nick55 said:
i'm not asking anyone to talk trash about any cue makers specifically but everytime someone on here asks about a cue or a cue maker i see nothing but tons of positive feedback so i was wondering if there are anythings that you all dont think so highly of. things to watch out for or cues that you dont think play well. i know its a lot of personal opinion, but they cant all be great players or well worth the money. again i'm not trying to get anyone to talk trash, but i am starting to try to figure out what i want for my first custom and i'm trying to find things to look for or things to make sure i dont get. thanks
You could email the American Cuemakers Association or the International Cuemakers Association and ask them for guidance. I am sure that they have been working on some guidlelines to show people what to look for in a cue.
http://www.cuemakers.org/
http://www.internationalcuemakers.com/
A lot of these cuemakers will be happy to talk you about what makes a good cue, often in their opinion. But if they make into either of these organizations then at least that means that their work was judged and deemed acceptable by their peers. Not to say that one must be a member of either organization to be a good cuemaker, just a starting point for you.
To me a good cue is one that feels solid when I hit balls, is well balanced, and is smooth from tip to bumper. Nothing that I can feel that makes me uneasy about it. The ferrule should be flush, the joint should be flush, no dings or edges anywhere, the wrap should be smooth with no threads or bumps that shouldn't be there. The joint facing should be perfectly flat.
For looks the finish should be smooth and glassy, the wood under the finish should be stained evenly, there should be no jagged edges around the inlays or spots that were filled using off color filler. (ideally no filler spots at all, but I have seen filler used where it's perfectly blended). Inlays should be evenly spaced and symmetric.
These things apply to all cues in my opinion. All else is personal preference and hotly debated amongst players and collectors.
I have been soundly beaten by people playing with $50 Sterling Sneaky Petes, Meuccis, a $50,000 Southeast and everything in between. Conversely I have played jam up with so-called cheap cues, expensive cues and played equally bad with them as well.
The range of cues is wide and at the same time narrow. They all have about the same parameters, which is like saying all cars have a steering wheel, a motor, and wheels. But the subtleties are a lifetime pursuit for some and a lucky lifetime union for others.
It's awfully hard to buy a "bad" cue these days though. Even if you start out with domestic or overseas production models you aren't going to end up with a bad cue. It might not be as sweet as that Tim Scruggs for $2K but then everything that went into making the Scruggs didn't go into the $100 cue either.
My advice on custom is to find a maker that you can have a good rapport with and start small with him. Order something not too expensive and see how you like it - then fine tune that and offer him more work if you want to move up the decoration scale.
One thing Americans have over the rest of the world is choice. Especially in cues. While the rest of the world has some damn good cuemakers it has nowhere close to the density of makers as in the USA. From tip repair to complete cues Americans have it better than most of the players outside the USA. So take advantage of that and get on the email or phone and you will find some cuemakers that suit your needs.