Bava, which one was the biggest regret not hanging onto and if you could only keep one cue that you currently own dhe to a disaster and no way of saving them all, your family, your pets and yourself, which would it be? No it can’t be a cue you don‘t have, so no Flat faced ivory jointed big pin Hercek at your required weight ratios! lol. Shooter08 btw I did email Bob, talked to Doug Beasley and Pete Sr., talk about a range! Still hoping to hear back from one more before coming to a decision.
I bought a Richard Black Bushka Cue that had a flat ivory joint and the veneers were so well executed on the darkest ebony points I can recall seeing, matched only by the butt that had a shorter ivory butt cap. approx. 1 1/2” in length.
The Bushka rings were absolutely exemplary with perfect, consistent proportional size that looked like it had been cut
with a surgeon’s scalpel and bordered on top by thin (1.5mm) silver, not nickel rings. It had 2 orig. 12.85mm shafts with ivory ferrules and 1 new shaft (matching collar) 13mm. I spoke with Richard before buying the cue. He was very generous with his time and he recalled the cue because he said “I did not make a lot of flat ivory joint cues which were always on a custom order cue. I actually preferred using piloted ivory joints when the customer wanted an ivory joint.”
Here’s the thing that made the design look so great. It used White with Black Speck Cortland Linen wrap instead of CL #9 which is the practically standard for a classic Bushka cue design. Sure, the white with green speck Cortland is what
every cue maker used at that time. The black speck against the dark as night ebony points & butt sleeve was different.
The ebony sleeve had 4 large fancy etched Diamond inlays that had 4 ivory dots at the corners framing the Diamond.
The black speck linen cast an entirely different look than the green & the design impression was it was indeed striking.
So I asked about the cue I had and he said it was from 1985/86 and he recalled making very few flat ivory Bushka design cues. I was torn at that time between keeping the RB cue or trading it back for the Ed Prewitt cue now in my collection.The EP was a couple grand more than the RB cue & Ed only releases so few cues a year that when I spotted his flame veneers and butt design on my cue, I knew I had to get it. It was the first flame veneers I’d come across that I really liked and Ed’s execution is so flawless I dare refer to it as almost perfect. I know it can’t be, no cue could but damn, Ed’s workmanship sure has to come close. Like I wrote, it’s still the nicest flame veneer design I’ve seen.
So I traded the Bushka back with Bill since I only had it a month and I paid the difference and got my Prewitt cue. From purely a straight monetary value, it is worth a lot more than that RB cue. However, the uniqueness of that Bushka cue and my conversation with Mr. Black still haunts me. Reluctantly, and in total hindsight, I’ll admit I wish I’d kept that same RB Bushka cue but that’s spilt milk. Besides, I really can’t complain because, IMO, my Prewitt is a pretty good consolation prize.
The value of a cue for me is not what I paid but rather what it means, signifies to me which is why I designed a few cues.