underrated wood

African Blackwood

I'm having a new cue made of this wood and have been reading some articles about it, I found this one very informative.

Protecting African blackwood (mpingo), the world's most expensive tree


Thursday, 02 July 2009 19:49
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Article Index Protecting African blackwood (mpingo), the world's most expensive tree
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BY DENIS GATHANJU

IPS/IFEJ

MOSHI, TANZANIA — With the snow-capped peak of Mount Kilimanjaro providing a backdrop under simmering tropical sunshine, a group of women in Mijongweni village break into song.

The song, in Swahili, praises the benefits of protecting the environment and living in harmony with nature for the survival of generations; values vital to the survival of one of the rarest hardwood trees in the world, the African blackwood.

Known to locals as mpingo, the African blackwood (dalbergia melanoxylon) is a tree that has been exploited to extinction in southern Ethiopia and Kenya and is currently only found in Tanzania and northern Mozambique. Tanzania boasts large tracts of natural forest and woodlands

While few people would recognise the tree, many across the world have heard its melodious tunes: the tree is a prized commodity for makers of musical instruments like flutes, clarinets and oboes, so much so that it is today the most expensive hardwood tree in the world, currently fetching up to 25,000 dollars per cubic metre.

Mpingo conservation

Though the blackwood tree is not endangered, it is being harvested unsustainably. It is currently listed under Appendix II of the Convention on International Trade in Endangered Species as a threatened species, which could become extinct within a generation or two if nothing is done to save it.

"That is why I sprung to action to palliate the threat," says Sebastian Chuwa, a Tanzanian botanist based in the northern Tanzanian town of Moshi and the founder and national patron of the Mali Hai Clubs of Tanzania. Mali Hai, Swahili for "living resources", is a community-based organisation that sensitizes communities on environmental conservation through tree planting.

"The mpingo tree is threatened because it is a slow-growing tree that takes between 50 to 70 years to mature and is being depleted at alarming rates," he adds.

Though Tanzania's ministry of natural resources and tourism has slapped an export ban on mpingo, it continues to be harvested indiscriminately, especially in the southern parts of Tanzania that were, until recently, inaccessible. It is estimated that fewer than three million African blackwood trees remain, with most of the remaining stands in Tanzania and northern Mozambique.

"I started collecting its seeds and initiated an African blackwood tree planting program here in Moshi," notes Chuwa.

James Harris, a Texan wood turner, and his wife Bette Stockbauer, who creates collectible wood art from many tree species, including the African blackwood, helped raise funds for the project in the US after watching a telecast on Chuwa's work. The duo helped found the African Blackwood Conservation Project, enabling Chuwa to establish a major blackwood tree nursery.

"The mpingo," says Chuwa, "is a hardy tree that survives on very little water. It has tiny leaves that help against loss of too much water. Once the root system has been established, the tree requires little or no rainfall at all to mature.

"It can be planted in farms because it does not compete for resources with corn, coffee or bananas and acts as a nitrogen-fixing agent in the soil. The mpingo is also considered a good luck tree by the Chagga people who live on the slopes of the Mt. Kilimanjaro."

When he first set up the tree nursery in Mijongweni, Chuwa was able to plant 50,000 mpingo tree seedlings with the help of a local women's group. Faraja is the Swahili word for hope, and the Faraja Women's Group hopes to establish a green canopy of the African blackwood in their village and its neighbours.

According to Yusta Tarimu, the leader of the group, its ten members managed to plant 35,000 blackwood tree seedlings last year and hope to plant 100,000 this year through community mobilisation in nearby villages.


"We would like to rope in other nearby communities as there is strength in numbers and we can plant more trees on the drier southern regions of Moshi," she says

Apart from making some of the world's best wind musical instruments, the African blackwood is also prized by wood sculptors. The Makonde sculptors of Tanzania make a handsome living from the sale of sculptures to tourists visiting the region.

On a tour of their workshop in Moshi, I learn that most of the wood carvers have gained the skills from their fathers and uncles and are teaching their children as well.

"The ebony, yet oily look of the mpingo makes it attractive as it has a natural polish that sets it apart from the rest," notes carver Aloyse Mrema. "Due to this, it fetches higher prices than wood carvings from other hard woods."

Chuwa has also donated some mpingo tree seedlings to the wood carvers who have planted them around their workshop. So far, the wood carvers have planted more than 3,000 African blackwood tree seedlings, a respectable amount considering they cut down about 1,500 mpingo trees every year.

"I want them to plant 10,000 mpingo trees next year," says a beaming Chuwa.

Community mobilisation

Known as Bwana Mali Hai (Mr. Mali Hai) in the area, Chuwa has marshalled the entire Kibosho community at the foot of the Mt. Kilimanjaro into planting more than one million fast-growing trees in the region.

This, he says, is critical for the survival of the sensitive Mt. Kilimanjaro ecosystem, which is currently paying a heavy price for climate change as scientists and environmentalists say the snow caps on Africa's highest peak will vanish by 2020.

So popular is Chuwa that he was nominated and elected unopposed to represent Kibosho Division in the Moshi Town Council , a political position that he has exploited to advance his environmental conservation drive by introducing new legislation that criminalizes wholesale tree felling and encroachment on forest land. The new by-laws dictate that if someone wants to fell trees on his farm for commercial gain, then he has to replant at least ten more trees and give 10 percent of the earnings to a village account meant for development purposes such as building new schools, health centres and bursaries for poor, bright children from the village.

From its humble beginnings in 1985, Mali Hai has become a movement to be reckoned with in the entire Kilimanjaro Province of northern Tanzania due to its elaborate environmental conservation sensitization program that has spanned the length and breadth of the entire regions and communities living in and around the Mt. Kilimanjaro ecosystem.

Mali Hai are Swahili words that mean "living resources" since the trees that Chuwa helps plant are alive and can be used by the communities to improve their economic well being.

According to Rodney Lema, the patron of Mali Hai in Singachini Village, the tree planting exercises have been so successful as they involve school children, many of whom have gone on to become environmental ambassadors in their respective villages.

Adds Fadhili Moshi, a Mali Hai patron in Mweka Village: "Through the youth movement in the schools, we have been able to sensitise local villagers during school meetings and mobilized them into planting trees in their farms, along footpaths and on the Mweka Climbing Route at the base of the Mt. Kilimanjaro."

The massive tree planting exercise in the Mt. Kilimanjaro region was also a rallying call for Chuwa and residents to mitigate the negative effects of logging in the region.

Says Chuwa: "When I was growing up, the forest cover in the region was so dense that one could not see the peak of the Kilimanjaro. However, due to logging in the Kilimanjaro Forest and charcoal burning, the forest cover was almost gone in less than 15 years and it was possible to get a good clear look at the Kilimanjaro peak from outside my home."

The venture, notes Chuwa, "brings about a sense of collective ownership and responsibility that is beneficial to the communities so that they can help protect the natural resources from outside interference or destruction since they derive direct benefits from the same."

In recognition of his efforts to conserve the African blackwood and the entire Mt. Kilimanjaro ecosystem, Chuwa has received numerous awards, including the Associate Laureate Award from the Rolex Award for Enterprise Committee and the J. Sterling Morton Award from the National Arbor Day Foundation in the United States.

This story is part of a series of features on sustainable development by Inter Press Service (IPS) and the International Federation of Environmental Journalists (IFEJ), for the Alliance of Communicators for Sustainable Development (www.complusalliance
 
I'm having a new cue made of this wood and have been reading some articles about it, I found this one very informative.

Protecting African blackwood (mpingo), the world's most expensive tree

Thursday, 02 July 2009 19:49

BY DENIS GATHANJU

IPS/IFEJ

MOSHI, TANZANIA — With the snow-capped peak of Mount Kilimanjaro providing a backdrop under simmering tropical sunshine, a group of women in Mijongweni village break into song.

The song, in Swahili, praises the benefits of protecting the environment and living in harmony with nature for the survival of generations; values vital to the survival of one of the rarest hardwood trees in the world, the African blackwood.

Known to locals as mpingo, the African blackwood (dalbergia melanoxylon) is a tree that has been exploited to extinction in southern Ethiopia and Kenya and is currently only found in Tanzania and northern Mozambique. Tanzania boasts large tracts of natural forest and woodlands

While few people would recognise the tree, many across the world have heard its melodious tunes: the tree is a prized commodity for makers of musical instruments like flutes, clarinets and oboes, so much so that it is today the most expensive hardwood tree in the world, currently fetching up to 25,000 dollars per cubic metre.

Mpingo conservation

Though the blackwood tree is not endangered, it is being harvested unsustainably. It is currently listed under Appendix II of the Convention on International Trade in Endangered Species as a threatened species, which could become extinct within a generation or two if nothing is done to save it.

"That is why I sprung to action to palliate the threat," says Sebastian Chuwa, a Tanzanian botanist based in the northern Tanzanian town of Moshi and the founder and national patron of the Mali Hai Clubs of Tanzania. Mali Hai, Swahili for "living resources", is a community-based organisation that sensitizes communities on environmental conservation through tree planting.

"The mpingo tree is threatened because it is a slow-growing tree that takes between 50 to 70 years to mature and is being depleted at alarming rates," he adds.

Though Tanzania's ministry of natural resources and tourism has slapped an export ban on mpingo, it continues to be harvested indiscriminately, especially in the southern parts of Tanzania that were, until recently, inaccessible. It is estimated that fewer than three million African blackwood trees remain, with most of the remaining stands in Tanzania and northern Mozambique.

"I started collecting its seeds and initiated an African blackwood tree planting program here in Moshi," notes Chuwa.

James Harris, a Texan wood turner, and his wife Bette Stockbauer, who creates collectible wood art from many tree species, including the African blackwood, helped raise funds for the project in the US after watching a telecast on Chuwa's work. The duo helped found the African Blackwood Conservation Project, enabling Chuwa to establish a major blackwood tree nursery.

"The mpingo," says Chuwa, "is a hardy tree that survives on very little water. It has tiny leaves that help against loss of too much water. Once the root system has been established, the tree requires little or no rainfall at all to mature.

"It can be planted in farms because it does not compete for resources with corn, coffee or bananas and acts as a nitrogen-fixing agent in the soil. The mpingo is also considered a good luck tree by the Chagga people who live on the slopes of the Mt. Kilimanjaro."

When he first set up the tree nursery in Mijongweni, Chuwa was able to plant 50,000 mpingo tree seedlings with the help of a local women's group. Faraja is the Swahili word for hope, and the Faraja Women's Group hopes to establish a green canopy of the African blackwood in their village and its neighbours.

According to Yusta Tarimu, the leader of the group, its ten members managed to plant 35,000 blackwood tree seedlings last year and hope to plant 100,000 this year through community mobilisation in nearby villages.


"We would like to rope in other nearby communities as there is strength in numbers and we can plant more trees on the drier southern regions of Moshi," she says

Apart from making some of the world's best wind musical instruments, the African blackwood is also prized by wood sculptors. The Makonde sculptors of Tanzania make a handsome living from the sale of sculptures to tourists visiting the region.

On a tour of their workshop in Moshi, I learn that most of the wood carvers have gained the skills from their fathers and uncles and are teaching their children as well.

"The ebony, yet oily look of the mpingo makes it attractive as it has a natural polish that sets it apart from the rest," notes carver Aloyse Mrema. "Due to this, it fetches higher prices than wood carvings from other hard woods."

Chuwa has also donated some mpingo tree seedlings to the wood carvers who have planted them around their workshop. So far, the wood carvers have planted more than 3,000 African blackwood tree seedlings, a respectable amount considering they cut down about 1,500 mpingo trees every year.

"I want them to plant 10,000 mpingo trees next year," says a beaming Chuwa.

Community mobilisation

Known as Bwana Mali Hai (Mr. Mali Hai) in the area, Chuwa has marshalled the entire Kibosho community at the foot of the Mt. Kilimanjaro into planting more than one million fast-growing trees in the region.

This, he says, is critical for the survival of the sensitive Mt. Kilimanjaro ecosystem, which is currently paying a heavy price for climate change as scientists and environmentalists say the snow caps on Africa's highest peak will vanish by 2020.

So popular is Chuwa that he was nominated and elected unopposed to represent Kibosho Division in the Moshi Town Council , a political position that he has exploited to advance his environmental conservation drive by introducing new legislation that criminalizes wholesale tree felling and encroachment on forest land. The new by-laws dictate that if someone wants to fell trees on his farm for commercial gain, then he has to replant at least ten more trees and give 10 percent of the earnings to a village account meant for development purposes such as building new schools, health centres and bursaries for poor, bright children from the village.

From its humble beginnings in 1985, Mali Hai has become a movement to be reckoned with in the entire Kilimanjaro Province of northern Tanzania due to its elaborate environmental conservation sensitization program that has spanned the length and breadth of the entire regions and communities living in and around the Mt. Kilimanjaro ecosystem.

Mali Hai are Swahili words that mean "living resources" since the trees that Chuwa helps plant are alive and can be used by the communities to improve their economic well being.

According to Rodney Lema, the patron of Mali Hai in Singachini Village, the tree planting exercises have been so successful as they involve school children, many of whom have gone on to become environmental ambassadors in their respective villages.

Adds Fadhili Moshi, a Mali Hai patron in Mweka Village: "Through the youth movement in the schools, we have been able to sensitise local villagers during school meetings and mobilized them into planting trees in their farms, along footpaths and on the Mweka Climbing Route at the base of the Mt. Kilimanjaro."

The massive tree planting exercise in the Mt. Kilimanjaro region was also a rallying call for Chuwa and residents to mitigate the negative effects of logging in the region.

Says Chuwa: "When I was growing up, the forest cover in the region was so dense that one could not see the peak of the Kilimanjaro. However, due to logging in the Kilimanjaro Forest and charcoal burning, the forest cover was almost gone in less than 15 years and it was possible to get a good clear look at the Kilimanjaro peak from outside my home."

The venture, notes Chuwa, "brings about a sense of collective ownership and responsibility that is beneficial to the communities so that they can help protect the natural resources from outside interference or destruction since they derive direct benefits from the same."

In recognition of his efforts to conserve the African blackwood and the entire Mt. Kilimanjaro ecosystem, Chuwa has received numerous awards, including the Associate Laureate Award from the Rolex Award for Enterprise Committee and the J. Sterling Morton Award from the National Arbor Day Foundation in the United States.

This story is part of a series of features on sustainable development by Inter Press Service (IPS) and the International Federation of Environmental Journalists (IFEJ), for the Alliance of Communicators for Sustainable Development (www.complusalliance



It is being harvested beyond sustainability. It's just a matter of time when we won't be able to import it and that time is coming soon. I venture to say within 5 years. End of conversation.
 
Well if more than one cue maker "proclaimed" it to be one of the best cue building woods out there then maybe it is. I genuinely think it is and have been using it for quite a while. It has much more character then ebony and hits as good or better; personally, I think it makes for a better hitting cue. That's my story and I'm sticking to it. :grin:

And, when it's finished it looks black; not brown. It's not brownwood. It's called Blackwood for a reason. It's looks great when it's finished.

If you want wood that is black in color on your cue, you have several choices. You can pick usual and boring ebony, you can pick AB that has character or you can pick purpleheart that is dyed black (I wonder how many of those are out there!).

You know what -- it's ugly disgusting wood. Don't use it. It's overrated and no one should use it. I'll keep buying it and stockpiling it as I did with Pink Ivory, Brazilian Rosewood, Amboyna and a few other scarce species.

Enjoy your day.
Post number 33 sure looks brown to me. As for it hitting better than Ebony, I would agree, as Ebony is one of my least favorite hitting woods. Most woods out play Ebony. "Boring black" is in the eyes of the beholder also, as really black Ebony makes one of the best back drops for Ivory Inlays. Brown woods just don't do the same for Ivory.
Ebony is a very flat hitting wood. But there are those who say Ebony is the best playing wood. That also is "overated." Now if they said tight grain hard maple is the best playing shaft wood, I would agree with them. I said AB is a good wood, but just not the best in any category that I can think of. It is good looking, but not as figured as many other dark brown or black woods. It will not move the cue ball as good as maple and tonal qualities are not up there with Cocobolo nor is the grain as pretty.
So we can call it a day on this one as neither of us are likely to be convinced we are wrong. Brooklyn and Atlanta suburbs have been known to produce some pretty stubborn people. :)
 
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It is being harvested beyond sustainability. It's just a matter of time when we won't be able to import it and that time is coming soon. I venture to say within 5 years. End of conversation.

While I agree it's presently being harvested beyond sustainability I think they are at least taking some steps towards the right direction. I do hope the conversation continues though as I see no reason for it not to.
 
I have been told that a large reason that so much is used is because so much of it is burned. It's largely used for musical instruments and is cut to specific sizes for that purpose at the logging site. My understanding is that all of these specially cut pieces that are not perfect are burned.

Dick
 
Well, I haven't contributed to this thread out of deference to those more experienced than I, but I would offer up Black Walnut (especially the fiddlebacks) as a candidate in the under-rated category.

I am especially fond of using it in break shafts - light, stiff, and holds true - but the original question referenced butts and handles.

My 2 cents,

Gary
 
Post number 33 sure looks brown to me. As for it hitting better than Ebony, I would agree, as Ebony is one of my least favorite hitting woods. Most woods out play Ebony. "Boring black" is in the eyes of the beholder also, as really black Ebony makes one of the best back drops for Ivory Inlays. Brown woods just don't do the same for Ivory.
Ebony is a very flat hitting wood. But there are those who say Ebony is the best playing wood. That also is "overated." Now if they said tight grain hard maple is the best playing shaft wood, I would agree with them. I said AB is a good wood, but just not the best in any category that I can think of. It is good looking, but not as figured as many other dark brown or black woods. It will not move the cue ball as good as maple and tonal qualities are not up there with Cocobolo nor is the grain as pretty.
So we can call it a day on this one as neither of us are likely to be convinced we are wrong. Brooklyn and Atlanta suburbs have been known to produce some pretty stubborn people. :)


LOL - this is funny. I'm not trying to convince you of anything because as you said - we're too thick headed people. However... :grin:

We can't compare AB to Cocobolo as Coco is without a doubt much more figured. However, as for tonal qualities I believe that AB has Coco beat. They exclusively use AB for clarinets. Not that tone means anything to me as we are making pool cues and not musical instruments but perhaps we should ask a real tonal "expert" to chime in. Nah, let's no go there.

Here's my take on post #33
It does not look brown to me. It looks black with silvery lines within the wood. To me, the lighter color looks to be silvery against a black background.

When I think Brown this is what I see:
http://www.google.com/imgres?imgurl=https://upload.wikimedia.org/wikipedia/commons/d/dc/Color_icon_brown.svg&imgrefurl=https://commons.wikimedia.org/wiki/File:Color_icon_brown.svg&usg=__48Unim89JYl2uGd5FxecUSEUtMo=&h=300&w=300&sz=1&hl=en&start=1&zoom=1&tbnid=6RcATMbxd_dZXM:&tbnh=147&tbnw=137&ei=6t2kULWuG5DC9QSB_IE4&prev=/search%3Fq%3Dcolor%2Bbrown%26tbnh%3D138%26tbnw%3D147%26hl%3Den%26sa%3DX%26tbo%3Dd%26sig%3D102203846372359811112%26biw%3D1366%26bih%3D621%26tbs%3Dsimg:CAESEgnsbOXpLqwU6CHbOb9n-daH7Q%26tbm%3Disch&itbs=1&iact=hc&vpx=2&vpy=138&dur=2064&hovh=225&hovw=225&tx=86&ty=118&sig=102203846372359811112&page=1&ved=1t:429,r:0,s:0,i:76

And when I think Black, this is what I see:
http://www.google.com/search?q=color+black&hl=en&tbo=u&tbm=isch&source=univ&sa=X&ei=H96kUKKlH5Ho8QT3zoH4Dw&sqi=2&ved=0CEwQsAQ&biw=1366&bih=621

Now, when I look at the brown colors I don't see any brown color that matches AB but when I look at the color black, I do see a shade of black that matches AB.

Maybe I'm too anal and over analyze things and take things too serious down to their exact meaning but AB looks more black to me than brown.

And Chris.... on that note I'm outta here. Have a great Thanksgiving!
 
Well, I haven't contributed to this thread out of deference to those more experienced than I, but I would offer up Black Walnut (especially the fiddlebacks) as a candidate in the under-rated category.

I am especially fond of using it in break shafts - light, stiff, and holds true - but the original question referenced butts and handles.

My 2 cents,

Gary

And there isn't much that's as pretty as crotch cut walnut. Walnut is also one of the most stable woods.
 
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