I am pretty good friends with a family that has an extremely large collection of cues. One of the largest in the world I believe. In the last 20+ years, I have played with a good portion of their cues. A lot of those cues, most on here would probably give up their own mother for. I am very lucky in this, I know.
I was just talking with one of the family about how cues play the other day. Now, the hit of any cue is completely subjective. What is great to me, might suck to you. My question to him was, "Why do some cues of makers in the highest order play good, and others play like s***?"
I know people will be curious as to what makers I was referring to, so I will tell you. They were Gina and Tad mostly.
The other cue makers I referred to were Bill Stroud and Gus.
In the latter 2, I could play with one of their plain jane cues or a solid gold monster and it would hit lights out. In the former 2, there seemed to be no correlation between the price of the cue and how it hit. Some of the plain ones hit great and some didn't. Same with the spendy ones. Some hit great and some didn't.
I am sure to get threatening e-mails on this! :angry:
Don't forget, hit is subjective.
Well, my friend was pretty good friends with Gus. He relayed to me what Gus told him a long time ago. Gus believed that the majority of the "feeling" in how a cue played was in the shaft. He didn't point out anything particular in the shaft just that is was the determining factor. The not so good feeling in the cues I played with was that the shafts were not done correctly for that cue.
This could mean taper, diameter, ferrule, joint material, etc.
I was reading this and thought I would put my 2 cents in. I have been in a very unique position to play with cues that almost never see the light of day much less played and thought I should share it.
Hope you enjoyed... :thumbup:
Or not! :frown:
I was just talking with one of the family about how cues play the other day. Now, the hit of any cue is completely subjective. What is great to me, might suck to you. My question to him was, "Why do some cues of makers in the highest order play good, and others play like s***?"
I know people will be curious as to what makers I was referring to, so I will tell you. They were Gina and Tad mostly.
The other cue makers I referred to were Bill Stroud and Gus.
In the latter 2, I could play with one of their plain jane cues or a solid gold monster and it would hit lights out. In the former 2, there seemed to be no correlation between the price of the cue and how it hit. Some of the plain ones hit great and some didn't. Same with the spendy ones. Some hit great and some didn't.
I am sure to get threatening e-mails on this! :angry:
Don't forget, hit is subjective.
Well, my friend was pretty good friends with Gus. He relayed to me what Gus told him a long time ago. Gus believed that the majority of the "feeling" in how a cue played was in the shaft. He didn't point out anything particular in the shaft just that is was the determining factor. The not so good feeling in the cues I played with was that the shafts were not done correctly for that cue.
This could mean taper, diameter, ferrule, joint material, etc.
I was reading this and thought I would put my 2 cents in. I have been in a very unique position to play with cues that almost never see the light of day much less played and thought I should share it.
Hope you enjoyed... :thumbup:
Or not! :frown: