I think I might actually grab my older kids and head down to the Expo in NJ in a few weeks. Only 4 hours away.
That would be the thing to do, if you're able.
I think I might actually grab my older kids and head down to the Expo in NJ in a few weeks. Only 4 hours away.
I would buy a used Andy Gilbert jump break cue for that amount of money.
They are great players, and sell easily when you want to get something else.
Any production cue bought new is worth about 1/2 what you paid for it immediately, and can be a tougher sell later.
Dont say Ill never sell it, because in the end all cues get sold eventually.
Best of rolls,
Ken
Wow, great discourse. Can't thank everyone enough. I think I might actually grab my older kids and head down to the Expo in NJ in a few weeks. Only 4 hours away.
As you can see, I started the thread referring to custom cues and asked about a production cue... I've learned a lot in the last two days.
My next level of analysis will be to ask what attributes drive the decisions in custom cues. While trying to eliminate the subjectivity, presumably there are a series of features (sorry I write like this, I am a product manager by trade) that you need in combination that you would not get in production.
What are they? I get material, weight, tip... but I am new to others like balance point and taper. What are you asking to be customized?
I like the pure reaction to the look and feel philosophy.
But I have to ask Big Pappa Pool, when you went to Bill Emory, what did you tell him to make, what did you tell him that mattered to you, what variables did you ask him to put together?
I get the subjectivity, but I am still trying to isolate (beyond elements that I totally respect, that high end pool players want a custom experience) what drives the custom decisions?