So while the older violins may sound good, and a lot of people pay a bunch for old guitars vs new ones, the "goodness" of the sound is really in the listener. To some it may just be "different" not better. Also is it better enough even if it's better to pay $500,000 for an instrument vs $1,000 for a decent modern one just for the sound difference? I watched a show about the Stads and attempts to replicate them and other old master violins, which was very close by the way in a fully electronic violin, and while there was a difference in sound even though YouTube and cheap headphones, it was mostly different to me. Yes some were better, but to me, there were 2-3-4 instruments that sounded good, and only one of them was the old one.
I own a cheaper PRS guitar (one of the Korean made one), maybe $700 new now. I think it sounds better and plays better in my hands than any of the $2-3,000 vintage or new Stats or Teles I tried, and better than most Gibsons I tried. In fact one of my favorite Les Pauls is a used Epiphone I got for abut $200, about 25 years old, nice smooth and rich sound. I tried a few real Gibsons, and for the price difference of 5-10 times the Epiphones, I'd stick with the cheaper copies.
Perhaps youngsters will want cues from the New masters.
As an afterthought regarding the question about old master cuemakers. I have a close friend from my time living in the Chicago burbs. He was very close to John Wright and was collecting cues and dealing with John for years. He has several file boxes containing every mailing that John ever sent him. John would buy and sell cues and one of his ways of marketing was to take pictures of his cues and send them monthly to certain collectors.
Well he saved them all with all the pictures and pricing going back quite a few years. They are all cataloged by month and year. It is spectacular with pictures of cues that are incredible. The pricing is itself priceless, some of Gus's cues are $300.00 and as you go through the years you can literally see the price increase. When I first went through it I was amazed and now thinking back it is wonderful he saved them all these years.
Personally I cannot imagine why anyone that loves to play pool would not want one of the old master's cues if they got the opportunity.
Absolutely. Who would you consider a New Master?
Well we got Searing, Ernie, Black Boar, Volmer.... I would say anyone that would sell a cue in the $1,000 range for a basic model may qualify. Would a Southwest be one? Long lines to get one, in demand on secondary market. There are makers like Eric Crisp that hand pick great woods, that is a possible future "master" when his cues are looked at in 30,50 years.
Are there really any innovators now that advanced construction techniques in the past few decades or even last 50 years? I mean a lot of the value of the older cues is that nothing was like them before and they developed and improved on things.
Who these days improves on the cue that much? I mean if we look at some criteria, Predator may be the top "modern master" and so may Cuetec.
If we had a pool cue museum, I would vote that a Predator and a Cuetec hall be there.
Absolutely. Who would you consider a New Master?
Well we got Searing, Ernie, Black Boar, Volmer.... I would say anyone that would sell a cue in the $1,000 range for a basic model may qualify. Would a Southwest be one? Long lines to get one, in demand on secondary market. There are makers like Eric Crisp that hand pick great woods, that is a possible future "master" when his cues are looked at in 30,50 years.
Are there really any innovators now that advanced construction techniques in the past few decades or even last 50 years? I mean a lot of the value of the older cues is that nothing was like them before and they developed and improved on things.
Who these days improves on the cue that much? I mean if we look at some criteria, Predator may be the top "modern master" and so may Cuetec.
Crisp
Diveney
Hulsey
Barenbrugge
Dzuricky
Dieckman
Searing
SW
and others escaping my mind right now
Cuemakers like the above are building the modern bridge between play-ability, clean and solid construction, and innovation. Technology may evolve and update things, but many players are always going to want something unique and well-made to play with.
There are great and revered makers from days of yore that many collectors will always admire. Younger players can also gravitate towards newer makers and create the new vanguard.
No matter what shaft you perfer, many of us like and appreciate work from singular, visionary artists.
Well we got Searing, Ernie, Black Boar,
Crisp
Diveney
Hulsey
Barenbrugge
Dzuricky
Dieckman
Searing
SW
and others escaping my mind right now
Cuemakers like the above are building the modern bridge between play-ability, clean and solid construction, and innovation. Technology may evolve and update things, but many players are always going to want something unique and well-made to play with.
There are great and revered makers from days of yore that many collectors will always admire. Younger players can also gravitate towards newer makers and create the new vanguard.
No matter what shaft you perfer, many of us like and appreciate work from singular, visionary artists.
I get you. But with something like golf, wood is done but for a reason that doesn’t apply to pool. If wood is ever done for pool, it will be for a reason that doesn’t apply to violins. And if wood stays relevant to pool forever it will be a reason that doesn’t apply to ping pong. Even if in some aspects you can relate pool to golf, violins, ping pong and horseback riding.
Back to your original topic, I was first to say I’m interested in owning an old masterwork cue. But to be honest, it’s got sentimentality. To be more honest, it’s because Balabushka was said in Color of Money and I never saw one in person and would love the story/prestige of having one. And if not that, then to adjacently appreciate one from a semi-equivalent legend. But still, same reason. Color of Money.
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As an afterthought regarding the question about old master cuemakers. I have a close friend from my time living in the Chicago burbs. He was very close to John Wright and was collecting cues and dealing with John for years. He has several file boxes containing every mailing that John ever sent him. John would buy and sell cues and one of his ways of marketing was to take pictures of his cues and send them monthly to certain collectors.
Well he saved them all with all the pictures and pricing going back quite a few years. They are all cataloged by month and year. It is spectacular with pictures of cues that are incredible. The pricing is itself priceless, some of Gus's cues are $300.00 and as you go through the years you can literally see the price increase. When I first went through it I was amazed and now thinking back it is wonderful he saved them all these years.
Personally I cannot imagine why anyone that loves to play pool would not want one of the old master's cues if they got the opportunity.
So what is the thought about brands like Predator that are basically the Balabushka or shafts? Or Moori for tips? I mean in cues you basically have a new age after Balabushka, Palmer, etc.. and then you kinda have a second age after Predator came out with the 314 shaft.
While a Gina may be the work of a "master" in quality and detail, the work of Predator did advance cues probably in a more meaningful way than 90% or more of all makers before or after.
So what is the thought about brands like Predator that are basically the Balabushka or shafts? Or Moori for tips? I mean in cues you basically have a new age after Balabushka, Palmer, etc.. and then you kinda have a second age after Predator came out with the 314 shaft.
While a Gina may be the work of a "master" in quality and detail, the work of Predator did advance cues probably in a more meaningful way than 90% or more of all makers before or after. How about the Players HXT line? You get a decently constructed cue with a good LD shaft with a nice tip for almost nothing in relation to the value you get. Would whoever was able to make that cue line a "modern master" because they provided a solid LD shaft with a nice cue that you could use for your whole pool career?
... I love history and that goes fairly deep in this game. Which is why we get the talk of people these days only know balabushka from tcom .....
We can debate playability and product till we're blue in the face but my question was geared towards whether younger players desired Gus and George cues regardless of their playability.
And I believe that's a shame. If George was building cues in this era he'd be one that would have a long waiting list as would Gus as well.
I think the answer is pretty much no.