unknownpro said:Thanks for the compliment, but I'm afraid you misinterpreted my meaning. I meant that you should be aiming the cue, instead of the cueball. You said before that most top players are looking at a spot on the object ball, and I believe you are probably right. Most players do, even top players. I beat many of them playing that way for years. But when people would ask me what I was looking at when I played my best, I didn't know, because it was feel like you have said, I zoned out and wasn't really focusing on a spot.
Later, I realized that was the problem. Under pressure, the harder I tried to make the ball, the more likely I was to miss, because I was focusing more on the spot on the ball, and more on really following through so that the cueball doesn't curve off line, which makes it very hard to make the ball. You must be shooting your cue on a different line of aim than you are looking at using that method.
The correct way, imo, is to aim along the cue stick line to the point it must go to in order to pocket the ball using the english you desire without curving the cueball. If you are using center ball, cutting 90 degrees that will be shooting the center of your cue stick 1 and 1/8 inches outside of the object ball. Straight outside english it is 2 and 1/4 inches outside the object ball sighting along the inside edge of the cue. Straight inside it is just inside the object ball sighting along the outside of the cue.
Lower and higher english will reduce the offsets and you must concentrate on not letting the cueball curve. At 9 o'clock english it would be 5/16 inches. It's harder to keep out the curve using high, so I avoid high side english unless the object ball is very close.
I think a lot of people get confused by using a little english. A full stroke doesn't care if you are 1/2 tip or 1 tip over, you can deflect the cueball to the same spot, one will have more spin. When shooting easy, it's easier to use a lot of english to deflect the ball quickly.
Sorry bout the misunderstanding. I was happy to have a compliment, and I try not to bash, but I don't always succeed!
unknownpro
I believe the great Ralph S. shoots the same way you do.
When I am playing a very difficult and critical shot w/o English I will pull my cue stick back in a very straight line away from the spot on the OB as if I am fighting a large rubber band pulling my stick forward. Almost as if I were doing isometrics. and then stroke straight forward as if a rubber band were catapulting. I learned this from Julio (Ronnie) who is one of the top pressure players. Works very well.