Cut break
is not as easy as it looks because it depends:
1) Where the cue ball is placed in the kitchen.
2) Angle the 1 ball is hit.
3) English on the cue ball.
4) Speed of the cue ball.
All of the above are interrelated to the other 3. If you change 1 of them, the other 3 change also.
For example, cut breaking from the right side (not on the long rail, but just on the right side), you do not hit the 1 ball full, you hit it at about a 30 degree angle (have to feel out speed), with low right english. You see, it is really a carom shot that caroms off of the 3 ball (ball racked in the 3 position). Inside english in lieu of outside english will cause the 1 to come further back past the side pocket. It caroms more consistently with outside english than inside english.
1 and 3 are not too hard to find for the cut break. It is 2 and 4 that is the majority of the work involved, but when you do find them, the 1 will go a great deal of the time. For example, Alcano in the WPC finals.
is not as easy as it looks because it depends:
1) Where the cue ball is placed in the kitchen.
2) Angle the 1 ball is hit.
3) English on the cue ball.
4) Speed of the cue ball.
All of the above are interrelated to the other 3. If you change 1 of them, the other 3 change also.
For example, cut breaking from the right side (not on the long rail, but just on the right side), you do not hit the 1 ball full, you hit it at about a 30 degree angle (have to feel out speed), with low right english. You see, it is really a carom shot that caroms off of the 3 ball (ball racked in the 3 position). Inside english in lieu of outside english will cause the 1 to come further back past the side pocket. It caroms more consistently with outside english than inside english.
1 and 3 are not too hard to find for the cut break. It is 2 and 4 that is the majority of the work involved, but when you do find them, the 1 will go a great deal of the time. For example, Alcano in the WPC finals.