I have played with a Robinson cue for 10 years. The joint freaks a lot of people out, but they hit great. John is a perfectionist and it shows in his work. As far as resale is concerned, they can be a little difficult to sell because no one outside of Arizona and California knows anything about his cues. I play with a plain birdseye maple butt and it cost me $700 for the cue and 2 shafts.Tim said:I wanted some feedback on his cues. Poor resale? Quality?
Thanks
Tim said:I wanted some feedback on his cues. Poor resale? Quality?
Thanks
Tim said:I wanted some feedback on his cues. Poor resale? Quality?
Thanks
bruin70 said:well he shore is colorful idn' he!!!
i don't see too many of his cues going up for resale. that either means 1,,,he doesn't sell many 2,,,everyone who buys 'em, keeps 'em 3,,,no one wants 'em on the secondary market.
i wouldn't put robinson up there with the top cuemakers who ARE collectable..but probably in a category below the capones/kikels/,,,,,maybe somewhere with ernesto dominguez.
there's lots of criteria,,,wait time, high price, admired by peers, etc etc. robinson never comes to mind. resale value is a fickle thing. classic examples are mcdaniel and phillippi, who are greatly admired and well known but their cues don't have good resale value.
Jack Madden said:I visited John's shop from time to time when I lived in AZ. In fact he has called me in Montana so I can help fix his electrical problems. Anyway, he sells a lot of cues to Japan. His Japanese customers like the Ivory and the colored Ivory (those cues Ken has have ivory and colored Ivory).