Load your flame throwers with napalm and strike a match....
Here's something I've been doing for the last few days, and it seems to be working for me:
I find that I make a very high percentage of shots when the OB is on a rail. Thick or thin cut doesn't matter; it's like the rail gives me an additional visualization/reference point that helps me line up the CB.
So, I thought "why not imagine a rail where one doesn't exist?" Just draw a rail "in my mind's eye" regardless of where the OB is on the table.
Before trying it, I half-doubted it would work because it would be difficult to imagine/visualize a rail in space. But it turned out to be quite easy and reliable.
The pictures are a very rough approximation:
First pic: I find it helpful to first imagine/visualize the rail from the OB to the pocket.
Second pic: That helps it stick in my mind for when I've "stepped back" from the table to line up the shot:
Third pic: And the imagined rail stays there when I'm down on the shot:
I've used it in combination with my Equal Overlap method although I wonder if I even need to do both...or if that's an amount of overthinking.
Anyway, "I got my flame suit on..." (sung to the melody of Little Red Riding Hood by Sam the Sham and the Pharohs...if you're old enough to know the tune :grin-square:
Here's something I've been doing for the last few days, and it seems to be working for me:
I find that I make a very high percentage of shots when the OB is on a rail. Thick or thin cut doesn't matter; it's like the rail gives me an additional visualization/reference point that helps me line up the CB.
So, I thought "why not imagine a rail where one doesn't exist?" Just draw a rail "in my mind's eye" regardless of where the OB is on the table.
Before trying it, I half-doubted it would work because it would be difficult to imagine/visualize a rail in space. But it turned out to be quite easy and reliable.
The pictures are a very rough approximation:
First pic: I find it helpful to first imagine/visualize the rail from the OB to the pocket.
Second pic: That helps it stick in my mind for when I've "stepped back" from the table to line up the shot:
Third pic: And the imagined rail stays there when I'm down on the shot:
I've used it in combination with my Equal Overlap method although I wonder if I even need to do both...or if that's an amount of overthinking.
Anyway, "I got my flame suit on..." (sung to the melody of Little Red Riding Hood by Sam the Sham and the Pharohs...if you're old enough to know the tune :grin-square:
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