Question about intentional swerve

A video of Billiard legend Walter Lindrum showing various sweeping and swooping moves as he manipulates 2 balls along the rail playing nursery cannons. It looks easy, but takes many hours of practice to even start to get a feel for using transfer of side to one's advantage. It seems he goes a step beyond this by manipulating speed and spin with swiping and swooping.
https://www.youtube.com/watch?v=LXEW4Wzh5Ps

Colin,

Watch his bridge hand in the segments along the rail. I'm sure you already know but maybe others should take a look.

There is a certain shot that I have tried to hit with a still bridge hand & I just can't get it to ever come out the same as when I time the stroke with the raising of my bridge hand. It's a high inside hit & in the preparation strokes my bridge hand 'oscillates' or flexes from low to high as I stroke the cue until I then deliver it off of my flexing open bridge.

I'll save the rest for a PM.

Later,
Rick
 
Colin,

Watch his bridge hand in the segments along the rail. I'm sure you already know but maybe others should take a look.

There is a certain shot that I have tried to hit with a still bridge hand & I just can't get it to ever come out the same as when I time the stroke with the raising of my bridge hand. It's a high inside hit & in the preparation strokes my bridge hand 'oscillates' or flexes from low to high as I stroke the cue until I then deliver it off of my flexing open bridge.

I'll save the rest for a PM.

Later,
Rick
It's a common method used in nursery cannon play. I assumed it is mainly a way to enable a soft stroke with less follow through, to avoid double kissing and over or under hitting. I've seen snooker players adopting a similar stroke when trying to play close shot to get a snooker. They actually often miscue deliberately.

Colin
 
As writing this, I realized the cue, being at right angles to the normal line, may be acting like a massive tip end mass. Quite interesting.
Now that you mention it, I remember speculating the same thing in a discussion of the same thing here some years ago.

Or was that my doppelgänger in that parallel universe...?

pj
chgo
 
Now that you mention it, I remember speculating the same thing in a discussion of the same thing here some years ago.

Or was that my doppelgänger in that parallel universe...?

pj
chgo
I think he got banned ;)

It may also be that the 100% side swipe is miscuing but it sounds and feels completely different as the tip doesn't double hit the ball and/or vibration not noticeable.

I just hacked a cue with tip at about 40 degrees, so I could shape a wider area around the miscue zone. It made no difference to how much offset I could achieve.
 
It was you that made the statement above.

I think any unbiased reader can see your personal 'attacks', etc.

I've been advised by AZB personele to ignore you. I don't know why I forgot that advice but you've reminded me why you should be ignored.

May God Bless You Neil.

The reason you were advised to ignore me is because you can't debate worth a lick. And I tend to reply to the nonsense you put on here. You can't handle it, so you always go crying to the mods that I'm attacking you. They got tired of your reporting me, so told you to ignore me. Basically, you couldn't handle the fights you start on here, and always go crying for help.
 
It may also be that the 100% side swipe is miscuing but it sounds and feels completely different as the tip doesn't double hit the ball and/or vibration not noticeable.
With a near 100% side swipe, the hit is definitely beyond the "miscue limit" and the tip slides across the ball (i.e., the tip is not grabbing the ball as with a normal hit within the miscue limit ... the tip is slipping during contact). It sounds and feels much different than a normal miscue shot because there is no significant force along the axis of the cue to create the normal miscue sound, vibration and feel.

Catch you later,
Dave
 
Hi Dave,

It's a good diagram and I see how it can come into play as an aiming compensation method and it's arguable whether this is the best way to go. But it sure is interesting that most of the world's best potters swipe on the type of shots where gearing english has advantages and how so many swipe when attempting heavy side english and masse' type shots.
While filming VEPS, Tom Ross and I had many heated "discussions" about the swoop stroke. Tom was a major swooper and a very good player. Tom and I did many tests and experiments to try to determine if a swoop stroke could apply more spin to the CB (to help settle our "differences of opinion"). Before all of these discussions, tests, and experiments, Tom was a firm believer that the swoop stroke could apply more spin to the CB (seemingly defying the normal miscue limit). After the discussions, tests, and experiments, he was no longer a believer; although, he still used the swoop stroke because that is what he always did, and it worked well for him. He preferred aiming closer to center ball, where it is easier to visualize the exact aim for the shot, and he preferred applying BHE (to compensate for squirt) during the stroke instead of before. It is what came naturally to him, and it is the way he learned to apply english from watching his "old-timer" mentors who did it that way.

Again, I think the main benefit of a swoop stroke is that it allows one to apply the BHE squirt correction during the stroke instead of before the stroke. BHE before the stroke can be awkward, uncomfortable and unnatural to some people. Some, while aiming and aligning a shot, don't like seeing the cue pointing in a different direction than they want the CB to head. Also, some people don't like to change stance and cue alignment after being down on a shot, which is what occurs with a pre-stroke BHE pviot.


I've highlighted what I'll call the swipe component which I think may increase the spin of the CB in that direction, even for a zero offset hit, i.e swipe to center CB.

...

Obviously we can't get that type of pure swipe effect on a CB with a swiping action, but it seems reasonable to me that we could get a part of this effect.
Colin,

I agree that if the swooping speed is significant compared to the forward stroking speed, more spin can be created for a given tip contact point. As Jal's diagram clearly shows, the swooping motion changes the velocity vector of the tip creating a different effective tip offset from center (and if this effective tip offset is beyond the miscue limit, a miscue will occur, with or without swoop). However, this velocity vector change would also change the direction the CB heads (as if the cue were aimed in a different initial direction, along the new velocity vector, with a straight stroke). Obviously, this would not be a good effect when trying to aim a shot with sidespin.

I propose the following test:

Setup a straight shot aimed at a ball frozen to a rail like in Diagram 3 of "HAPS - Part II: BHE and FHE" (BD, December, 2014). Then, using fixed CB and bridge positions, aim to hit the CB directly into the frozen ball with near maximum english (on the horizontal centerline of the CB) with the same speed and with the cue at the same near-level elevation and tip position for each shot. Try multiple attempts using both a straight stroke with pre-stroke BHE, and a swoop stroke (starting with a center-ball alignment and using BHE during the stroke instead). Faster speed is preferable to minimize swerve effects and to help reduce possible variability from one shot to the next. Although, if using a video camera, the shot speeds can be checked later (by looking at the time between the hits of the CB and OB), and shots that aren't close enough to the same speed can be thrown out. If this is being done, any consistent shot speed can be used

If desired, adjust the bridge length so the pre-stroke BHE aim adjustment is as good as possible in compensating for net CB deflection (the combined effects of squirt and swerve), resulting in a square hit on the frozen ball.

Does the CB head in the same direction with both the BHE and swoop strokes? If not, make adjustments in the aims so the CB heads in the same direction for both stroke types. Then remove the frozen ball, and hit the same strokes into the rail. Does the CB come off the cushion at different angles due to spin differences between the different stroke types?

Honestly, I haven't done a set of experiments this complete or careful before, but I intend to. I will post a video online when I can find the time to do the tests and video editing, but I also encourage the swoopers out there to give it a try and report back what they find. I think the test and results could help resolve many of the apparent disagreements in this thread and help improve everybody's understanding of the effects involved.

Catch you later,
Dave
 
Up until now, I haven't addressed the issue of those talking about using an "up stroke", and how effective it is. Earlier, AtLarge posed a question that went ignored. His question was very relevant to the discussion.

I just checked something on my table, which is a Valley. Laying the butt of the cue on the rail, and the cue extending out on the table, I wanted to check how high the tip was off the table with a level cue. Level being a straight line down the center of the cue. Center of butt to center of tip.

I placed a striped ball at the tip, and checked where the tip contacts the ob with a level cue. As level as it can be since it stopped by the rail from going any lower. With a level cue, the bottom portion of the tip, which is what will contact the ob, is a little above the miscue limit (the stripe) on the ob.

Therefore, unless one has the butt of the cue out on the table, which would result in a very long reach, (cue has to have the butt at least 4" out on the bed to be able to stroke it), one can not even shoot with a level cue, let alone with the tip raised to create an upstroke. And, even if one could, it would result in a massive miscue.

Just because some pro says something works, doesn't mean that one should automatically believe it. especially when it is so easily checked and proven to be false. There are a ton of myths out there that have no basis in reality.

So, on a pool table, you can't use an upstroke. On a billiard table, I don't know. It has larger balls, and I don't know the height of the rails on those.
 
I propose the following test:

Setup a straight shot aimed at a ball frozen to a rail like in Diagram 3 of "HAPS - Part II: BHE and FHE" (BD, December, 2014). Then, using fixed CB and bridge positions, aim to hit the CB directly into the frozen ball with near maximum english (on the horizontal centerline of the CB) with the same speed and with the cue at the same near-level elevation and tip position for each shot. Try multiple attempts using both a straight stroke with pre-stroke BHE, and a swoop stroke (starting with a center-ball alignment and using BHE during the stroke instead). Faster speed is preferable to minimize swerve effects and to help reduce possible variability from one shot to the next. Although, if using a video camera, the shot speeds can be checked later (by looking at the time between the hits of the CB and OB), and shots that aren't close enough to the same speed can be thrown out. If this is being done, any consistent shot speed can be used

If desired, adjust the bridge length so the pre-stroke BHE aim adjustment is as good as possible in compensating for net CB deflection (the combined effects of squirt and swerve), resulting in a square hit on the frozen ball.

Does the CB head in the same direction with both the BHE and swoop strokes? If not, make adjustments in the aims so the CB heads in the same direction for both stroke types. Then remove the frozen ball, and hit the same strokes into the rail. Does the CB come off the cushion at different angles due to spin differences between the different stroke types?

Honestly, I haven't done a set of experiments this complete or careful before, but I intend to. I will post a video online when I can find the time to do the tests and video editing, but I also encourage the swoopers out there to give it a try and report back what they find. I think the test and results could help resolve many of the apparent disagreements in this thread and help improve everybody's understanding of the effects involved.
Does anybody have any concerns or recommendations for improvement with the proposed experiment? I would appreciate any input before I dedicate time to it.

Thanks,
Dave
 
... On a billiard table, I don't know. It has larger balls, and I don't know the height of the rails on those.

Yes, you're correct as to why I asked. A 3C ball is about .17" larger in diameter than a pool ball.
 
And then there's going to the table and shooting balls to find out more about reality than listening to the self styled experts who constantly bash pros without testing the information firsthand.

The upstroke bashing here makes the idea look like it's a large, uncontrolled spasm that couldn't happen without a miscue. It simply is a small tip movement that is almost imperceptible, even in person.

I know and can use the stroke when needed, but can't see the difference in my own stroke other than the resulting cue ball action. It's that small. And the reason for its use was touched on here by 3kushn before it turned into a "swoop" thread.

The reason for avoiding the collision in his billiard link was partially the upstroke (God help me for saying it!). The reverse spin moved the ball forward, but the principle of the upstroke wasn't understood enough to be added to the discussion.

Jimmy White explained why side (spin) was a task with an above center stroke in his book. The idea of cueing above center with spin or not is why using the "upstroke" factors into one's game.

The upstroke is a Pinoy staple and learned by SVB in recent years. I investigated it after having many, many discussions about it with Gerry Kanov. It is a fact, but not theater for a trick shot artist. These are two completely different techniques and the reason this thread has moved off topic into "swoop world". The cue is almost never level, so let's get past this flat Earth mentality. We should either learn how the stroke is done and what it can be used for or sit in our self imposed mindset of not accepting new (old) ideas into our way of thinking.

Best,
Mike
 
On a billiard table, I don't know. It has larger balls, and I don't know the height of the rails on those.

The quickest way to answer this is by hand. Not sure the official #'s
The balls are 61.5mm diameter
Measuring my nose height gauge I measure between 36.38mm and 38.06mm.
On my Verhoeven the rail top is approx. 1.5mm higher than the cushion top.
Note these measurements are done by hand with a Starrett Dial Caliper.

Here's the nose height tool for argument sake.

NOSE HEIGHT GAGE.jpg
 
And then there's going to the table and shooting balls to find out more about reality than listening to the self styled experts who constantly bash pros without testing the information firsthand.

The upstroke bashing here makes the idea look like it's a large, uncontrolled spasm that couldn't happen without a miscue. It simply is a small tip movement that is almost imperceptible, even in person.

I know and can use the stroke when needed, but can't see the difference in my own stroke other than the resulting cue ball action. It's that small. And the reason for its use was touched on here by 3kushn before it turned into a "swoop" thread.

The reason for avoiding the collision in his billiard link was partially the upstroke (God help me for saying it!). The reverse spin moved the ball forward, but the principle of the upstroke wasn't understood enough to be added to the discussion.

Jimmy White explained why side (spin) was a task with an above center stroke in his book. The idea of cueing above center with spin or not is why using the "upstroke" factors into one's game.

The upstroke is a Pinoy staple and learned by SVB in recent years. I investigated it after having many, many discussions about it with Gerry Kanov. It is a fact, but not theater for a trick shot artist. These are two completely different techniques and the reason this thread has moved off topic into "swoop world". The cue is almost never level, so let's get past this flat Earth mentality. We should either learn how the stroke is done and what it can be used for or sit in our self imposed mindset of not accepting new (old) ideas into our way of thinking.

Best,
Mike

Where is all this bashing you are talking about?? And, nice of you to take the route you did and try and insult people who think differently than you do while providing not one scintilla of evidence other than "so and so said it works, so I choose to believe him".

Please explain how one can use an upstroke when one can't even get the cue level to start with. Also, care to explain in detail just what the upstroke is supposed to accomplish that can't be accomplished otherwise. I ask you, since you said you have had many discussions about it, and should know it quite well.
 
The upstroke is a Pinoy staple and learned by SVB in recent years. We should either learn how the stroke is done and what it can be used for or sit in our self imposed mindset of not accepting new (old) ideas into our way of thinking.

Best,
Mike

Mike, do you believe the Pinoy's use the pump handle stroke to accomplish this? What I do is move my grip back till uncomfortable which creates a rocking up/down motion. I suppose more of an arm stroke would work but would I think it would require a dropping the elbow. Kinda in-between Pump and Pendulum.
 
If you are controlling the tip then you have your answer...

Tip to cueball contact is not about solid colissions but a compression rebound cycle that has time and distance.. it's about milliseconds but that still allows time for a change in tip elevation thru contact....

Even if it were solid object collision there would be an ascending force vector in the impact equation which has to be considered...

To think the cueing plane is always downward or level is disregarding that the tip moves opposite to the butt end of the cue.. if the butt is dropping thru the stroke the tip has to be rising.....
 
If you are controlling the tip then you have your answer...

Tip to cueball contact is not about solid colissions but a compression rebound cycle that has time and distance.. it's about milliseconds but that still allows time for a change in tip elevation thru contact....

Even if it were solid object collision there would be an ascending force vector in the impact equation which has to be considered...

To think the cueing plane is always downward or level is disregarding that the tip moves opposite to the butt end of the cue.. if the butt is dropping thru the stroke the tip has to be rising.....

And, you aren't realizing that it is still a downward stroke, just less downward.
 
The quickest way to answer this is by hand. Not sure the official #'s
The balls are 61.5mm diameter
Measuring my nose height gauge I measure between 36.38mm and 38.06mm.
On my Verhoeven the rail top is approx. 1.5mm higher than the cushion top.
Note these measurements are done by hand with a Starrett Dial Caliper.

Here's the nose height tool for argument sake.

View attachment 373433

70% ( miscue limit) would then be 43.05 mm. With the rail height you are looking at about 37.9 mm. Then add in half the diameter of your butt on your cue. Looks like you can't get a level stroke on a billiard table either.
 
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