I have done some analyses of stroke motion and placement of line 1 and line 2 after reading your post because, for me, was interesting. Alcano and Efren position/set of shooting arm is visible on th pictures with green (forearm) and blue one (upper arm) ... red line is for cue... you'll se on both players that elbow is inside of cue placement ... I thing that how much you place elbow inside is individual and depend of your anatomy and type of shot.Let's focus on 2 lines and the relationship between them:
1) The line formed by your elbow and shoulder
2) The line formed by your grip hand and elbow
Stand up straight with your arms by your side. Contract only the bicep of your shooting arm. Does your arm (line 2) move straight up towards your shoulder? Or does it go inwards towards your chest? It should go inwards towards your chest. This is what I consider your body's natural stroking motion.
For the sake of comparison, contract only your bicep so that line 2 does move straight towards your shoulder. Does it feel like you're working a slightly different part of your muscle?
Instead of positioning your hand, elbow, and shoulder in a straight line with a shot, I advocate an alignment in which line 2 points inwards towards your body in relation to line 1 So your shoulder will jut out, and the line/movement of your hand and elbow will pivot in a line inside of your shoulder. The line formed by your shoulder and elbow will be angled away from the shot (outwards from the body) - in order for the motion of your grip hand and elbow to be lined up with the shot.
Here's a good picture representation. Notice how line 1 points away from the shot and how much line 2 crosses the body in relation to it.
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You'll see this type of alignment used by Mika, Shane, Alex P, Corteza, Efren, and the list goes on and on. Bustamante and McCready are frequently cited in discussions around variations in alignments and how anything can work. However, I'd counter that they have the same basic arm alignment as the others. The entire stroking plane is just angled - line 1, line 2, and the stroking line of the cue have the same or at least a highly similar relationship.
Try visualizing Bustamante's stroke plane rotated and compare to the above.
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Same goes for Keith. Notice the similarities in the line 1 - line 2 relationship.
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So those are my thoughts on stroke alignment. Feel free to disagree with me and I encourage you to state your own opinions.
Alcano is on 1,2,3 picture (set position, backward swing, forward swing)
Efren is on 4 picture
See differences on whole Alcano shooting arm position on picture 5 and 6 for two different shots.
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