Maybe there's a market out there for 3 long - 1 short pointed cues. I mean the 3 long - 3 short thing flew /shrug
All kidding aside I am going to bookmark this thread so I can revisit it after another 5 or 10 cues. There's a ton of good knowledge and hints in here but you honestly have to be at quite an advanced level of cue building to turn some of it into repeatable action. The more cues I make, the more my respect for you guys grows.
A real wake up call for me was. When I finally broke down points and especially veneers and defined what I wanted and was looking for.
Properly seasoned wood. I core everything and I still season it.
Cutting points, making a dead center that brought me back to the same point consistently. Marking my live center and the base of the forearm to also bring it back to the same point. Dial indicators for trueness.
This is square one. You can't skip any steps.
Joining the forearm to the handle straight. Indicate everything. Every time.
Veneers?
What a pain in the ass understanding them and how they were made, dyed and dried. The variances are rediculous. Because I do both overlapped and mitered, I've wasted a couple of thou easily.
Some colors tint from wood glue some will bleed from epoxy. You need to know because some people will ask. How you answer is on you. Wood puzzles aren't perfect and some people will condemn you no matter what you do and usually by someone who can't chew bubble gum and talk at the same time. But he went to a video somewhere and thinks he has knowledge now.
Welcome to Cue making.