looking for suggestions on glue

Cue Crazy

AzB Silver Member
Silver Member
Looking for suggestions on a good glue to use for flat bottom inlays, and wondering what others use. Is west system the best, or are there others that work well? The inlays are press fit, so besides CA being brittle, It does not work well for me with tight inlays, and tries to lock up before the inlay bottoms out while pressing them in. I have tried a slower setting with the same results, and really don't want to use a CA anyway.
I have been able to get away with using system three epoxy, but It sometimes shows dark areas in light woods even when the inlays seem perfectly tight, and besides that, It is kind of thick, so that has me thinking about Hydrolic preasure.
As I mentioned they are press fit and tight, and I will be going into rosewood with ivory on the next cue, so It's alittle darker of a wood, but would still prefer something that hides gluelines well, and won't break down later down the road. Any suggestions would be very apprietiated.

Keep in mind I'm not having major issues with gluelines, and can even go into lighter woods without a black border, but It's not 100% everytime either. I'm mainly just looking for a better suited glue, and that's one of the requirements I prefer is that is that It does not expand in the seams. Hope You guys understand what I'm trying to explain.:)

Thanks Greg C
 
Press Fit

Cue Crazy said:
Looking for suggestions on a good glue to use for flat bottom inlays, and wondering what others use. Is west system the best, or are there others that work well? The inlays are press fit, so besides CA being brittle, It does not work well for me with tight inlays, and tries to lock up before the inlay bottoms out while pressing them in. I have tried a slower setting with the same results, and really don't want to use a CA anyway.
I have been able to get away with using system three epoxy, but It sometimes shows dark areas in light woods even when the inlays seem perfectly tight, and besides that, It is kind of thick, so that has me thinking about Hydrolic preasure.
As I mentioned they are press fit and tight, and I will be going into rosewood with ivory on the next cue, so It's alittle darker of a wood, but would still prefer something that hides gluelines well, and won't break down later down the road. Any suggestions would be very apprietiated.

Keep in mind I'm not having major issues with gluelines, and can even go into lighter woods without a black border, but It's not 100% everytime either. I'm mainly just looking for a better suited glue, and that's one of the requirements I prefer is that is that It does not expand in the seams. Hope You guys understand what I'm trying to explain.:)

Thanks Greg C

The press fit is not the correct way to go because ivory will break from the stress even it it goes in ok. In a few days you will find that it has broken not to mention that it is next to impossible to get into the pocket.

If I am making a one inch long pocket I make the piece .003 smaller than the pocket which makes the inlay process easier and gives you room for the glue to do its thing. Every other cuemaker I have spoken to also makes their pieces .003 smaller. I use epoxy to glue in my inlays. I have also used Tightbond Wood Glue and it worked well.

Good cuemaking,
 
Arnot Wadsworth said:
The press fit is not the correct way to go because ivory will break from the stress even it it goes in ok. In a few days you will find that it has broken not to mention that it is next to impossible to get into the pocket.

If I am making a one inch long pocket I make the piece .003 smaller than the pocket which makes the inlay process easier and gives you room for the glue to do its thing. Every other cuemaker I have spoken to also makes their pieces .003 smaller. I use epoxy to glue in my inlays. I have also used Tightbond Wood Glue and it worked well.

Good cuemaking,



Thanks, but just to make sure I'm not misunderstanding, Are saying for instance on a dry fit- that there should be somewhat of a slop fit, and they should have so much play in them that you don't have to press them with your fingers, and they would fall out on their own without glue? I suppose .003 is a pretty small amount, so I suspect the fit I have is probably about that much smaller already.
My appologies, but When I mention pressed fit, I may be overstating somewhat, because they can be pressed by hand, just not using CA, and they are not so tight that they require an actual press to fit them. As I mentioned the epoxy I use works fine, and lets them slide in fine enough, altough they don't come out as easy, and would'nt fall out with a dry fit. I also have not had any crack on me before with this same fit. I'm more worried about glue lines. Are you saying that titebond blends in well? Also will tightbond last the duration of time? If so that would be nice, I've just never tried It. If using borders, you can get away with a looser fit I know, but I'm thinking about going into lighter woods without the borders to hide gluelines. Will this work for that?

I'm using a manual 1 to 1 machine I built, and basically I only use two size endmills, so I have made quite few styluses to get the fit I have now, anything less is sure to show gluelines. That's how I came about the fit I have now, by turning My own styluses until I got a fit that did'nt show them.

The inlays sticking is really a non issue since I'm not using the ca anyhow, so I may have just added confusion by mentioning that.My point is I suspect My problem is hydrolic preasure from the thicker epoxy, the same issue that could cause a blowout when installing a pin, only in this case I don't believe the fit is too tight, I believe the epoxy may be expanding inbetween the seams, and showing every once in a while, so It's hard for me to see a looser fit solving that. I do understand what Your saying about getting them too tight though, I just may have mislead you with My first post. I'm really looking for a good glue to use and wondering what others use? I suppose I could have simply asked that in the first place, so My appologies for any confusion I may have caused.

This is not a major issue for me, just striving for perfection is all.

Thanks Again:)

Greg C
 
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Cue Crazy said:
Thanks, but just to make sure I'm not misunderstanding, Are saying for instance on a dry fit- that there should be somewhat of a slop fit, and they should have so much play in them that you don't have to press them with your fingers, and they would fall out on their own without glue? I suppose .003 is a pretty small amount, so I suspect the fit I have is probably about that much smaller already.
My appologies, but When I mention pressed fit, I may be overstating somewhat, because they can be pressed by hand, just not using CA, and they are not so tight that they require an actual press to fit them. As I mentioned the epoxy I use works fine, and lets them slide in fine enough, altough they don't come out as easy, and would'nt fall out with a dry fit. I also have not had any crack on me before with this same fit. I'm more worried about glue lines. Are you saying that titebond blends in well? Also will tightbond last the duration of time? If so that would be nice, I've just never tried It. If using borders, you can get away with a looser fit I know, but I'm thinking about going into lighter woods without the borders to hide gluelines. Will this work for that?

I'm using a manual 1 to 1 machine I built, and basically I only use two size endmills, so I have made quite few styluses to get the fit I have now, anything less is sure to show gluelines. That's how I came about the fit I have now, by turning My own styluses until I got a fit that did'nt show them.

The inlays sticking is really a non issue since I'm not using the ca anyhow, so I may have just added confusion by mentioning that.My point is I suspect My problem is hydrolic preasure from the thicker epoxy, the same issue that could cause a blowout when installing a pin, only in this case I don't believe the fit is too tight, I believe the epoxy may be expanding inbetween the seams, and showing every once in a while, so It's hard for me to see a looser fit solving that. I do understand what Your saying about getting them too tight though, I just may have mislead you with My first post. I'm really looking for a good glue to use and wondering what others use? I suppose I could have simply asked that in the first place, so My appologies for any confusion I may have caused.

This is not a major issue for me, just striving for perfection is all.

Thanks Again:)

Greg C

I believ Arnot is right about some clearance. Since I don't use a Pantomill I don't know what size difference the stylus should be. After camming my drawings I try a dry fit in scrap and then recam making part or pocket larger or smaller to suite what I believe to be a good fit. I want my inlays to go in fairly easily and so that when the cue is turned with the inlay facing down the inlay stays in place but if you smack the cue against your hand the inlays will fall out. Different materials cut and compress differently also so if your pockets or inlays are cut to to close of a tolerance then you'll have trouble getting some installed. Also, end mills wear and what is a good fit today may be a no fit at another time especially if you happen to be inlaying into phenolics which are very hard on tooling.

As far as glue, I use plain ole Devcon 5-min. There is probably a better glue than this but it has served me well so I haven't looked for another. If someone knows a better application then I'm all ears.
The only thing I use super glue on is tip installation. I just don't trust it for structural strength over a long period of time. I don't like it at all for inlays as it seaps into the wood around the inlays and then affects the coloration of any stain or for that matter the finish afterward.

Dick
 
Thank You for the imput gentlemen,
I'll try both and see what the results are. Seems like I have used the devcon before. I used It alot prior to about 2 years ago. I don't remember the results, but does'nt seems like they were'nt too bad, and that's when I was still tuning the machine in.

Dick, I did'nt realize that others went in that loose with them, that they would fall out that easy (btw that is the test I was refering to, where you hit it with your hand, I'm just a hair more snug then that, but not much more). I could get the exact dry fit your talking about By making one extra pass with My clean up endmill. I did that by accident on a test cut, and that's about the same fit It gave me. Maybe I need to try making a extra pass. It's Possible I just over think and try to get everything alittle too snug.
Endmills do wear and change, Your right on with that, I just make new styluses as I go If the bits still cut well, but the good bits work pretty well with the same stylus. I also use a larger bit for hogging, so I can wear that one down all I want, and It saves some of the life of My smaller cleanup bit.
The cheap bits- forget It, I learned early on about those. They are never the same size, and they wear easily, so your always doing the flip flop with styluses & different size bits,and It gets too confusing. They are alright for something low cost to cut rings off with though.

btw, While I have glue on the brain, I think It was Arnot & Joey (possibly others also) that mentioned tight bond on the ferrules. I did try It out for threaded ferrules, and It does seem to work very well. It kicks quicker, and you can turn the ferrule down faster then I expected also. You can feel it grabbing while screwing the ferrule on, so feels like a good bond taking place.

Anyway, Thanks again guys, as always I really apprietiate you sharing Your thoughts with me.:)

Greg C
 
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Cue Crazy said:
Looking for suggestions on a good glue to use for flat bottom inlays, and wondering what others use. Is west system the best, or are there others that work well? The inlays are press fit, so besides CA being brittle, It does not work well for me with tight inlays, and tries to lock up before the inlay bottoms out while pressing them in. I have tried a slower setting with the same results, and really don't want to use a CA anyway.
I have been able to get away with using system three epoxy, but It sometimes shows dark areas in light woods even when the inlays seem perfectly tight, and besides that, It is kind of thick, so that has me thinking about Hydrolic preasure.
As I mentioned they are press fit and tight, and I will be going into rosewood with ivory on the next cue, so It's alittle darker of a wood, but would still prefer something that hides gluelines well, and won't break down later down the road. Any suggestions would be very apprietiated.

Keep in mind I'm not having major issues with gluelines, and can even go into lighter woods without a black border, but It's not 100% everytime either. I'm mainly just looking for a better suited glue, and that's one of the requirements I prefer is that is that It does not expand in the seams. Hope You guys understand what I'm trying to explain.:)

Thanks Greg C

I use West. When I write my programs I leave .001 per side clearance. I also tint the epoxy. Cheap insurance no matter how good the inlay fits.
 
Murray Tucker said:
I use West. When I write my programs I leave .001 per side clearance. I also tint the epoxy. Cheap insurance no matter how good the inlay fits.


You may have the fit I do then. How bout the hand test? On a dry fit, If you face the inlay down and hit the cue with your hand would It fall out? The fit I have now is just enough that you could'nt do that, you would have to grip It with your nails and pull the inlay out.

I tint My black inlays with belkin for the same reason You mentioned, just to make sure. I'm not too good with matching other colors though. I need the whole set of those powders that come in like 100 different colors;) seen the sticker price on a set of those:eek: I've tried saving powders from the material I cut, but when mixed in the glue It changes the color anyway. You guys could school me with a few lessons in that area, and I would'nt mind one bit :D I have learned to work on and touch up veneers, and make them presentable, but My tinting skills are not so good at all.

btw Are you using the same resin as the sealer? and What are the numbers on those again If you don't mind sharing? one part is 105 is It? I have them wrote down somewhere, but can't find It off hand, and was thinking about flying down to West M and picking some up. I have some stuff that's almost ready to seal anyway, and wanted to start using It for that. I priced It in their catalog online, and I think each part was close to 30 bucks for a pint. Is that the going price, or is there a better source i'm not aware of?

Thanks Murray, I really appriete the help, I can use as much as I can get.:)

Greg C
 
Cue Crazy said:
You may have the fit I do then. How bout the hand test? On a dry fit, If you face the inlay down and hit the cue with your hand would It fall out? The fit I have now is just enough that you could'nt do that, you would have to grip It with your nails and pull the inlay out.

That's about right.


Cue Crazy said:
btw Are you using the same resin as the sealer? and What are the numbers on those again If you don't mind sharing? one part is 105 is It? I have them wrote down somewhere, but can't find It off hand, and was thinking about flying down to West M and picking some up. Greg C

Resin: 105
Fast hardner: 205
Slow hardner: 206
Sealing hardner: 207
 
Murray Tucker said:
I use West. When I write my programs I leave .001 per side clearance. I also tint the epoxy. Cheap insurance no matter how good the inlay fits.
Murray, What are you tinting the West Systems with if you don't mind me asking?
 
Murray Tucker said:
That's about right.




Resin: 105
Fast hardner: 205
Slow hardner: 206
Sealing hardner: 207






Thanks, That layed It out well for me. I'm a sucker for the slower setting expoxies. Think I'll go with the 105,206 & 207 at first. Much apprietiated.:)
 
billiardbum said:
Murray, What are you tinting the West Systems with if you don't mind me asking?

Polygard tints. I get mine from Lewis Marine.


edit: A little goes a long way. I just dip the end of a toothpick in the pigment and then mix it in with the epoxy. You don't have to make the glue dark to get good results.
 
Last edited:
Murray Tucker said:
Polygard tints. I get mine from Lewis Marine.


edit: A little goes a long way. I just dip the end of a toothpick in the pigment and then mix it in with the epoxy. You don't have to make the glue dark to get good results.
Thanks Murray
 
It depends on the material, but I generally like to have the inlays fit snugly, and do NOT leave any slop. A light material into a light material, and .003 undersized is going to stick out like a sore thumb. Ivory into ebony, you can leave a little play to make getting the inlays in easier, because the glue lines will never show.
Be careful with coloring your epoxy, the pigment can bleed into lighter woods and stain/mark it.
Also, cutter size, material hardness, and even direction of cut (clockwise or ccw) can effect part and pocket size, so a thousandth clearance at the drawing could be too much or too little.... Try measuring the cut pockets and pieces to determine what kind of tolerances you will want to use, and how you can achieve them with consistency. That said, I pretty much ALWAYS cut my male pieces first, then do a test pocket in a piece of scrap before pocketing a cue. I rarely need to adjust them anymore though, because I have figured out how to be consistent.
I generally like 5 minute epoxy, since it sets up fast, and you dont need to clamp or rubberband loose fitting inlays to keep them from lifting before they set up. Mix very small batches and don't try to glue in too many at a time. For very complicated and difficult or very tight inlays, I use a 20 minute epoxy which gives me extra time to get them positioned.
 
Murray Tucker said:
Polygard tints. I get mine from Lewis Marine.


edit: A little goes a long way. I just dip the end of a toothpick in the pigment and then mix it in with the epoxy. You don't have to make the glue dark to get good results.

You can use a drop of India ink, for black & "Master" makes "furniture powders" in white & several other colors. They are powders, so they don't seep into the lighter woods. You can also save the powder from sanding various woods & mix them into your epoxy. This works great for Coco & woods like that. With an eye loop you might see a small glue line, but never with the naked eye. I also have my inlays just loose enough so that I can pick them out, with very little effort. I've never seen the need to measure them, but it works for me, so I'm satisfied with what works...JER
 
Sheldon said:
It depends on the material, but I generally like to have the inlays fit snugly, and do NOT leave any slop. A light material into a light material, and .003 undersized is going to stick out like a sore thumb. Ivory into ebony, you can leave a little play to make getting the inlays in easier, because the glue lines will never show.
Be careful with coloring your epoxy, the pigment can bleed into lighter woods and stain/mark it.
Also, cutter size, material hardness, and even direction of cut (clockwise or ccw) can effect part and pocket size, so a thousandth clearance at the drawing could be too much or too little.... Try measuring the cut pockets and pieces to determine what kind of tolerances you will want to use, and how you can achieve them with consistency. That said, I pretty much ALWAYS cut my male pieces first, then do a test pocket in a piece of scrap before pocketing a cue. I rarely need to adjust them anymore though, because I have figured out how to be consistent.
I generally like 5 minute epoxy, since it sets up fast, and you dont need to clamp or rubberband loose fitting inlays to keep them from lifting before they set up. Mix very small batches and don't try to glue in too many at a time. For very complicated and difficult or very tight inlays, I use a 20 minute epoxy which gives me extra time to get them positioned.

Good info Sheldon. I always test the inlay fit in a scrap block of the same material that the inlay will go in.
 

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BLACKHEARTCUES said:
"Master" makes "furniture powders" in white & several other colors. They are powders, so they don't seep into the lighter woods.

I've seen those but never tried them. Thanks for the tip.
 
Sheldon said:
It depends on the material, but I generally like to have the inlays fit snugly, and do NOT leave any slop. A light material into a light material, and .003 undersized is going to stick out like a sore thumb. Ivory into ebony, you can leave a little play to make getting the inlays in easier, because the glue lines will never show.
Be careful with coloring your epoxy, the pigment can bleed into lighter woods and stain/mark it.
Also, cutter size, material hardness, and even direction of cut (clockwise or ccw) can effect part and pocket size, so a thousandth clearance at the drawing could be too much or too little.... Try measuring the cut pockets and pieces to determine what kind of tolerances you will want to use, and how you can achieve them with consistency. That said, I pretty much ALWAYS cut my male pieces first, then do a test pocket in a piece of scrap before pocketing a cue. I rarely need to adjust them anymore though, because I have figured out how to be consistent.
I generally like 5 minute epoxy, since it sets up fast, and you dont need to clamp or rubberband loose fitting inlays to keep them from lifting before they set up. Mix very small batches and don't try to glue in too many at a time. For very complicated and difficult or very tight inlays, I use a 20 minute epoxy which gives me extra time to get them positioned.




Everything you mentioned is pretty much right on how I go about It, only difference is the machines We use. I don't think I could go any looser, because I have during test fitting, and I'm pretty sure I have them just snug enough. Now I do go by feel and test fits mostly, but My fits are the same providing I use the same routine on each pocket. I do alot of My fits By feel, so I'm used to achieving the same fits that way. It sounds like you and Murray fit them about the same as Me, but measuring all the way down to .001 to be sure might not be so easy for me with My manual machine, unless you guys know a better method that I'm not aware of.

I have had minor bleeding with the dye. I have a cue I won't sell now due to that, and It's a shame because it looked nice besides that. I was going into maple though, and It really shows on that. That was also with the thicker epoxy, and I still had some bleeding. The sad part is I probably did'nt even need the dye, and was just trying to be safe By using it. Some woods I have no problem with, but maple is not one of them.

I go clockwise also, and cut My males first, even test fit them as Murray showed in the picture (beautifull fit & inlays btw). I go into the same woods I will be using, because as you mentioned different materials cut at different rates, and that's the best method I know of to make sure I have the correct stylus and endmill. You do aquire some minor waste, but better then finding out the hard way once I'm carving the cue up.

When I glue I usually only do 2 inlays at a time on opposite sides of each other.

A few people here already know I've been working with this machine for a while now. I actually started on It way before I started posting here, and built most of It from parts some time back, but Chris was a big help with some of the stuff I needed since Mine is a 1to1 also, and It's going on about a year since I have had it setup like I wanted it, altough I did do work with It before that. My point is I have had alot of hands on time with It, It works better then I expected, and I have had alot of trial and error with the learning curve, but in the end listening to you makes Me think I could have written Your post, that's how right on it is with the way I do things now also. it was learned from trial and error, so I like to think I could take that one to the bank if nothing else. does'nt mean I'm right though or that It's the best way. just what's been working for me.

I'm thinking I'm at about .001 like you and Murray, and I already know that what you mentioned about .003 is probably the same for me, and I honestly don't think I could get away with that much either, because the glue really shows on the sides for me. maybe other guy's machines are just tighter then Mine, I don't know, but where I'm at now works well, and I have never broken an inlay with that fit. Ofcoarse there's a first time for everything so I'm not saying It would'nt ever happen. Especially on sharper, thinner style inlays where anything can happen.

I do 2 styles due to the endmill/pocket limitations. 1- is I simply fit the inlay to the pocket, with that style I like to think I'm failry good at fitting them by now, but ocasionally even when the inlay looks tight after glueing, after I cut It down/trim the cue, I can see that possibly I did'nt sand the tip evenly enough all the way down, and may see a slight glue line on one side of the tip, even though the sides are good, and the points fit tight when I installed the inlay. I realize the issue, and strive to sand them perfect, but no matter how perfect they look, sometimes this still happens. If I'm using a glue that darkens, It only makes It stand out even more, so actually something that even just dried clearer would be slightly better then that. blending would be even better though.

The second style I do is to finish the pocket by hand to fit the inlay/male. for a long time I would fight with using exacto's and what ever small stuff I could find to work with. What I ended up doing and seems to work much better, is make my own tools on My grinder. I make them from several things, but one cheap way to go was those cheapo needle file sets you can pick up at the import tool places. They would always load up on me with metal and were basically no good anyway, so I made chisals out of the the flat files and cut My own profiles for what I needed. Then I grind an edge and hone them by hand. The result they're small sharp as a razor, and more ridgid then a thin exacto. It makes cutting the pockets in alot easier. The are very sharp, I know because I stuck one in My finger By accident, and It went in like butter:eek: .

Thanks for the confirmation, sounds like my fittings are good, altough if anyone has any tips to rounding males, I may need some help there, also interested in what all different glues people are using.

Thanks Sheldon,

I would also like to thank everyone for their input, this has been good discusion, I love to hear each persons theories and preferences, as I gain knowlede from each one, and always a pleasure to share thoughts with others that have the same adiction as me:p :D

I realize My posts were long, so My appologies, those that know me know I have a hard time summing things up sometimes. I do try to, just not so good at it I suppose:)

Thanks Greg C
 
Speaking of dyes & tints, has anyone tried Mixol tints? I've seen them but not sure if the are any good for dye applications. They are UV resistent I think, and concentrated. They can be mixed with many materials according to the info I read on them, but not sure if they are only for tranparent applications or both. I've researched alot of dyes and tints online, and have several links to them, both powder and liquids, and some of them are only for that, so I don't know which all are suitable for dye applications and which are'nt.
 
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