Willowbrook Wolfy
Going pro
Anyone else had this problem?
Maybe you are? I’ve done it more times than I care to admit, and sometimes I’m the only one that knows it happened. It’s the equivalent of the “yips” in golf.Anyone else had this problem?
Pretty high sometimes. But it’s not a miscue, and With an elkmaster tip. I am more of a draw shooter and typically don’t use a lot of follow shots unless I have to.How high on the cue ball are you hitting on your follow shots?
Even on soft shots, you do still have to smoothly accelerate through the cue ball. As long as you concentrate on accelerating through the cue ball after the pause at the completion of your backstroke, you should not have to worry about double hits on the cue ball.One last thing it first started happening or I just started noticing it when I was learning one pocket and almost all shots are soft shots. Could my ears be playing tricks on me?
I’m working on it! I want to see if anyone else has had this dilemma. If so trying to come up with a solution. All this has me thinking I’ll play with one ear plug in to see if I still hear 2 hits. I never notice it after a few drinks. That’s probably why I can still play like a champ after them.Even on soft shots, you do still have to smoothly accelerate through the cue ball. As long as you concentrate on accelerating through the cue ball after the pause at the completion of your backstroke, you should not have to worry about double hits on the cue ball.
Even on soft shots, you do still have to smoothly accelerate through the cue ball. As long as you concentrate on accelerating through the cue ball after the pause at the completion of your backstroke, you should not have to worry about double hits on the cue ball.
So are you saying my stroke is maybe not long enough. this is causing me to compensate at the end of it? I can hit with little to no grip and still hear the double tap if you will. It seems like it would be really hard to poke after contact with that grip. Thought it was a loose ferrule or weight at first. Because it’s a fast tap tap. Even contacted Viking on it. But it happens with other cues too.Some people have a tendency to try to “push” the cue ball on soft shots rather than stroking the cue ball.
The “pushing” makes them not have enough follow through to move the cue ball fast enough, so they “jab” after the “push”.
So are you saying my stroke is maybe not long enough. this is causing me to compensate at the end of it? I can hit with little to no grip and still hear the double tap if you will. It seems like it would be really hard to poke after contact with that grip. Thought it was a loose ferrule or weight at first. Because it’s a fast tap tap. Even contacted Viking on it. But it happens with other cues too.
When it happens to me it's always because I hit just a hair past the miscue limit - not enough past to miscue entirely, but just enough so the tip "skids" a little on the ball (at least that's what it feels/sounds like).Pretty high sometimes. But it’s not a miscue
That was what I was thinking when I asked how high he was hitting on the cue ball.When it happens to me it's always because I hit just a hair past the miscue limit - not enough past to miscue entirely, but just enough so the tip "skids" a little on the ball (at least that's what it feels/sounds like).
Dr. Dave's video about elevated cue shots shows that the tip skids on the CB with follow when you jack up over a blocking ball - and the shooter usually can't tell. That may not describe your shot, but it demonstrates that miscuing isn't always obvious to the shooter.
pj
chgo
So technically it is a foul, but is that really a foul or do you keep shooting after? This could very well be what I’m doing, and I for sure hear it. About a tip up is my max before there is a chance of this happening. Plus using a 12 or slightly smaller tip on players. Regular shaft.When it happens to me it's always because I hit just a hair past the miscue limit - not enough past to miscue entirely, but just enough so the tip "skids" a little on the ball (at least that's what it feels/sounds like).
Dr. Dave's video about elevated cue shots shows that the tip skids on the CB with follow when you jack up over a blocking ball - and the shooter usually can't tell. That may not describe your shot, but it demonstrates that miscuing isn't always obvious to the shooter.
pj
chgo
It's not a called foul because it can't really be seen either by watching the contact or the cue ball's action.So technically it is a foul, but is that really a foul or do you keep shooting after?
When it happens to me it's always because I hit just a hair past the miscue limit - not enough past to miscue entirely, but just enough so the tip "skids" a little on the ball (at least that's what it feels/sounds like).
Dr. Dave's video about elevated cue shots shows that the tip skids on the CB with follow when you jack up over a blocking ball - and the shooter usually can't tell. That may not describe your shot, but it demonstrates that miscuing isn't always obvious to the It seems to be you, not the cues.
Set your phone next to the table to the side of you and video yourself. Zoom the camera as close to the cue ball as you can.
I’m going to give it a go and let you all know. Thanks.It seems to be you, not the cues.
Set your phone next to the table to the side of you and video yourself. Zoom the camera as close to the cue ball as you can.
On every shot?
It's not a called foul because it can't really be seen either by watching the contact or the cue ball's action.
No harm, no foul.
pj
chgo
I think I figured it out. Either my cue has a loose weight or I have a crack under the wrap. That’s the extra sound I’ve been hearing. I’m probably hearing “ghost” sounds on others. When I gently drop the butt end on the table I here almost a creak. Like the wood is cracked. Anyone know what size Allen to tighten weights on a Viking? Honestly I’m thinking the forearm probably has a small crack in it though. That’s great if it is the forearm because I’m thinking cue would look so much better with a smoked maple finish anyway.Even on soft shots, you do still have to smoothly accelerate through the cue ball. As long as you concentrate on accelerating through the cue ball after the pause at the completion of your backstroke, you should not have to worry about double hits on the cue ball.