WobblyStroke
Well-known member
So the moral of the story is to never agree to slow mo video of your shot. That's just a good hit all day to the naked eye and only bad nit picky things can happen to you as the shooter.
Ever consider that you stopping his rhythm to set up your camera may have affected his execution?
Tell us how that second hit changed the outcome of the shot.
I disagree. Ignorance is not bliss (unless one is ignorant).
So you think it is a good idea that a bunch of apa players are now going to be filming and analyzing every shot so they don't get cheated?
You detailed the motion of the cue ball but there is no detail of the cue motion. There is what appears achange in direction and a little shimmy after the possible second contact. Yes no?
Too close to call, it goes to the shooter. Filming every shot and calling fouls off of slow mo or sound is ruining this game. These videos 'educating' people are bad for the sport. We play a completely analog game, it should be left that way.
Yep, there are times that it felt like that. You don't see it but feel it.That's my position as well. I rely on the sound of the contact. If it's so slight that it doesn't make a audible click click it's a good hit in my book.double hits can be felt. And if I feel it I call it on myself.
I didn't see any cue ball behavior that would indicate a foul.
Dr Dave & I were both at the International Instructors Summit 2024, Quincy, Illinois for PBIA / ACS Billiard Instructors.
CSI Director of Rules and Referees John Leyman was a presenter. He advised against using the video camera on the phones to determine the legality of a shot.
This was due to the possibility of the camera filling in elements that weren't actually there.
Count me in as another who was skeptical during the presentation.You need to be careful interpreting what you see in videos (especially if the the camera is doing fancy interpolation between existing frames), but this is certainly not as big of a problem as John made it out to be. I wanted to say something during his presentation, but I held my tongue. I am confident there were many others also in the room that were as skeptical as me concerning his statement. Slow motion video from a phone usually (almost always) clearly indicates the correct call, especially with double-hit situations. And when it is not clear, the rules clearly state that the benefit of the doubt goes to the shooter (no foul).
Count me in as another who was skeptical during the presentation.
I still will be on the side of letting the cue ball tell the tale instead of relying on the phone.
I would guess that 99% of the time, the video and explanation by the ref with the video satisfies both players that the call was correct.
It's easy to mistake the flam (drummer term for that double impact sound) for a double hit. It could just be the rapid succession of the initial stroke impact and the sound of ball collision.I have seen instances where you hear a double hit/kiss sound and some argue it's a double hit while others say it's a double kiss.
It's easy to mistake the flam (drummer term for that double impact sound) for a double hit. It could just be the rapid succession of the initial stroke impact and the sound of ball collision.
Ref can't interject on an impending foul, so how is he supposed to get ideal viewing?At normal speed it looks OK.
At slow motion it looks like a double hit.
You don’t really get slow motion in real life unless it’s a major production and can’t really rely on smartphone footage at low light.
I think that the best way to call this shot as a referee is not to rely just on eyesight but also listen to the shot, usually you will hear a double hit in such a situation.
I wouldn't trust a foul called on me with such "hearsay" evidence. I say no foul unless it's obvious, usually by the CB taking an obvious detour from its normal path. That should also limit it to fouls that matter.I think that the best way to call this shot as a referee is not to rely just on eyesight but also listen to the shot, usually you will hear a double hit in such a situation.