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Kinda my point. Only the few even have a shot.

Seen it on tv a few times. Boston Pops show. The canons sound weak. Have a couple instances on vinyl that really go boom. Just now occurs to me they are studio recordings. puzzling...:ROFLMAO:

Had to think about the Gallager remark. lol. 1812 Overture has a chance though. Never wondered about what they'd do in a concert hall. :ROFLMAO:

You can't see the target till it's too late.

Margot Robbie?

Any idea what piece they're playing?

Depends. Sometimes you need the CB going rail to rail for position or just staying away from the pockets. Others, you may want the OB moving at pocket speed without bending into the end rail.

Your not wrong.

Not always.

The obvious one, it's two different sizes.

In your holobubble.

True. Trumpy title is all. Sounds hypo inspiratu to me. Works like cheap advertising double talk too. Stir up interest, _they_ make it in America.

True. Trumpy title is all.

Sounds Trumpy. Same crowd needing the action.

My take is if you centralize on CPG all the various OB deviations can be cancelled with an offset cut angle. Warning carpenter analogy follows: Carpenter needs an angle, he sets the table for it. If he needs another angle, he doesn't fudge manually. He sets the new angle.

Insightful guy. I like the Palace table and the bar piano. Hmmm...

BUT this is for techheads and their robots only.

It's such a good fix for CIT, it's been standard practice for a century at least. You still need to be able to do the whole range of ball without sacrificing accuracy. Lots of technical and self discovery there.

MIT needs to do a draw machine challenge. Settle the mystery forever.

Look at all the histrionics players - snookuhruhs too - do getting down. It's analogous to pilots in heavy crosswinds expecting 3 point landings. It's no wonder they have to aim when they're parked on the shot. Laughable.