Watching the DCC and Diliberto explained that at Johnston City a player named Cosmo did an exhibition and they refer to something as a "Cosmo" but I never did get the definition of what it was. Anybody know? Thanks, Terry
Terry Erdman said:Watching the DCC and Diliberto explained that at Johnston City a player named Cosmo did an exhibition and they refer to something as a "Cosmo" but I never did get the definition of what it was. Anybody know? Thanks, Terry
Oh, so it's pretty much like Vincent's runouts in the Color of Money? That's one of the things that always bugged me about that movie. None of his runouts require any great ability, and yet everyone seems so impressed with his shooting.breaktime2 said:Pretty much it's a shoot and stop for perfect position on the next shot...stop..repeat never a hard shot.
Scottster said:Back in the Johnston City Days, There was this player who did an Exhibition by the name of Thomas Cosmo.
He would have a pre planned layout out of the balls (Easy run) and run the table out.
JLW said:Oh, so it's pretty much like Vincent's runouts in the Color of Money? That's one of the things that always bugged me about that movie. None of his runouts require any great ability, and yet everyone seems so impressed with his shooting.
No, not always. There are movies where the actors actually demonstrate a decent degree of proficiency in the sport or activity they're participating in. Take Million Dollar Baby, for instance. Hillary Swank's actually pretty impressive (IMO) in that movie. With regard to The Color of Money, I just felt that they (or, I guess, Mike Sigel specifically) could have used a little more imagination for Vince's runouts. That doesn't even mean they really even needed to be more difficult; just not such obvious paint-by-numbers set ups.Scott Lee said:
JLW said:No, not always. There are movies where the actors actually demonstrate a decent degree of proficiency in the sport or activity they're participating in. Take Million Dollar Baby, for instance. Hillary Swank's actually pretty impressive (IMO) in that movie. With regard to The Color of Money, I just felt that they (or, I guess, Mike Sigel specifically) could have used a little more imagination for Vince's runouts. That doesn't even mean they really even needed to be more difficult; just not such obvious paint-by-numbers set ups.