I can't even fathom the relevance or importance of being a master cue maker.
There are just SO many accomplished cue makers today. To call one a master and one not.... What's the point?
I mean...honestly.
Give me $3000...and lay before me a top notch Blackcreek, Sugartree, JMW, Tascarella, Hercek, Mottey, etc etc...and it really doesn't matter which one I pick. Rest assured I'm getting a phenomenal playing cue that lacks absolutely NOTHING from an aesthetic stand point. Look at those six names...and you'll see that each of them has been in the game for vastly different lengths of time...but they're all f'in amazing craftsmen.
That being said...I'd have to say longevity is the key. It would be hard to argue, in my humble opinion, that a man like Eric Crisp or James White...at this stage of their careers...are making cues on any lower a level than either Szamboti or Balabushka ever did.
The only thing the cue collecting masses will ever hold against them...is that they came along later in time. As such...their methods can't help but reflect he inspirations that came before them...whomever they may be.
I saw the folks at Carolina Custom Cues make a tribute cue of Gus Szambotis "Snap" cue. Is it the same cue? No. But the execution is tremendous nonetheless. In my opinion...if you can copy someone's work...do as they do...that's pretty goddamned masterful to ME.
When I see a list of Tascarella, Hercek, Searing, Szamboti, Balabuskha, Stroud, Petersen, Harvey, Kohara...etc... it says to me more to me "hall of fame", living or dead, than it does "Master Cue Maker."
It's the longevity. It's like a great rock band. Years after you're done...people still appreciate your work...and even do tributes.
Just my 25 cents. LOL
There are just SO many accomplished cue makers today. To call one a master and one not.... What's the point?
I mean...honestly.
Give me $3000...and lay before me a top notch Blackcreek, Sugartree, JMW, Tascarella, Hercek, Mottey, etc etc...and it really doesn't matter which one I pick. Rest assured I'm getting a phenomenal playing cue that lacks absolutely NOTHING from an aesthetic stand point. Look at those six names...and you'll see that each of them has been in the game for vastly different lengths of time...but they're all f'in amazing craftsmen.
That being said...I'd have to say longevity is the key. It would be hard to argue, in my humble opinion, that a man like Eric Crisp or James White...at this stage of their careers...are making cues on any lower a level than either Szamboti or Balabushka ever did.
The only thing the cue collecting masses will ever hold against them...is that they came along later in time. As such...their methods can't help but reflect he inspirations that came before them...whomever they may be.
I saw the folks at Carolina Custom Cues make a tribute cue of Gus Szambotis "Snap" cue. Is it the same cue? No. But the execution is tremendous nonetheless. In my opinion...if you can copy someone's work...do as they do...that's pretty goddamned masterful to ME.
When I see a list of Tascarella, Hercek, Searing, Szamboti, Balabuskha, Stroud, Petersen, Harvey, Kohara...etc... it says to me more to me "hall of fame", living or dead, than it does "Master Cue Maker."
It's the longevity. It's like a great rock band. Years after you're done...people still appreciate your work...and even do tributes.
Just my 25 cents. LOL