New Cue English Problem

Grimm Reaper

AzB Silver Member
Silver Member
Just recieved new Barnhart cue with 13 mm aegis ferrule & everist tip. Shot with Meucci Black Dot 12.75mm soft tip previous 6 months, cuetec 13mm soft tip previous 4 yrs. Can draw ball well with meucci & cuetec but have trouble with follow shots. Barnhart follows fantastic better than I ever could but I'm struggleing to draw like I can with the others. Tip ? Taper ? Me ? I love the Barnhart if I can't fix this I'll just avoid draw shots ! Thanks in advance for any Help
 
First to avoid any contention let me state that this just my opinion and has not been proven scientifically.

As the Everest tip has a medium hardness it will produce a slightly different cue ball spin for the same stroke speed used with the soft tips on your other cues. Normally a harder tip will produce slightly more speed than a softer tip when using center ball but when striking the cue ball off center the harder tip tends to slip more on the cue ball surface as the tip deflects and will produce less spin. I would suggest altering the amount of stroke speed(in varying amounts) when using the Everest tip starting with a slightly faster stroke speed and a slightly firmer grip.
 
thanks for the input !

I assumed I was the problem. 1st time with this type of tip wasn't sure. After some shaping of the tip and couple hours of practice seem to be coming around. Thank you for the help gentlemen.
 
First to avoid any contention let me state that this just my opinion and has not been proven scientifically.

As the Everest tip has a medium hardness it will produce a slightly different cue ball spin for the same stroke speed used with the soft tips on your other cues. Normally a harder tip will produce slightly more speed than a softer tip when using center ball but when striking the cue ball off center the harder tip tends to slip more on the cue ball surface as the tip deflects and will produce less spin. I would suggest altering the amount of stroke speed(in varying amounts) when using the Everest tip starting with a slightly faster stroke speed and a slightly firmer grip.

Why the firmer grip????? SPF=randyg
 
Why the firmer grip??

When the cue tip contacts the cue ball the cue begins to slow down due to the resistance it encounters. If you use a loose grip on the cue the slow down is even more significant as the cue is allowed to push back further against the grip. The firmer the grip the less the cue will be allowed to push back resulting in more retained cue speed. Obviously the firmer the grip you already use the less effective this technique will be. Too firm a grip is certainly not desirable to maintain a good stroke.
 
So I take it that using a slip stroke would make drawing the cue ball very difficult?

Steve
 
So I take it that using a slip stroke would make drawing the cue ball very difficult?

Not at all and I don't think that my statement implied that. Even if you used a slip stroke you would more than likely have to make some adjustment when switching to a tip with a different hardness. As tightening the grip would be out of the question for a slip stroke an adjustment to the stroke speed would be necessary. Since I don't use a slip stroke(and most players don't) I prefer to slightly tighten my grip rather than increase the cue speed more than I have too. For me the more speed the harder it is to control the cue ball.
 
When the cue tip contacts the cue ball the cue begins to slow down due to the resistance it encounters. If you use a loose grip on the cue the slow down is even more significant as the cue is allowed to push back further against the grip. The firmer the grip the less the cue will be allowed to push back resulting in more retained cue speed. Obviously the firmer the grip you already use the less effective this technique will be. Too firm a grip is certainly not desirable to maintain a good stroke.

tip to CB contact lasts 1/1000th of a second...any deceleration of the cue stick in that tiny of a time frame is virtually non existent...

you have a collision at a given speed. that is instantaneous...anything you do with a cue stick that takes effect after that collision is irrelevant..

the shooter has no control over anything except where on the CB and how fast the stick is moving when that instantaneous collision takes place..

a super soft tip compared with a very hard tip might have a minor effect.. adding in the neighborhood of a ten thousandth of a second to that contact..

but adjusting grip or stroke to adapt to those tiny factions of a second isn't going to get you very far...especially once you add in the effects of chalk,,, how clean or dirty the cloth and balls are... the heat and humidity in the room ...

adapting to conditions is hard enough without trying to adapt your stroke and grip to any given shot... you'll end up chasing your tail.. and never get anywhere...

a better method is to have a proven stroke and grip that you can employ over a range of speeds and adapt that way..

less variables equals less things to go wrong...

simplify..

BTW... you were right about my alignment..and helped me get better thanks..
 
Re slip strokes: I use a very loose grip for most shot, so much so that I use a rubber sleeve on all my cues to avoid letting go of it. I almost do slip strokes, but not quite. On long hard shots and shots with very high english, I tighten a bit to gain accuracy and control deflection better, but not a lot. if I grip any harder, I start losing draw, follow and english for the same amount of tip deviation, and shots sound "dry" (if that makes any sense).

As for controlling english and limiting deflection, you can try varying the position and shape of your bridge. When I know I want no more than half a tip of english to help the ball away from the rail after a thin cut shot for instance, I use a closed bridge about 2 inches from the cueball. This way, the ball goes straight but still acquires side spin.

Your mileage may vary I suppose.
 
Just recieved new Barnhart cue with 13 mm aegis ferrule & everist tip. Shot with Meucci Black Dot 12.75mm soft tip previous 6 months, cuetec 13mm soft tip previous 4 yrs. Can draw ball well with meucci & cuetec but have trouble with follow shots. Barnhart follows fantastic better than I ever could but I'm struggleing to draw like I can with the others. Tip ? Taper ? Me ? I love the Barnhart if I can't fix this I'll just avoid draw shots ! Thanks in advance for any Help

That's a problem with you i'm betting. have someone watch you and see if you're following through
 
Everyone has something a little different that works for them. I have a friend who has ridiculous draw, I mean unreal amounts of draw. I asked him one day how the hell can you get that much on the ball. He said hold a tighter grip with only the last 3 fingers, no index finger.

LOL, well when I tried it, I lost whatever draw I had.

Point is, you know the physics, and adjusting is different for every person. It certainly varies with cue tips.
 
Assuming you're doing everything the same as before, the slightly larger tip size may be deceiving you as to where the actual tip contact point is.
Check to see if you're hitting as low as you think you are. Bet you're not.
 
When the cue tip contacts the cue ball the cue begins to slow down due to the resistance it encounters. If you use a loose grip on the cue the slow down is even more significant as the cue is allowed to push back further against the grip. The firmer the grip the less the cue will be allowed to push back resulting in more retained cue speed. Obviously the firmer the grip you already use the less effective this technique will be. Too firm a grip is certainly not desirable to maintain a good stroke.


The cue slows down regardless of the grip.
Sorry, I don't think any of us can contol that 1/1000 second....SPF=randyg
 
I have a friend who has ridiculous draw, I mean unreal amounts of draw.

What sort of force does he use to get a lot of draw? drawing from across the table isn't all that tough is you hammer the cueball low and hard.

My definition of a powerful draw (or follow or english) is a maximum amount of effect for as little object ball speed as possible after the cueball collides with it. So for instance, if the cueball is on the head line and the object ball is, say, 10" in front of it, and you can draw the cueball back to the head rail and leave the object ball near the foot rail with your cue horizontal, that's what I call a powerful draw, but the shot isn't particularly violent.
 
tip to CB contact lasts 1/1000th of a second...any deceleration of the cue stick in that tiny of a time frame is virtually non existent...

Tip contact last appx 1/1000ths of a second assuming you are using a medium tip, but is appx 2/1000ths sec with a soft tip and 5/10000(ten thousandths) of a second with a very hard tip like phenolic. Contact time decreases slightly for faster speeds. With a slow shot speed(appx 3mph) using a medium hardness tip the cue ball will travel appx 53/1000ths of an inch during tip contact and at medium speed(appx 7mph) it will travel slightly over 110/1000ths of an inch in the same time frame. As you can easily see 53/1000ths of an inch although a very small distance makes a noticeable difference in shot speed.

The speed the cue ball obtains from contact of the cue tip is not determined strictly by how fast the cue is moving but rather how far the cue ball is moved during the time frame of the contact period. Deceleration of the cue during tip contact occurs at two places...the tip as it compresses and at the grip where the cue shoves back against the hand. If the distance the tip compresses and the distance the cue pushes back against the grip adds up to at least 18 thousandths the cue will effectively slow down by 1mph which certainly could have a noticeable affect on the outcome of a shot. As you can see from the attached pic the tip alone can compress more than 18 thousandths. If a loose grip gives as much or more curing contact as the tip does it has the potential to effectively slow down the cue more than 1mph. IMO if the grip is held loose it will give quite a bit more(3 to 5 mph) than what the tip will compress using a medium plus to fast stroke. While tightening the grip cannot keep the tip from compressing it can prevent the cue from sliding back against the grip thus retaining more of the cue speed throughout the contact period.


Austrian_HSV_image.gif


you have a collision at a given speed. that is instantaneous...anything you do with a cue stick that takes effect after that collision is irrelevant..

The problem is that the collision in not instantaneous and varies anywhere from 5 tenthousandths to 2 thousandths of a sec depending on the hardness of the tip. The effective speed range for a medium hardness tip is from 0 to 25+ mph for that brief 1/1000th of a second contact. If 1/1000th of a second is so insignificant how can anyone possibly manage to control such a widespread speed range of cue ball speed simply by shooting softer or harder. After the contact has ended I agree with you.

the shooter has no control over anything except where on the CB and how fast the stick is moving when that instantaneous collision takes place..

If that was the complete truth it wouldn't matter what angle the cue tip strikes the cue ball as long as it hits the correct spot on the cue ball. Directional control of the cue is also an important factor.

a super soft tip compared with a very hard tip might have a minor effect.. adding in the neighborhood of a ten thousandth of a second to that contact..

Sorry but a soft tip can double the contact time from .001 to .002 of a sec http://billiards.colostate.edu/threads/cue_tip.html .

but adjusting grip or stroke to adapt to those tiny factions of a second isn't going to get you very far...especially once you add in the effects of chalk,,, how clean or dirty the cloth and balls are... the heat and humidity in the room ...

According to your definition above there is really no such thing as stroke..."the shooter has no control over anything except where on the CB and how fast the stick is moving when that instantaneous collision takes place.."

adapting to conditions is hard enough without trying to adapt your stroke and grip to any given shot... you'll end up chasing your tail.. and never get anywhere...

I don't believe I advocated what you are implying. I simply offered a solution to help correct the problem the OP was having with the draw shot. The OP has to adapt in some fashion or he will lose his draw shot. You should not close your mind to new techniques that could advance your game without even giving them a try.

a better method is to have a proven stroke and grip that you can employ over a range of speeds and adapt that way..

There are a lot of different methods that work well in the game of pool. If your method works well for you then you certainly should stick with it.

less variables equals less things to go wrong...

Absolutely have to agree with this one but on the other hand a closed mind results in a dead end.

You SPF fellows seem to be more inclined to question the science rather than whether the technique works or not. I stated in my first post that I had no scientific proof but that appears to not have mattered. In the end however the proof is in the pudding. I know what I have stated works as I have taught it successfully more that a few players. If I can help the OP(or anyone else for that matter) overcome their problem with draw using the same technique then that is all that matters in the long run.
 
You SPF fellows seem to be more inclined to question the science rather than whether the technique works or not. I stated in my first post that I had no scientific proof but that appears to not have mattered. In the end however the proof is in the pudding. I know what I have stated works as I have taught it successfully more that a few players. If I can help the OP(or anyone else for that matter) overcome their problem with draw using the same technique then that is all that matters in the long run.

you appear to have taken offense that was NOT my intention..

how do you quantify your grip pressures?

how do you teach someone not only several grip pressures but when and why to use them?

I believe it is much better to get to a workable repeatable pressure... same thing every time..

so it's the same thing with one variable changing.. but my variable is necessary..

all pool players regardless of technique.. must shoot at variable speeds..
that is a necessary variable.. you must work on that regardless of who you are..

I agree that there are many schools of thought one mans trash is another mans treasure.. and all that..

whether its 5/10000th of a second or 2/1000th of a second... an eye blink is 4/1000ths of a second.. these are microscopic time frames.

YES you CAN hit a ball accurately doing the pop bottle drill.. gripping tight.. dropping your shoulder and elbow...breaking your wrist... and all that..

I bet there is someone who can come to the table at a full run with the cue stick held out like a sword and get a CB to draw..

but it's not the easiest way to do it..

I train to control one muscle at variable speeds.. and I have gotten pretty good at it..

if you train to make that simple motion involve several muscle groups at varying pressures and speeds.. good for you

but there is an easier way to do it..

simplify..
 
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The variable you mention about tip hardness really isn't an issue, unless you are changing cues or shafts depending on the shot. Most of us use the same cue, and thus, the same tip on every shot, so there is no need to change how we stroke based on the slight difference in contact time.
There are three things we control on every shot...Angle, Speed, and Spin. As you mentioned, the direction the cue is traveling when it makes contact, or angle of attack, the speed the cue is moving when it makes contact, and the spin we apply to the cue ball based on where we make contact.
Since we don't use different tips throughout the game, out contact time is going to remain reletively consistent on all shots. Yours may be slightly different than mine, since you use a different tip, but yours will be consistent, as will mine.
The simplest adjustment to make is with directional speed of the cue, since we need to adjust that on every shot. If that is a mandatory variable, why not make everything else a constant? Introducing multiple variables into different shots makes consistency much more difficult to achieve.
We SPF followers have found that keeping things as simple as possible usually provides the best, and most consistent, result.

Steve
 
You SPF fellows seem to be more inclined to question the science rather than whether the technique works or not. I stated in my first post that I had no scientific proof but that appears to not have mattered. In the end however the proof is in the pudding. I know what I have stated works as I have taught it successfully more that a few players. If I can help the OP(or anyone else for that matter) overcome their problem with draw using the same technique then that is all that matters in the long run.

Who posted that type of info?? WOW, good camera work....SPF=randyg
 
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