What defines a Balabuska "Style" cue?

There are certain dimensions and measurements which when used tend to give a cue more of a balabushka style look than other 4 pointed cues without these specs. These include:

~A 1.5" white delrin buttcap with a chocolate brown Brunswick Ku bumper that sticks out appx 1/8" from the bottom of the buttcap.

~A 2.5" buttsleeve. This may have varied slightly on some of his cues but EVERY balabushka butt sleeve I have seen has been this length and it gives his cues a very distinct look. Anything longer changes the look of the cue a lot. Tascarella uses a 2.75" sleeve and Szamboti uses a 3" sleeve. Balabushka used ebony (often inlaid with MOP dots and notched diamonds) or various plastics for the butt sleeve.

~4 SHORT points with 4 veneers. Balabushka most often used full splice or shorty spliced blanks from titlist blanks or blanks built by the Burton Spain/John Davis shop. These full splice blanks tend to have points that only come 6-7" from wrap to tip, and left appx 5-6" of maple forearm from the tips of the points to the bottom of the joint collar. This also gives a very distinct look, and I feel it is often overlooked when people attempt to build a Bushka copy or tribute. Most modern cues with short spliced forearms have 8-9" points which completely changes the look. This is one of the reasons why the Balabushka tribute cues made by Adam with George's "signature" on the forearm just don't look quite right. Also, Balabushka never built cues with the entire full splice pushed up into the cue's forearm as is seen on many modern blanks such as the current ones being produced by John Davis.

~Straight grain maple forearm. I do not believe George ever built a cue without a straight grain maple forearm. If he did it was rare. He felt birdseye was a sign of inferior maple. Also, Balabushka's finish (laquer i believe) had a tendency to yellow over time, so the maple in his forearms usually does not look snow white unless the cue has been refinished.

~1" stainless steel joint collar. Changing the length of the collar or using a material other than steel, such as ivory or phenolic, makes the cue look much less like a Bushka. Also, Balabushka used a 5/16x14 piloted joint. He may have used a different type on rare occasion but this was not common.
~1/2" black fibre trim rings at the joint with a thick nickel silver ring. The thinkness of the black ring may have varied slightly, but from what I have seen, 1/2" was pretty standard. I think I read somewhere once that Balabushka actually used real nickels for his joint trim rings, though this may not be accurate. I have also heard that thick silver rings like Bushka used are difficult to come by and some cuemakers have actually resorted to stacking two thinner rings on top of each other to achieve the look.

~Wrap. I believe Balabushka mostly used white w/green spec Cortland #9 linen and may have used other brands such as Penn linen. He may have used white w/ brown spec as well. He also occasionally did smooth black leather wraps.

~Balabushka cues, as well as most cues of the 1930-1980 era, had a fatter handle, around 1.27-1.3" diameter, and were shorter in length, usually around 57". I do not know if 12.5mm or 13mm was his standard tip diameter. I believe he made multiple shafts of varying lengths and diameters for his cues, mostly to customer request. For ferrules he used mostly ivory but may have sometimes used fibre ferrules as well. I am unsure what brand of tips were his standard, but I think it was a French brand (Chandivert?) or champion tips (I may be confusing this with Gus Szamboti).
Anyway, put these elements together and you will have a VERY Balabushka styled cue. This look of cue is what made me fall in love with pool cues in the first place and like the tuxedo, it will never go out of style.

To add: I also think it is funny that black and white checkered rings are often called "Bushka rings" although I have never actually seen this type of ring on a Balabushka cue. I know that George is famous for creating a "buzz ring" of phenolic located underneath the wrap where the forearm connected to the handle, but it was not visible, nor black and white checkered.

Hope this info helps

GB did not get "full-splice" blanks from Spain or Davis. All of the full-splice blanks he used came from Brunswick. He ONLY used shorty blanks from Spain and Davis.

Although GB preferred straight-grain maple, GB built several cues using curly maple blanks from Spain/Davis and BEM from Szamboti. Even some of the blanks he received from Brunswick when turned down on the lathe revealed some BEM spots.

Most of his cues were actually 57 1/2". As for tips and dimensions, GB did not build "standard" cues, so these items were mostly determined by customer request.

On the contrary, GB is credited for the "Buska" ring consisting of two nickel rings with ebony and phenolic dashes...which was very visible. He is also credited for creating the ring consisting of nickel rings, black phenolic, & white linen; mostly 7 bands in all. These are also called "Bushka" rings and are very visible!

With all said, many modern cuemakers build cues superior to GB's cues. However, the look and feel of a GB cue can only be replicated by a few modern cuemakers!
 
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On the contrary, GB is credited for the "Buska" ring consisting of two nickel rings with ebony and phenolic dashes...which was very visible. He is also credited for creating the ring consisting of nickel rings, black phenolic, & white linen; mostly 7 bands in all. These are also called "Bushka" rings and are very visible!


I understand he is credited with this, but I dont understand why, because have seen thousands of balabushka pictures and I dont think I have seen one with the black and white checked rings you describe. Could you please post a picture of one? I would like to see it
 
GB did not get "full-splice" blanks from Spain or Davis. All of the full-splice blanks he used came from Brunswick. He ONLY used shorty blanks from Spain and Davis.

I will disagree with this.

Although Spain and Davis did sell half-splice (aka short-splice) blanks to Balabushka, in his booklet Making Blanks, Burton Spain says specifically that he sold full-length full splice blanks as well as "Shorty" full-splice (a ~17" full-splice blank as opposed to a full length, definitely not a half-splice v-inlayed blank). Ebony into maple blanks to Balabushka.

"Once Titlist
blanks were no longer being made to his quality standards, he
switched to blanks from Burton Spain in 1966, who provided
him with both full-spliced and short-spliced blanks."

Burton discovered (from a repair) that Balabushka was installing what is now known as a buzz ring on his short full-splice blanks, underneath the wrap (in the handle).

Pete Tascarella, upon puchasing the Balabushka equipment, received from Josephine several cues in partial build. This included full-splice blanks from Burton Spain.

Freddie
 
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I understand he is credited with this, but I dont understand why, because have seen thousands of balabushka pictures and I dont think I have seen one with the black and white checked rings you describe. Could you please post a picture of one? I would like to see it

Billiard encyclopedia page 324 from left to right, 1,2 and 3. Two have the ring in question, and the third is a stitch ring. The most common misconception on the ring is people think it is ivory, in most, if not all cases, it is white phenolic.

But the ring in ebony/maple is also called a Bushka ring.

Fred is correct. George bought "full splice" from Burton and sometimes he would still splice in a handle maybe 3/4 of the way down the wrap.

JV
 
I will disagree with this.

Although Spain and Davis did sell half-splice (aka short-splice) blanks to Balabushka, in his booklet Making Blanks, Burton Spain says specifically that he sold full-length full splice blanks as well as "Shorty" full-splice (a ~17" full-splice blank as opposed to a full length, definitely not a half-splice v-inlayed blank). Ebony into maple blanks to Balabushka.

"Once Titlist
blanks were no longer being made to his quality standards, he
switched to blanks from Burton Spain in 1966, who provided
him with both full-spliced and short-spliced blanks."

Burton discovered (from a repair) that Balabushka was installing what is now known as a buzz ring on his short full-splice blanks, underneath the wrap (in the handle).

Pete Tascarella, upon puchasing the Balabushka equipment, received from Josephine several cues in partial build. This included full-splice blanks from Burton Spain.

Freddie

+1

You beat me to it. Denny Glen told me personally that George only got full splice blanks
from Spain/Davis - once Titlist were gone, of course.

Dale
 
I understand he is credited with this, but I dont understand why, because have seen thousands of balabushka pictures and I dont think I have seen one with the black and white checked rings you describe. Could you please post a picture of one? I would like to see it

Page 144 of the 3rd Edition Blue Book of Cues. Maybe you were looking at the same picture "thousands" of times. Or maybe the cues in those pictures were not authentic Balabushka's. GB only made about 1200 cues.
 
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Billiard encyclopedia page 324 from left to right, 1,2 and 3. Two have the ring in question, and the third is a stitch ring. The most common misconception on the ring is people think it is ivory, in most, if not all cases, it is white phenolic.

But the ring in ebony/maple is also called a Bushka ring.

Fred is correct. George bought "full splice" from Burton and sometimes he would still splice in a handle maybe 3/4 of the way down the wrap.

JV

I know of no instance where GB used ivory in his Bushka ring. I think the misconception comes from modern cue builders who love to put ivory there simply to increase the price of the cue. Don't get me wrong, the ivory looks good but it is not authentic Bushka.

I stand corrected on Spain. However, he did not get any full-splice blanks from John Davis (after he opened his own shop on Division)...only shorty's. JD can confirm this himself!
 
I know of no instance where GB used ivory in his Bushka ring. I think the misconception comes from modern cue builders who love to put ivory there simply to increase the price of the cue. Don't get me wrong, the ivory looks good but it is not authentic Bushka.

I stand corrected on Spain. However, he did not get any full-splice blanks from John Davis (after he opened his own shop on Division)...only shorty's. JD can confirm this himself!


Typically white canvas/phenolic ring above the handle
 
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I know of no instance where GB used ivory in his Bushka ring. I think the misconception comes from modern cue builders who love to put ivory there simply to increase the price of the cue. Don't get me wrong, the ivory looks good but it is not authentic Bushka.

I stand corrected on Spain. However, he did not get any full-splice blanks from John Davis (after he opened his own shop on Division)...only shorty's. JD can confirm this himself!

I will disagree with this last one, too. But, I will certainly confirm with John.

Considering that when John came back into the business, he went to what he knew: full-splice blanks. My notes tell me that he NEVER made a half-splice (short-splice) blank.

"In 1970, Burton decided to quit the cue-making business. John offered to buy the equipment from Burton and pursued making cues and blanks full-time. He continued to provide blanks primarily to Balabushka, a few to Viking Cues, as well as a smaller number to a few others. He made only the full-splice blanks, primarily the full length Brazilian Rosewood into straight-grained maple. He also continued to make Shorty Blanks, the shorter full-splice blanks made of ebony into maple. He never made the half-spliced blanks, as Burton would do later."

{edit: this is confirmed: John Davis never built the half-spliced cue and only built full-spliced (both full length and 18"). He supplied these to Balabushka until George switched to buying blanks from Gus.}



Freddie
 
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The blanks Spain provided were "short" full splices meaning they were not the full length of the butt. A handle and butt sleeve was added on. Some would cut off a section of the blank and use it for the butt sleeve but George would not. He attached his handle further back than most.

Spain "shortie" full splices (bottom 3. Top is Hercek).

fullsplicehandles.jpg
 
I will disagree with this.

Although Spain and Davis did sell half-splice (aka short-splice) blanks to Balabushka, in his booklet Making Blanks, Burton Spain says specifically that he sold full-length full splice blanks as well as "Shorty" full-splice (a ~17" full-splice blank as opposed to a full length, definitely not a half-splice v-inlayed blank). Ebony into maple blanks to Balabushka.

"Once Titlist
blanks were no longer being made to his quality standards, he
switched to blanks from Burton Spain in 1966, who provided
him with both full-spliced and short-spliced blanks."

Burton discovered (from a repair) that Balabushka was installing what is now known as a buzz ring on his short full-splice blanks, underneath the wrap (in the handle).

Pete Tascarella, upon puchasing the Balabushka equipment, received from Josephine several cues in partial build. This included full-splice blanks from Burton Spain.

Freddie

In a conversation with John Davis, he also relayed to me the fact he made full splice for George.

John came back into the business, he went to what he knew: full-splice blanks. My notes tell me that he NEVER made a half-splice (short-splice) blank.
Freddie
In the same conversation, John also told me he made shorties and still will. You confirmed he never sold any to George, but he will make them, or atleast it was the answer I received when asking about making me one.
 
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I am currently waiting for my finished Balabushka Tribute. This tribute will be as close to a real Balabushka as you can possibly get! It started with a John Davis Brazilian Rosewood "shorty" blank which I purchased many years ago. This blank is exactly the kind of blank George would have used in 1970-1971. Then I chose a cuemaker who understands Balabushka cue making design and principles; Steven Klein. The quality of the materials, such as handmade notched diamonds & Bushka ring instead of premade, add to make this cue as near to authentic as possible! I cannot wait to get this cue in my hands. I will post the finished cue when I get it! I am trying to find a case maker who can make a case that will match the quality of this cue. I want the case to be made of the same leather in the wrap, Spanish Bull leather (which I got from Martin Bick - Jazznpool).
Balabushka Tribute 2.jpg

Balabushka Tribute.jpg

With respect for Steves build which is always solid, IMO this cue is far from "as close to a real Bushka as you can get. The position of the blank is positioned too high and the sleeve is too long... To ME the 2.5 or shorter sleeve is paramount to a Bushka look... Nice cue bot not a perfect authentic look... Then again I am picky..lol
 
With respect for Steves build which is always solid, IMO this cue is far from "as close to a real Bushka as you can get. The position of the blank is positioned too high and the sleeve is too long... To ME the 2.5 or shorter sleeve is paramount to a Bushka look... Nice cue bot not a perfect authentic look... Then again I am picky..lol

George had quite many 3" butt sleeves. However, the points are high, but that is a John Davis thing. When he made mine I requested the points to be 3" lower than what he makes now. 3" lower is perfect if you are getting John to make one today.

m2hEoGRl.jpg
 
George had quite many 3" butt sleeves. However, the points are high, but that is a John Davis thing. When he made mine I requested the points to be 3" lower than what he makes now. 3" lower is perfect if you are getting John to make one today.

m2hEoGRl.jpg

I believe most with a 1.5 delrin cap are 2.5 and smaller... Some 3 using Gus blanks or longer as a hoppe style... That's why a have my opinion on a cue that's a Bushka "like" cue...

Your cue look good...
 
I believe most with a 1.5 delrin cap are 2.5 and smaller... Some 3 using Gus blanks or longer as a hoppe style... That's why a have my opinion on a cue that's a Bushka "like" cue...

Your cue look good...

Thank you.

And yes, most certainly do have shorter sleeves, but not all. It is my feeling George was just more interested in the symmetry/look of the design than sticking to a certain length, but that's just an opinion.

c05xhya.jpg


Middle cue longer sleeve

ys74zSEl.jpg
 
Thank you.

And yes, most certainly do have shorter sleeves, but not all. It is my feeling George was just more interested in the symmetry/look of the design than sticking to a certain length, but that's just an opinion.

c05xhya.jpg


Middle cue longer sleeve

ys74zSEl.jpg

I've seen I believe three cues with a ring set in the sleeve similar to your middle cue. All were made with Gus blanks... Is your middle cue a Gus blank?

Correction... I've seen 4 and 1 was with a Spain blank so maybe my ring set theory has a flaw.. :)
 
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George had quite many 3" butt sleeves. However, the points are high, but that is a John Davis thing. When he made mine I requested the points to be 3" lower than what he makes now. 3" lower is perfect if you are getting John to make one today.

m2hEoGRl.jpg

Very nice cue, as well as proportions. From looking at many Bushkas, I'd say the ideal point length is 3/4, or 75% of the forearm, if you start from the upper edge of the rings above the wrap (or wrap without rings), and not including the joint rings. Measuring yours, I'd say your points are right in that range, 74% of the forearm. It would be interesting if you could measure and correct me.

Buttsleeve length of course is debatable as well. Most Bushkas I've handled had buttsleeves about 2.5 inches. But I know he did some as large as 3 inches. Like you said, I think it depended on symmetry of the cue. When he did a buttsleeve with a separate set of rings above some MOP, or other inlays in the sleeve, some of these did get up to three inches.

This gets detailed, I know. But that's what it takes when talking about what makes a Bushka type cue. I agree with the observations of Skins above on point and buttsleeve length.
 
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Steve Mizerak's Balabushka cue has an ivory ring above the handle

Are you sure about this? Here are his two Bushkas, from another thread. The Dove cue has no rings above the wrap, and his second Bushka does have a ring section, but those white boxes look very light, like white phenolic or other plastic to me, rather than ivory.
 

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