What is the reason behind your collection?

Plus 1 on the hagan fans
 

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No collection.

But I do prefer simplicity.

I play a black no wrap Predator P3. It's a heavy cue, and the butt is thicker... The ligest you can make it is 19.1 ounces, so I have it at 19.5 ounces....

But I'm on the fence on weight, so I have a Predator roadline Sneaky Pete that you can make very light.

Word on the street is that Predator is introducing a retro line of cues in June... At very least a retro Sneaky Pete.

This retired SP6ON would look great with a carbon shaft.
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I started out with the goal of getting a full splice cue from every builder who made them (did their own splices). Another criteria was that they be all different woods (into maple, very conventional cues). Have not completed my goal, nor complied with the "all different" (I have two ebony sneakies) ... and some are not made by the splicer ... but so far I have a few (Prather, Mark Bear, Omori, Hills, Tucker, Blackcreek, Lambros, Gracio, John Davis, Willie Blade).

There are a couple of wrapped cues (Lambros and Mark Bear) plus a merry widow box cue (BHQ) in the pictures ... just because I like them :)

Dave
 

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I'm someone just starting in to getting a collection of cues, hopefully one day I'll have a sweet collection, right now I just have a Schon LTD and am waiting on my first true custom with the PFD I'm having made. Beautiful cues guys.
 
The bottom is, indeed, a Shelby Custom Cue. The top cue is a James M White (JMW) cue.

Hmmm,
You look awfully familiar.
Is that cliff you're standing next to?
This is David Maddux from
Atlanta, GA.
Could you call me if you have a few minutes please??
I have a question about one of these cue posts..

4o4.268.0496
Thanks!!
 
Only 3 in my stable: Meucci, Schon, and Andy Gilbert. The Meucci was a graduation present, while the Schon and Gilbert were the best players I could obtain at the time.

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my collection is a by-product of being good at buying, not so much at selling
That about sums it up for me too. I have a hard time letting stuff go. The same with all the CDs I own, maybe 20% I'll never listen to again but I like having them.
 
That about sums it up for me too. I have a hard time letting stuff go. The same with all the CDs I own, maybe 20% I'll never listen to again but I like having them.

Many older CD's oxidize (also known as disk rot) to the point that they are no longer playable. This was mainly a problem with burned CD's, but I've had a few retail CD's also go bad over time. You should try playing them occasionally just to make sure they are still OK.
 
Many older CD's oxidize (also known as disk rot) to the point that they are no longer playable. This was mainly a problem with burned CD's, but I've had a few retail CD's also go bad over time. You should try playing them occasionally just to make sure they are still OK.
Now that you say that, I did have one look that way recently, it was about 10 years old but still played fine. I bought a replacement anyway and gave it to my coworker.
 
Now that you say that, I did have one look that way recently, it was about 10 years old but still played fine. I bought a replacement anyway and gave it to my coworker.

Nowadays I buy digital copies of favorite albums, just to make sure they stay good forever. It's easy enough to burn copies for old CD players.
 
I started playing pool in 1964 at age 8, but couldn't afford my own cue until much later. Most of my cues were impulse purchases. I began based purely on cuemaker name or appearance. Later on I bought cues wanting to test the differences in exotic woods. More recently I want cues that are light weight and I've removed every possible weight bolt from every cue I own. I like having variety available is the current 'reason' for my collection. All of my cues are playing cues, not really collectibles. If I like a certain cuemaker's work, I'll buy 2 or 3. I have multiple Carmelis, SugarTrees and McDaniels. I would buy more vintage cues, but only for aesthetic purposes; Most older cues are way too heavy for me. I prefer 17.5 to 17.7 oz cues now. Why? I think the lighter weight prevents hitting shots too hard (for me). That could change tomorrow! My collection allows choices.

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I started in the 80's and played with a 20oz Huebler for almost two decades. Got out for 14 years and when I got back in I bought a handful of cues (Dzuricky, more Hueblers, Ned Morris, Kelly Peterson, Joss, McDermott and a few more) and I found the exact same thing - I love a cue in that 17.5-17.7oz range. Current cue is 17.7.

I'll never go back to a heavy cue.

My "collection"... (I've sold a few but still have all the Huebler's and the Ned Morris.

 
I only have 3 in my collection. But here goes:

These cues are what remain from the many instruments I've bought and sold over the years. The main reason I kept them is playability. I don't keep anything that doesn't play how I like. These all have good balance or unique hit. Another reason these are keepers is that they all represent different cuemaking construction techniques; full splice sneaky, traditional construction with box inlays/old school design, solid full length no A joint. All different joint materials, different wraps, bumpers, but similar in color palette. One is production, one is full custom, and one is garage built sneaky by me. The Adam represents the first real cue I bought ( JR-9), then later sold. This one is even fancier - JR12.. The sneaky is a purple heart Dufferin from a pool hall I worked at. Humble, simple, with a southwest inspiration. The Hagan is just badass. Completely different from anything else you'll see.
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Sent from my ONEPLUS A6013 using Tapatalk
Shoot this was a while ago. Still have all three, but I've added some. The two on the right. Ones an unknown Josswest style plain jane Birdseye maple player the other is a single piece Brazilian rosewood Adam converted to a Martin 3/8x10 joint. I don't really need these two, but they fill my cases. First three I'll never sell. These new ones are harder to justify keeping. One of them, I will be keeping at a pool hall in Seattle.


If anyone cares, here's my collection including a cue that's in process. I'll probably sell the BRW and BEM cues to fund the Teeter and just be down to 4 total. I don't really count jump cues a part of my collection.


Cases:

2x4 action
Cow hide Ron Thomas 2×4
It's George 1x2 lizard print
Porper stickered case 1x2
Whitten copy 1x2 plain black with strap
Snakeskin viking Fellini style 1×1
Jan bunce 1x1 tan leather tooled handmade

Cues:

Bill Teeter
Bocote nose with black, white, green, orange veneers
4 amboyna points and buttsleeve
Irish linen white/ green spec
White joint buttcap
White and amboyna rings a,b,d locations
Black g10 pin
2 Shafts w JPs
keilwood and maple
+ Predator 314^3

Bill Hagan
2 original shafts
Carom shaft

Short brunswick butt
Sailor shaft

Purpleheart sneaky
Phenolic butt cap with BEM ring,
leather bumper
Cueball JPs
Stonier shaft
+ Ferrule-less Starkey

Adam JR12 steel joint, delrin bumper,
black lizard wrap, box inlay
stock shaft
Predator Z2 shaft

Unknown JW STYLE BIRDSEYE
plain Jane
steel joint
1 stitch ring ivory ferrule shaft

Adam custom 3/8 Martin pin white joint Brazilian rosewood


Jump cue
Predator ice air 2




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