I have a REVO shaft and supposedly "the deflection" should be less than other LD shafts, but when I drive the CB hard, I still get about 1/2 ball deflection at the 8 foot table length on my 9 foot table up against the end rail. As I am practicing English, the normal easy path or moderate path of the CB into the OB, I can allow for the spin of the CB to drive the OB directly to the pocket. But at harder shots, I have to almost aim at the CB directly into the OB for a direct line shot for a 15 degree bend with inside English because of the "deflection" of the CB. I am looking for some guidance along this subject.
A very good way to visualize deflection is to use CJ Wiley's TOI method. I haven't used it enough to advocate for it as a full time system but what it does really, really well is get you to be able to understand deflection.
The gist of it (gotten from youtube, not sharing anything proprietary) is that you line up center to center on the CB and then parallel shift inside to create enough deflection to make the shot.
For straight and almost straight shots you line up center to center.
For medium cuts you line up center to 1/4 ball hit.
For cut shots you line up center to edge.
Then you adjust from there.
So a light cut to the left you would aim center to center and then parallel shift your cb a little (1/2 tip or less) to the left and shoot. The CB will deflect to the right and create the angle to cut the OB slightly back to the left.
Using this system to estimate how much deflection you need on a given shot will build in a great sense of intuition for predicting deflection when you need to adjust for it.
Once you have it figured out with creating deflection to make the shot, then start using it with outside english and predict how much you'll need to 'allow' for deflection.
Again, all with parallel english.
Once you have mastered both of those, then start doing it with bottom and top mixed in and you'll be able to clearly see the effects of Swerve because you will 'know' how much the shot should have deflected vs. how much it swerved back.
Finally, start incorporating back hand english back into it and see how much that changes everything. For me, it gave me a great baseline and if I need to come with that long cut shot with a ton of low inside english...I know exactly where to aim for parallel or backhand english. Usually I use a combination of both and that just becomes another dimension to aiming.
There are some shots where parallel english gives you the path you need for the cb and back hand english will not.