I just wonder what is so special about Cognoscenti cues that make them have the basic price of more than 2.5k or so, given the fact that they don't have ivory on them such as other high end cues.
Cogs are known for their incredible playability. Last time I spoke to ''Freddy the Beard'' , he told me he was playing with a new Cog and loves it,,,Freddy has seen his share of wood over the years too and is a world class banker to boot..!!
Joe Gold is now making wrapless cues,,,freaking beautiful,,,check them out at www.Indyq.com.........
like ''Freddy '' would say ''you can thank me later''..........!!
While the pin is different, he is far from a significant contributor. He is a significant user of CNC in his cues, and I find little impressive about any I have seen. I have played with a few and they played okay to downright awful.
Kersenbrock? yes. Gold? no.
Ken
I really love the looks of this one, which is priced at about $2500.
http://www.indyq.com/custom-cues/cognoscenti/cognoscenti-112/cognoscenti-112-enlargement.html
You can't tell the difference between a pantograph inlay and a CNC inlay.Forgive me for getting a little of track but Scott makes a good point about CNC work. I've always found it funny that in the cue world some people see the CNC as a big evil. As a person who worked as a Machinist for 11 years and a tool and die maker for another 5 I can tell you this, a CNC lathe or mill is just a means to be more efficient and accurate.
I think a lot of people hear the term CNC and think mass produced which is not always the case. Most of these guys using CNC machines to build their cues are every bit the craftsman as the guys from older generations.
Why wouldn't you want to use the best machines available to produce the best product possible?