I am interested in why you would say that? Being that the 3 was the longest production of the GC ever? I have worked on so many and never had any reason to think this version was any less desirable than others. Just my experience and interested to hear your input.
TFT
- The frame is scabbed together with scrap wood
- The frame design causes the ends to sag
- The rail inserts are junk, and easily strip out. Leading cause of loose castings
- The casting design is inferior (changed during GC I production). Over-tightening bolts will easily bend/break the castings
- The casting finish quickly degrades, exposing a terrible looking casting (pocket castings and feet)
- Tables produced through the 80's had junk cushions, which hardened prematurely
- Floating capture nut in sub-rail cavity, for rail attachment
- Slate is no longer pinned
- The slate liners are garbage wood. Bolt cutouts extend through the side, leaving nothing to staple to. Not a problem if you glue the cloth, but not everyone does.
Of course, all of these issues are manageable, but they are still key differences from an early Gold Crown I. That said, there are some beneficial design changes that were implemented on the Gold Crown III, such as:
- Apron attachment method improved
- Cut-out in the ball tray, which allows access to the center rail bolt
- Improved, single-piece pocket design
- Sub-rail angle adjusted for modern-day K55 cushions