Congratulations on making a tricky shot! Did you run the rack out? Because it looks to me like the risk vs. reward for making that shot is pretty high, unless you are straight in on the 4 (you can't go around 2 rails with follow as someone suggested because of the 8) where you can either cinch the 4 and accept the long cut on the 5 or draw straight down table to the 5, which presents its own problems.
Assuming you get dead straight on the four, if you don't draw long enough on the 4 (or too much
), you can hook yourself behind the 9, and there is also the chance you can get too straight on the 5.
In either case, even with an angle, it is tricky to get shape above the 6 (which you will need an angle for, for the 7), because follow can run you into the 7, and draw (depending on your angle and there is a short margin for error) will probably put you on the short side of the 6, or worse, run into the 9.
Since you need an angle on the 6 to get to the 7, an angle makes running it down the rail from the short side, even tougher. From there, if you have managed all that, you will probably get out.
I don't like nudging the 5 either, as that can bury the 5 and make it harder to pocket. As a rule, I don't like running into balls arbitrarily.
If you just stop the ball, (again assuming you get straight in on the 4), cinch the ball, take the long cut on the 5, then you can get above the 6 with the angle you need to get to the 7. Depending on how I feel, it may be too long of a shot with my eyes.
I would probably be ducking in this situation. The crossover bank where you leave the cueball and object ball rail to rail comes up all the time and is a handy weapon in your arsenal. An added bonus is if you can get behind the 9, but even if you don't, the resulting layout is a tough shot to look at for your opponent.
START(
%CN9R1%De9X9%ED4I3%FR8Z4%GP0E6%Hn5I6%II6O7%Pe0Q7%Qr1P8%RC2N7
%WQ1R4%Xc6Q6%YD0R3%ZM0R2%[r3Q7%\O6R2%eB8`6%_D3Q1%`H0[4%aN3R7
)END
Sorry the yellow line is bendy. That is the path of the cueball, which ideally will land on B. The cueball's trajectory to the OB is initially shown in red, and the resulting path after contact is the blue line, which lands at A.
You don't have to hit this as hard as you think you do to get the OB all the way back up table. Put a skootch of right english on it to keep it on a straighter track after it comes off the rail, because you are cutting it ever so slightly to the right.
Assuming you get dead straight on the four, if you don't draw long enough on the 4 (or too much

In either case, even with an angle, it is tricky to get shape above the 6 (which you will need an angle for, for the 7), because follow can run you into the 7, and draw (depending on your angle and there is a short margin for error) will probably put you on the short side of the 6, or worse, run into the 9.
Since you need an angle on the 6 to get to the 7, an angle makes running it down the rail from the short side, even tougher. From there, if you have managed all that, you will probably get out.
I don't like nudging the 5 either, as that can bury the 5 and make it harder to pocket. As a rule, I don't like running into balls arbitrarily.
If you just stop the ball, (again assuming you get straight in on the 4), cinch the ball, take the long cut on the 5, then you can get above the 6 with the angle you need to get to the 7. Depending on how I feel, it may be too long of a shot with my eyes.

I would probably be ducking in this situation. The crossover bank where you leave the cueball and object ball rail to rail comes up all the time and is a handy weapon in your arsenal. An added bonus is if you can get behind the 9, but even if you don't, the resulting layout is a tough shot to look at for your opponent.
START(
%CN9R1%De9X9%ED4I3%FR8Z4%GP0E6%Hn5I6%II6O7%Pe0Q7%Qr1P8%RC2N7
%WQ1R4%Xc6Q6%YD0R3%ZM0R2%[r3Q7%\O6R2%eB8`6%_D3Q1%`H0[4%aN3R7
)END
Sorry the yellow line is bendy. That is the path of the cueball, which ideally will land on B. The cueball's trajectory to the OB is initially shown in red, and the resulting path after contact is the blue line, which lands at A.
You don't have to hit this as hard as you think you do to get the OB all the way back up table. Put a skootch of right english on it to keep it on a straighter track after it comes off the rail, because you are cutting it ever so slightly to the right.
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