My road to improvement:
1. Lessons by snooker coach (thereby learning 4 point contact)
2. Learning to keep my weight properly distributed between my hand and legs and keeping it throughout the stroke.
3. Learning to walk into the shot better, considering not only the line on which I walk but my bodys starting position and postion while going down(upper body).
4. Stroke mechanics.
5. CJ Wileys grip thread, developing my grip, making a "track" for the cue, thus eliminating twisting (more or less)
6. The most important thing: The eyes. Staring down the contact point, keeping my eyes on it throughout the stroke until it disappears. It now seems I have oceans of time while down on the shot, I used to always rush my shot, getting my eyes off the ball before the stroke was finished. I go down, I STARE at the contact point, do the practise strokes, and then, as I deliver my cue I keep my focus entirely on the object ball until it disappears. When I do this, everything else seems to fall in line. My stroke gets softer and softer, yet the cueball always makes it where it needs to go. It's almost mystical.
Still have a long way to go, but I really think I cracked it when I figured out the eye thing. I guess this years tournaments will show.
1. Lessons by snooker coach (thereby learning 4 point contact)
2. Learning to keep my weight properly distributed between my hand and legs and keeping it throughout the stroke.
3. Learning to walk into the shot better, considering not only the line on which I walk but my bodys starting position and postion while going down(upper body).
4. Stroke mechanics.
5. CJ Wileys grip thread, developing my grip, making a "track" for the cue, thus eliminating twisting (more or less)
6. The most important thing: The eyes. Staring down the contact point, keeping my eyes on it throughout the stroke until it disappears. It now seems I have oceans of time while down on the shot, I used to always rush my shot, getting my eyes off the ball before the stroke was finished. I go down, I STARE at the contact point, do the practise strokes, and then, as I deliver my cue I keep my focus entirely on the object ball until it disappears. When I do this, everything else seems to fall in line. My stroke gets softer and softer, yet the cueball always makes it where it needs to go. It's almost mystical.
Still have a long way to go, but I really think I cracked it when I figured out the eye thing. I guess this years tournaments will show.