For some people unorthodox works well. Check out any videos you can find of Joe Swail's grip and stroke, Alex Higgins' in action, Mark Selby's head movement on the shot, Ray Reardon's grip, or even Ronnie O'Sullivan who grips with the middle and ring fingers.
In that list you have multiple world champions and players who have had success at the top of the game. To say that there is only one way to grip a cue is naive.
I've tried just about every grip out there, from a light-as-a-feather cradle between thumb and forefinger, to the McCready side arm, up to the CJ Wiley "hammer" grip to stab at the ball. All of them have merit to me at times, but I always go back to the same type grip that RO uses for the majority of my shots.
This is nearly identical to the way I hold a fly rod (although the action is obviously totally different), with the pivot point located at the contact points between the side of the thumb and the inside of the middle finger. The forefinger only contacts the cue at the end of the backstroke, and then it contacts the ring finger (and maybe the pinky finger a bit) at the end of the forward stroke. The whole time it is rocking over the middle finger as it's main contact point. The net result is that it feels like I am pulling the cue through most of the forward stroke, and then, as the wrist breaks over, I am pushing it (guiding it?) straight through the end of the stoke and into the follow through. It is a very straight stroke for me, with plenty of either reserve power or delicacy as required.
And light. Very, very light, so light that the cue slips forward just a hair during power strokes. In addition to the obvious advantage a relaxed grip provides to achieve a straight stroke, I feel that relaxation in most sports helps to promote better timing, and timing is where real power comes from, not from brute muscular force.
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