It's almost always mechanics. Because when you're playing good you can move around the table and knock balls in and hardly remember looking at the ball.How do you troubleshoot your potting to decide if it is your aim, or mechanics (stance, vision center, grip -stroke) that caused the miss? This has become frustrating for me on long, difficult cut shots.
If you can't see yourself what's going on with video recording, you will probably need to find someone to help. It's best to find someone who has experience at analyzing stroke mechanics.How do you troubleshoot your potting to decide if it is your aim, or mechanics (stance, vision center, grip -stroke) that caused the miss? This has become frustrating for me on long, difficult cut shots.
Such as a recognized SPF instructor.It's best to find someone who has experience at analyzing stroke mechanics.
If he's looking for one of those near him, this would would be a good place to look:Such as a recognized SPF instructor.
There are people who consistently hit a straight shot on one side. Some of them have a straight stroke -- the cue ball goes where the stick was pointed at address.IMO, if its a straight shot it's your mechanics....
How do you troubleshoot your potting to decide if it is your aim, or mechanics (stance, vision center, grip -stroke) that caused the miss? This has become frustrating for me on long, difficult cut shots.
bob you bring up an interesting situationThere are people who consistently hit a straight shot on one side. Some of them have a straight stroke -- the cue ball goes where the stick was pointed at address.
Would you call that mechanics?
How do you troubleshoot your potting to decide if it is your aim, or mechanics (stance, vision center, grip -stroke) that caused the miss? This has become frustrating for me on long, difficult cut shots.
Do you overcut or undercut your misses?How do you troubleshoot your potting to decide if it is your aim, or mechanics (stance, vision center, grip -stroke) that caused the miss? This has become frustrating for me on long, difficult cut shots.
PSR is more about consistent repeatability, finding and staying in YOUR rhythm, that which suits you best. It’s also something that can be depended upon in “big moments”, what some call high pressure situations, to keep you in the moment and to deliver your best stroke and not succumb to the accompanying adrenaline dumps those pivotal moments often create. To see and shoot the shot in front of you, without the importance you’re attaching to that shot in that pivotal moment affecting you and preventing you from delivering your best stroke. To understand that it’s the same shot irrelevant of current circumstances.I play for about 15 yrs. I have a 9 ft table in my basement.
I just finished my 2nd hour session with an instructor.
My biggest mistake is i didnt took lessons 15 yrs ago. My mechanichs were not solid.
Specially PSR.