Do you stand closer to your cue to accomplish that lean? How much clearance do you have between your hip and cue?Having my vision center at my left eye, I have to lean a little farther over the cue.
Do you stand closer to your cue to accomplish that lean? How much clearance do you have between your hip and cue?Having my vision center at my left eye, I have to lean a little farther over the cue.
There is about 2-3" clearance. My right heel is about directly under the cue and my left toes are about 6" behind the cue. It's like if I'm crouching down symmetrically with my back about 30° from horizontal and my thighs perpendicular to my upper body, and then i twist a little bit to move my head about 6" closer to the ball. My chin is about 3" higher that my cue. If I get much lower, I can't point my face forward enough.Do you stand closer to your cue to accomplish that lean? How much clearance do you have between your hip and cue?
They can all beat me?What sort of qualities do you think seperates the best shotmakers from others? People like Filler, Shaw, Shane, etc.
Obviously every pro has their strengths and weaknesses, but what do you think it is that most seperates the absolute top from the rest of the pros, when it comes to pure shotmaking?
Nerves, eyesight, fundamentals, confidence, amount of practice, better hand-eye coordination, talent?
Their ability to work the middle/near middle of the cue ball, when pocketing 90% of their shots.What sort of qualities do you think separates the best shoemakers from others? People like Filler, Shaw, Shane, etc.
Obviously every pro has their strengths and weaknesses, but what do you think it is that most seperates the absolute top from the rest of the pros, when it comes to pure shotmaking?
Nerves, eyesight, fundamentals, confidence, amount of practice, better hand-eye coordination, talent?
What is that?it's gotta be Contact Geometry.
yup.
No doubt.
lol...
It's just a way to connect the contact dots between two or more balls. You end up with an exact representation of the balls and stick alignment for any shot you care to plot. It's very effective once you learn to trust the alignment.What is that?
welp, i guess Earl and SVB are out of the club.Their ability to work the middle/near middle of the cue ball, when pocketing 90% of their shots.
bm
Please explain........welp, i guess Earl and SVB are out of the club.
Those two are notorious for 'not being scared to spin it' as Earl put it in his commentary for the Billiards Network. They don't hit center or near it anywhere close to 90% of the time.Please explain........
I think what he meant by him and svb not being scared to spin it is that they hit a lot of those spinny shots more often than other top pros. certainly more than the other top shot makers, which both certainly are.Shaw/Filler/punch their shots.... Scared to spin it?
All top pros are not Scared to spin, they just understand there's more moving parts in the shot, and more chances of error is all.
Like coming across a dark/dirty ball being cut at slow speeds, it's risky if it's hit a ''little'' to slow causing obj ball rotation.
Generally, good fundamentals they don’t waiver from, a consistent pre-shot routine, an incredible amount of confidence from having hit / pocketed millions of balls, and from having proven to themselves they can come through under pressure.What sort of qualities do you think seperates the best shotmakers from others? People like Filler, Shaw, Shane, etc.
Obviously every pro has their strengths and weaknesses, but what do you think it is that most seperates the absolute top from the rest of the pros, when it comes to pure shotmaking?
Nerves, eyesight, fundamentals, confidence, amount of practice, better hand-eye coordination, talent?
true. but i think we can narrow it down to something not present in 4billion ppl walking the planet.What do you think the best shotmakers have in common?
Answer ~ XY Chromosomes