Mr. Barton,
First let me start by saying I don't dislike you. You appear to be bright guy and quite frankly, I just don't see that we have too much of that in this world.
Anyway, about the only thing I feel that I can offer to this thread is to suggest that this might not be the right crowd or the the right time to be asking your question. I mean, given how the "Chinese are coming" thread went down and the obvious fact that the imports are squeezing some American CMs (actually all CMs to some degree), do you honestly believe that the very people that you are squeezing are going to willingly tell you how to put even more of their income in jeopardy by telling you how to build a better cue? Does Ford go to Honda to ask them how to build a better car so they will be in a better position to compete with them?
Good luck with your endeavors put I'm not someone who will knowingly create competition for myself or my fellow tradesmen. If I may speak candidly, if you don't know what makes for a good cue at this point, you might be in the wrong business.
I would venture to guess that the reason the answers you've gotten so far are somewhat vague is because I'm possibly not alone in my thinking.
I wasn't asking for a guide on how to build a better cue. I guarantee you that if you come to the Kao Kao factory you will find a facility capable of building any cue in any manner known to man. At this point they don't need any more help on the technical side of building cues.
I am sure that you are right about the fact that there have been few answers.
But that again goes back to my point in the Chinese Cue thread. If you can't make a list of what makes a good cue then you can hardly make a list of what is not.
There are visible things and invisible things that go into cuemaking.
No layman is going to be able to tell the difference between a Fury and a Tim Scruggs if both of them have excellent fit and finish. So then the only way to tell the differences come down to how each cue holds up.
Ten years ago there was no question that the cues coming in couldn't hold a candle in the durability department.
Ask Sid and Rick. I sent them a batch of "Spencer" cues that Daniel Liao sent to me to try and promote. Seyberts sent them back inside of two weeks with every problem you can think of. I have never been a fan of Taiwanese/Chinese cue production.
UNTIL I went to work with Sterling and got to play with the Fury cues.
At that first show I thought to myself how in the hell am I going to sell these cues? I didn't know what to tell people.
So I did what I always do, I picked one off the wall and started playing with it and started running racks with it. I was quite surprised at how well it played. Keep in mind that I hadn't really paid any attention to Chinese cues since the embarrasing thing with the Spencer cues. At home I had a whole wall of mid to high-end cues from custom cue makers across the board.
So anyway here I am playing with this cue and liking it. I looked over a bunch more and they all had good shafts, flush parts, were straight, nice wood, I really couldn't find anything wrong with them in either the appearance or the performance.
So I had an idea to just let people play with them rather than try to convince them that this new brand was something special.
My idea went like this. You play with the cue for a little while and give me your opinion of how it feels and your opinion of the quality and I will give you a t-shirt.
Of course I knew that everyone was likely to be nice because they were getting a t-shirt. So I just evaluated their level of play and graded their opinions based on what level of player they are.
I put no prices on the cues. So no one knew if the cue they were using was $99 or $499. Most folks tried out the $99 ones as they were parked closest to the table.
The response was just as I expected it to be. I had good players going "who made this"???
One person tried to trade me an $800 Schon for a $99 Fury before he found out the price.
Anyway the point is that at that point I too realized that the Chinese had 'arrived' in their cue making skills.
And in the five years since then I have seen them get better and better.
In all honesty they aren't even looking at the American market anymore as it's declining for them.
They are looking at the domestic market in China which is heating up a lot.
Players in China are willing to pay top dollar for good cues and some of the Chinese companies are filling that need here and making more money for their cues than they get by selling the same cues to the USA.
ALL OF YOU CUE MAKERS SHOULD PAY CLOSE ATTENTION TO WHAT I AM GOING TO SAY NOW:
China is the new Japan.
You should be finding out how to cultivate contacts to the Chinese and Taiwanese sellers and brokers of cues because this market will be the next giant growth market for pool cues.
In China the HOUSE cues are two piece cues at the same level that we sell in the USA for $50 to $100. Imagine a country full of players looking for better cues than that...........
So whether you think my asking you to make a list of what makes a good cue is self serving or not you better figure out how to explain it to anyone in simple terms because there is a lot of money here now and I am sure you want it coming back your direction.