That is exactly why I avoid that break. There are always clusters, tough to get out. However, I make the eight ball fairly often with this break but still don`t like it. I put the cue ball an inch or two either side of the spot and break from the rail. I have more power breaking from the rail but not sure why.2nd ball break from the left for me, as well.
I like having a messy table, I'm not a run out player, I like to make the other player have to work for it.
Interesting issue. Back in the days of nappy cloth/mud balls, I used to think that grabbing the rail allowed a stronger grip (closed bridge) and you could thus throw all your energy into swinging the cue without worrying where the tip would strike the CB, making it more likely to get airborne (eliminating the cloth-slowing friction). Several local hot-dog nine ballers used that break quite successfully then.I have more power breaking from the rail but not sure why.
My break on a Barbox. I break from line on 9ft. Basically same technique, just different bridge on 9ft. Half a tip above centre, keep bridge hand on table when following through, cue should be going into cloth after follow through, follow through all the way through to joint. Only raise up as your stroke starts to go forward on final swing. Don't raise up as you pull back. Pretty simple technique really.
You have a great break there, really nice.My break on a Barbox. I break from line on 9ft. Basically same technique, just different bridge on 9ft. Half a tip above centre, keep bridge hand on table when following through, cue should be going into cloth after follow through, follow through all the way through to joint. Only raise up as your stroke starts to go forward on final swing. Don't raise up as you pull back. Pretty simple technique really.