now? After your first post that I responded to, I have no desire to give you anything else.

I have certainly not asked for help and I do not wish to be given anything. Particularly by an instructor who will not stand by their theories in the face of slightly contradictory opinion from an amateur. It is clear to me now that you are unable to discredit anything in my first post, which is disappointing although as I said earlier, it is quite complex.

Why would you want it anyways, since us instructors just lie to students anyways according to you?

Once again twisting the words of the one part of my post you wish to focus on rather than try to justify your stance or contribute anything positive to what should be quite an interesting debate. Shame.
 
Just hit the dam thing as intended. Being consistent or a repeatable stroke gets you there. For most proper mechanics is the desired path but for some it is not.

Rod
 
is that some players have an erratic stroke until the final stroke. The best example I can give is Bustamante's stroke. I have studied him intently. His first strokes look like a hully-gully type stroke, but his final stroke comes in straight and true.

Another example of a funny stroke would be Mike Davis. What in the world is he aiming at before he shoots ... lol Another one is my good friend, Cliff 'Jr' Brown, he looks like he is going to put high right english on every shot, but when he delivers the last stroke, it has the right english on it.

I am sure they all developed their stroke at a young age, and probably had to overcome some deficiencies before they perfected their stroke. The point being, though, is if you have a straight stroke to begin with, you can learn to make balls, it just takes practice, and speed control is not that tough except for a 3 or 4 rail shape with a small window for shape.


That's another great point about the erratic movements until the final stroke. Come to think of it, some guys that shake, like Varner and Lane, shake and do all kinds of movements until they finally pull the trigger.

Lou Figueroa
 
:)

Good post.

Two things;

1. I agree with your point on coaching generally, but think coaches can be useful to the more established player to iron out specific issues or flaws as they develop.

2. Following on from that, the reason aging snooker players 'fall off a cliff' can be as much to changing body shapes/muscle weakening as it is to eyesight or other priorities. Older players often have to completely redesign their stance in later life, and this is difficult. It can be a 'finger in the dyke' scenario - solving one problem creates another. Coaches can help here, I think.

But I don't like the idea of continuous, programmed coaching per se. Timing has been mentioned several times on this thread and it's good to see - it's perhaps the most important thing to master in cuesports and is rarely discussed on here, probably because it can't be taught.


I am very pro coaching, but the coach, for me, has to be able to do two things, firstly, properly explain what they are trying to achieve, and secondly, demonstrate.

I can't really argue with your post but the classic example for me is former world snooker champion Mark Williams. In terms of accuracy of ball striking there's not much that's any harder than snooker in terms of cue sports.

Williams always cued across everything and got to the very top. When he stopped practising he plummeted down the rankings he went from being one of the greatest potters ever to almost being out the game.

Why? His timing had gone. He has since put the hours in and got back to the top, he has gotten to the top twice without a straight cue action.

One of the greatest triumphs of coaching is the job that Frank Callan did with Doug Mountjoy in his later years, that's well worth looking up. The job Ray Reardon did with Ronnie was also spectacular but that was mental rather than physical.

The fact is that when Tiger was the best player in the world, he saw his coach almost weekly, golf though is generally better money and therefore populated by more professional people and more professional coaches than our games.
 
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You reference what you consider a false assumption of mine and immediately follow it with "You equate short cut to mean little to no practice". An assumption.

To make matters worse you then make the 500hrs vs 5000hrs statement immediately after telling us no instructor has ever said that. Well guess what, they have now.

I see now that you are an instructor, which is clearly why you have latched on to a part of my post you did not like rather than actually try to answer the post. I know it is a difficult post to answer but I am disappointed you did not have the courage to try.

Lou, I am sorry but this guy has completely belittled my point of view and then failed to reply with a word of sense.


oh, don't worry about it, dkleather, you should take him on. I was surprised when I learned Neil was an instructor too. Had a good laugh about that :-)

Lou Figueroa
 
Suppose he has speed control on a slow bar box and tries to play on, say, a heated, newly recovered snooker table?

Speed is just another variable :p


That's not what I'm saying -- I'm saying that different mechanical setups will govern how well you can execute speed control.

Lou Figueroa
 
Excuuse me... I didn't realize that only you were allowed to respond to other posts in this thread. And, as far as you saying it is not anti-instructor, I say bull. And, I say that by your post, and your post history. You can try and disguise it and even deny it all you want, but I and others flat out don't believe you on this subject anymore.

I have posted several replies to YOU, yet you want to ignore those and only try and paint me as the "bad guy" here. Fail. Notice I didn't say anything about it being your usual anti-instructor nonsense until you made it very obvious.

As far as your "layoff" when you shot worse than you wanted to, why do you think that is? I have known guys that hadn't picked up a cue in two years (known fact, not just them saying so), and they got up to the table and could run racks right off the bat. They both had very straight strokes and very good mechanics.


Neil, it is my thread. I have told you that it is not about instructors or instruction. If you can't accept that at face value, I have to ask you to leave it alone. And if you have the need, go start a thread of your own about how Lou Figueroa Is Anti-Instructor and leave this one alone.

As to your other point: I used to play a guy all the time who could, literally, blow the dust off his case and give me 9-7. The reason I suck when I lay off from pool for a few days is that I am just an average Joe. I don't have my own table, I play, maybe 10-15 hours a week, and then I go and jump off the deep end and play in the US Open or the DCC. Never, not once, have I claimed to be a great player. I'm just an average player who likes to write about the trials and tribulations of trying to play this game.

Over the years, many, many, many guys have written about how they can identify with my struggles, something I've learned along the way, an occasional insight I can share, or how something I've written just "rings true" because I can put a sentence or two together about what it's like to try and try to play pool, a tremendously difficult game, a little better one day than the day before.

That's it. That's what it's about.

Lou Figueroa
 
That's a really overdone analysis of stroke. Basically it sounds like you're saying "whatever it takes". However THIS ___" different stances, bridges, grips, head heights, crooked or bent bridge arms, grip arm alignments, pinkies on or off, etc." has nothing really to do with THE STROKE per se. These are ancillary points. THE STROKE is the action that carries the cue to and through the cueball. So with regards to the ACTION, straight stroke matters.


The little dance every player does to get into shooting position and create their stroke matters. And there endless permutations of that dance.

Lou Figueroa
 
Since this has gravitated somewhat into a discussion about instruction, I recently took a couple lessons from Babe Thompson. In the nineties sometime he came down with some disease that causes his hands to shake, severely, to the point of being almost painful to watch. but when showing me examples of what he was teaching, he could still make the shots.
 
No, I'm not, Pat. You are. Just to prove a point- you say Lou's stroke is extremely straight. Yet, Lou himself says that with a straight stroke, he has no speed control. It is known that Lou has run at least in the 80's in 14.1. Please teach us how one can run that many balls with no speed control. So, either you are wrong, or Lou is intentionally lying to make his point about not needing a straight stroke, and how having a straight stroke can be bad for your game.


There are different straight strokes. Some give a player better speed control than others. It's one reason why one day you can run 60's and 80's and the next can't bust 20.

Lou Figueroa
 
Since this has gravitated somewhat into a discussion about instruction, I recently took a couple lessons from Babe Thompson. In the nineties sometime he came down with some disease that causes his hands to shake, severely, to the point of being almost painful to watch. but when showing me examples of what he was teaching, he could still make the shots.


No. it's not about instruction. If you want to talk about that I'd ask you start your own thread about it.

Lou Figueroa
 
Read the above quote from him again. You think it is a good thing for ones game to not have any speed control?? Or even that whether the stroke is straight or not has anything to do with speed control??


I'm saying there are different straight strokes -- like say there are different Cabernets. IOW, you can stroke straight all kinds of different ways, but some will give you less or better speed control. Some taste better too :-)

Lou Figueroa
 
Please expound on "different mechanical setups' and how they change the stroke


Everything changes everything: footwork, grips, head height, shoulder, elbow, wrist position, head height, bridge length....

Lou Figueroa
just for starters
 
Read the above quote from him again.
You read it again. It doesn't say what you claimed.

You think it is a good thing for ones game to not have any speed control?? Or even that whether the stroke is straight or not has anything to do with speed control??
Changing the subject won't work with me, Neil. We were talking about your constant chip-on-the-shoulder posting attitude.

pj
chgo
 
Neil, it is my thread. I have told you that it is not about instructors or instruction. If you can't accept that at face value, I have to ask you to leave it alone. And if you have the need, go start a thread of your own about how Lou Figueroa Is Anti-Instructor and leave this one alone.

As to your other point: I used to play a guy all the time who could, literally, blow the dust off his case and give me 9-7. The reason I suck when I lay off from pool for a few days is that I am just an average Joe. I don't have my own table, I play, maybe 10-15 hours a week, and then I go and jump off the deep end and play in the US Open or the DCC. Never, not once, have I claimed to be a great player. I'm just an average player who likes to write about the trials and tribulations of trying to play this game.

Over the years, many, many, many guys have written about how they can identify with my struggles, something I've learned along the way, an occasional insight I can share, or how something I've written just "rings true" because I can put a sentence or two together about what it's like to try and try to play pool, a tremendously difficult game, a little better one day than the day before.

That's it. That's what it's about.

Lou Figueroa

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