Where is that one place that my head needs to be in relation to the balls? You say it is not directly in line with the cte line or the secondary line so where is it?
I can see a line from the center of the cue ball to the edge of the object ball from anywhere I am able to see the two balls at the same time so I need to know a specific place of where I need to be. I can see the lines, then move a little right and still see the lines, then move further right and still see the lines, you get the point? Once again your answers do not give me any idea on where exactly I need to be before dropping into the shot.
Satori,
I think Beiber beat me to it slightly, what he said is correct. I'm not sure what you meant by your paragraph above, but you can NOT see both the CTE line and the secondary aim line from multiple positions. Yes, you can move your eyes or body a little right, a little left, and you might be close to one or both lines, but you won't see the true one position where both intersect perfectly. That's why there are two lines, if just viewing the CTE line or the secondary aim line there is the possibility that you are looking from a different angle and starting from an incorrect position.
There are a few parts of the system that might be hard to comprehend even after watching the DVD, this is one of them. I just emailed someone off line to help and spent 6 - 7 paragraphs trying to be very clear and precise and explaining these one or two things. It's not that it can't be described or written down, it's just challenging, and much easier to demonstrate in person as you can stand behind me or in front of me and see exactly where I'm starting and what I'm doing. And vice versa, I can stand behind a student and see if they are picking up the visuals correctly and moving to center CB correctly.
It is a very visual system, and as mentioned many times your eyes do lead your body. Feet don't matter much. Since I like to have a reference for my preshot routine, I generally start with my back foot on or just inside the CTE line and offset as shown in the DVD. From there I move my eyes/head, or even body if way off (especially when first learning), to dial in the two lines. For me, primarily the secondary line and the CTE line is in the periphery.
Once locked in, I would move toward the object ball along that path/channel/tunnel/plane/etc, however you think of it, you have locked in a direction and you go forward. You are not aiming at any specific point, or any relative point in relation to the lines or parts of the object ball. It's just forward along the path chosen by your eyes. From there, it's a 1/2 tip offset and manual pivot or Pro1 based on the shot at hand.
A paradigm shift from normal aiming, where people feel like they are moving straight into a contact point, GB position, etc., and therefore their eyes are locked in on something from the beginning. With this and other pivot systems, you establish your alignment using discrete points and relationships between the CB and OB, which determines your initial movement, then you move to center CB. Once there, that's your aim line, period.
You need to practice it with reference shots until your alignment and movements allow you to make the ball consistently, then you know you "got it". Takes time in the beginning, but then you gain confidence, and then the perceptions come quicker and become almost subconscious on most routine type shots, and you only end up only really taking a few seconds to aim longer or tougher shots.
In addition to reference shots, try at first not taking any practice strokes. Align, move to center ball, then pause and just shoot. I found that traditional practice stroking caused some potential fidgeting at first, as your brain still feels like you haven't aimed and you start tweaking. And especially if you had flaws in your aiming process, you will still want to correct to that picture. If done properly CTE/Pro1, SEE, etc. will help to calibrate the true center ball shot picture.
For me, it took a few practice sessions, 8 - 10 hours, plus asking questions here before I started really doing things right. A lot of that though was really trying to figure out which alignment and pivot to use and when, as I didn't have a table at home or access to the DVD so I was jotting things down and trying to remember them. Those have been summarized a lot here and should shorten some of the learning curve. I still say the best thing is to shoot the reference shots in order, re-watch the DVD a few times in sections, and you will get it.
Sorry for the verbosity, but I hope I answered your question and gave some more details to help you on your way.
Scott