Can you cuemakers tell me at what point cuemakers started using the term "short splice" and why?
Burton Spain called his FULL SPLICED 18" ebony into maple blanks "shorty blanks." But these shorty blanks again were full-spliced.
I think Burton pioneered the V-groove square inlay method of making points and called them "half spliced." There's a little disconnect in the booklet as to what point he started using this method.
Did someone else invent this technique? Why do many/most cuemakers call the V-groove inlay a "short splice"? To me, I can't make any sense of the term. Personally, I would have called it a "semi splice." So, "half splice" is understandable to me.
I've assumed for a while that someone got confused in the terminology, and that this got passed on like wildfire. And it continues.
Fred
Burton Spain called his FULL SPLICED 18" ebony into maple blanks "shorty blanks." But these shorty blanks again were full-spliced.
I think Burton pioneered the V-groove square inlay method of making points and called them "half spliced." There's a little disconnect in the booklet as to what point he started using this method.
Did someone else invent this technique? Why do many/most cuemakers call the V-groove inlay a "short splice"? To me, I can't make any sense of the term. Personally, I would have called it a "semi splice." So, "half splice" is understandable to me.
I've assumed for a while that someone got confused in the terminology, and that this got passed on like wildfire. And it continues.
Fred