Taking another post in a slightly different direction. I think this part of the shot routine is the most important for being a good shotmaker. What do you do after you decided the correct shot and before you take any strokes. What is the most important part. Here's what I do. Is there anything important I'm missing I should add?
First I get my right foot and chin on the line of the shot.
From this point I stare at the contact point on the object ball the whole time until I start taking practice strokes . This is the most important part.
Slowly place bridge down about 24 inches away from cueball(pivot point) with head high. I have a problem with rail shots because I have to skip this step. If they are any longer than half table my consistancy goes way down.
Slide bridge to about 10-12" from cueball and bring head down to shooting position.
Now I'm lined up and can take my eye off the object ball and begin practice strokes.
First I get my right foot and chin on the line of the shot.
From this point I stare at the contact point on the object ball the whole time until I start taking practice strokes . This is the most important part.
Slowly place bridge down about 24 inches away from cueball(pivot point) with head high. I have a problem with rail shots because I have to skip this step. If they are any longer than half table my consistancy goes way down.
Slide bridge to about 10-12" from cueball and bring head down to shooting position.
Now I'm lined up and can take my eye off the object ball and begin practice strokes.