This morning’s thread on buying collectable cues got me thinking: are cues for collecting or playing?
I know that some (many?) AZBers own multiple high-end cues. I have heard that some collectors own over a hundred cues, and that one collector owns around 100 Scruggs and nearly all of the cues that Mike Cochran made.
I have several cues made by well-known cuemakers (Scruggs, Rauenzahn, Nitti, Kikel, and Frey)—two of them were more than 15 years old and unchalked when I bought them. My feeling is that cues are for playing, and I play with all of them. My cues are in a wall rack next to my table—I see them all the time and can easily grab one and play.
I agree with many of the posters on this morning’s thread that pool cues are not the best investment, and mine are not part of my retirement plan. So, my questions are:
(1) Do collectors play with their cues, are they just for show, or do they sit in cases most of the time?
(2) Do people take their high-end cues to the pool hall?
(3) How do cuemakers feel about having their cues sit in a collection having never been played with? And for the ones who have passed, how do people think they would they feel?
I know that some (many?) AZBers own multiple high-end cues. I have heard that some collectors own over a hundred cues, and that one collector owns around 100 Scruggs and nearly all of the cues that Mike Cochran made.
I have several cues made by well-known cuemakers (Scruggs, Rauenzahn, Nitti, Kikel, and Frey)—two of them were more than 15 years old and unchalked when I bought them. My feeling is that cues are for playing, and I play with all of them. My cues are in a wall rack next to my table—I see them all the time and can easily grab one and play.
I agree with many of the posters on this morning’s thread that pool cues are not the best investment, and mine are not part of my retirement plan. So, my questions are:
(1) Do collectors play with their cues, are they just for show, or do they sit in cases most of the time?
(2) Do people take their high-end cues to the pool hall?
(3) How do cuemakers feel about having their cues sit in a collection having never been played with? And for the ones who have passed, how do people think they would they feel?